Morocco High Atlas Whistle Language Strives for Survival

The Assinsg language replaces spoken words with sharp whistles that can carry for nearly three kilometers (two miles) in the mountains, according to researchers. Abdel Majid BZIOUAT / AFP
The Assinsg language replaces spoken words with sharp whistles that can carry for nearly three kilometers (two miles) in the mountains, according to researchers. Abdel Majid BZIOUAT / AFP
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Morocco High Atlas Whistle Language Strives for Survival

The Assinsg language replaces spoken words with sharp whistles that can carry for nearly three kilometers (two miles) in the mountains, according to researchers. Abdel Majid BZIOUAT / AFP
The Assinsg language replaces spoken words with sharp whistles that can carry for nearly three kilometers (two miles) in the mountains, according to researchers. Abdel Majid BZIOUAT / AFP

In Morocco's High Atlas mountains, shepherds Hammou Amraoui and his son hardly need words to speak. Across peaks, they whistle at each other in a centuries-old language, now jeopardized by rural flight.

"The whistle language is our telephone," joked Hammou, 59, the elder of a family known for the tradition in Imzerri, a hamlet in the remote commune of Tilouguit, about a two-hour drive from the nearest city.

In Tilouguit, Hammou said people learn it "like we learn to walk or to talk".

The Assinsg language replaces spoken words with sharp whistles that can carry for nearly three kilometers (two miles) in the mountains, according to researchers.

"The principle of the language is simple: the words are said in whistles and the key to understanding it is practice," said Hammou's 33-year-old son, Brahim.

"It makes it easier for us to communicate, especially when we're herding our livestock," he added.

Moroccan heritage researcher Fatima Zahra Salih described the whistle language as a cultural "treasure".

For five years, she has studied it to prepare a case for its recognition and protection by the UN's cultural agency UNESCO.

Whistle communication has been documented on nearly every continent, including the Spanish Canary Islands off Morocco's Atlantic coast.

"A little more than 90 languages have a whistled form, documented in scientific publications," said Julien Meyer, a linguist who specializes in the phenomenon.

In Morocco, it has so far only been documented in the Beni Mellal-Khenifra region of the central High Atlas mountain range, but Salih said she cannot rule out its existence elsewhere.

Moving away

Getting to Imzerri requires a climb along a dirt track winding through oak trees.

The village counts roughly 50 houses, none with running water or electricity.

Many families have moved away, threatening the survival of the whistle language.

"Our region is magnificent, but we live in isolation and difficult conditions," said Aicha Iken, 51, who learnt to whistle as a child while tending livestock. "Many of our neighbors have left."

Poverty in Azilal province, where Imzerri lies, has dropped in recent years, but was still double the national average in 2024, at 17 percent.

Yet some families are determined to hold onto their land -- and their whistling tradition.

Brahim Amraoui has made sure his 12-year-old son, Mohamed, was one of the few children in the hamlet who knows how to whistle.

"At first, it was very hard," said Mohamed, who dreams of becoming a pilot. "I could not understand everything, but after two years it's getting better."

His father said it was important to teach him the language, "even if he chooses a different profession".

"My goal is for the whistle language to be preserved," he added.

Since 2022, Brahim has led a small association dedicated to safeguarding the practice.

Whistle language 'disappearing'

It isn't just the villagers' migration to urban areas that has put the language at risk of vanishing.

"The whistle language is disappearing little by little because of environmental degradation," said Meyer.

Drought has gripped Morocco for seven straight years.

In November 2024, for the first time in their history, the Amraoui shepherds left their village to take their livestock on a nearly 350-kilometer journey east in search of pasture. They only came home seven months later.

"The move was painful, but we had no choice," Hammou recalled. "We had nothing left to feed our animals."

Salih said it was due to "climate change", which has "disrupted their pastoral way of life", where there used to be fixed seasonal pastures near their home they could travel between.

"For the first time, they had to practice nomadism," she said of the Amraouis.

The shepherd family has pinned its hopes on potential rainfall this fall, hoping they would not be forced to move again.

But while they wonder whether they will have to, Salih insists on the "urgent need to safeguard" the whistle language before more people leave it behind alongside rural life.



Misk Art Institute to Launch Creative Forum 2026 in September

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
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Misk Art Institute to Launch Creative Forum 2026 in September

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA

Misk Art Institute, a subsidiary of Mohammed bin Salman Foundation (Misk), announced the launch of the Creative Forum 2026, to be held on September 3 and 4 at the King Abdullah Petroleum Studies and Research Center (KAPSARC) in Riyadh.

Over two days, the forum will bring together more than 48 cultural experts, curators, academics, artists, and policymakers from around the world across 16 specialized panel discussions, eight artistic and cultural mentorship sessions covering various topics, and six sessions of the "Coffee with a Cultural Expert" program to examine the rapid transformations taking place in cultural practices amid technological developments, SPA reported.

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change.

It will also examine aspects of storytelling and identity, creative collaboration networks, and the impact of digital transformation and artificial intelligence on today's cultural landscape.

The forum reflects Misk Art Institute's commitment to fostering cultural dialogue at both the regional and international levels and creating spaces for discussion on issues shaping the future of the cultural sector.

It also underscores the importance of preserving the human dimension of creative practice and promoting the exchange of expertise and knowledge, contributing to a thriving creative ecosystem and reinforcing Saudi Arabia's position as a leading regional and international destination for cultural and artistic dialogue.

Since its launch in 2020, the Creative Forum has hosted more than 280 speakers from over 20 countries, attracted more than 14,000 participants, and generated more than three million digital impressions worldwide, reflecting its established position as one of the region's leading cultural events.


Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
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Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)

Painter and sculptor Sliman Mansour, one of the most prominent names in Palestinian art, has died at the age of 79, his family announced.

Mansour, whose vivid artwork depicted both Palestinian traditions and his people's struggles under Israeli occupation, died on Monday at his home in east Jerusalem, his family said.

"The final chapter has been written. With hearts gripped by sorrow beyond description, we announce that our dear father has left this world," the family said in a statement.

"For the world, he leaves behind a life filled with beauty and memories, and a legacy that will continue through everyone whose lives he touched. As for us, we have lost a father who was the source of our love, our strength and our refuge."

Mansour was born in Birzeit, north of Ramallah, in 1947 and studied art and design in Jerusalem, graduating in 1970.

The Palestinian Culture Ministry mourned Mansour, calling him "one of the most important pillars of contemporary Palestinian visual art, whose career over decades formed part of the Palestinian visual and national memory".

The ministry hailed his landmark 1973 painting, "Camel of Hardships", depicting an elderly Palestinian porter carrying the city of Jerusalem on his back, as "an artistic and national icon", adding that his work served "as witness to Palestinian history and guardian of identity".

Mansour was the recipient of numerous awards, among them the UNESCO-Sharjah Prize for Arab Culture in 2019.


Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris
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Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris

The Saudi Ministry of Culture announced on Monday the establishment of a Saudi cultural center in Paris on the sidelines of the visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The center will serve as a platform for promoting Saudi culture and highlighting its historical depth and creative diversity through high-quality cultural programs and initiatives involving French practitioners, institutions and the public.

It will support the international presence of Saudi cultural practitioners, strengthen communication between intellectuals and creative professionals in the two countries, and build strategic partnerships between Saudi and French cultural institutions, facilitating the exchange of expertise and implementation of joint cultural initiatives.

The establishment of the center reflects the continued development of Saudi-French relations and underscores the Kingdom's commitment to strengthening its international cultural presence and presenting an authentic cultural image that introduces the world to its rich heritage and contemporary creative output.