Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
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Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP

One bucket at a time, Palestinian workers cleared sand and crumbling mortar from the remains of an former medieval fortress turned museum in Gaza City, damaged by two years of fighting between Israel and Hamas.

A dozen workers in high visibility jackets worked by hand to excavate the bombarded buildings that remain of the Pasha Palace Museum -- which reputedly once housed Napoleon Bonaparte during a one-night stay in Gaza -- stacking stones to be reused in one pile, and rubble to be discarded in another.

Overhead, an Israeli surveillance drone buzzed loudly while the team toiled in silence.

"The Pasha Palace Museum is one of the most important sites destroyed during the recent war on Gaza City," Hamouda al-Dahdar, the cultural heritage expert in charge of the restoration works, told AFP, adding that more than 70 percent of the palace's buildings were destroyed.

As of October 2025, the UN's cultural heritage agency, UNESCO, had identified damage at 114 sites since the start of the war in Gaza on October 7, 2023, including the Pasha Palace.

Other damaged sites include the Saint Hilarion Monastery complex -- one of the oldest Christian monasteries in the Middle East -- and Gaza City's Omari Mosque.

Issam Juha, director of the Center for Cultural Heritage Preservation, the nonprofit organization in the Israeli-occupied West Bank who is helping coordinate the castle's restoration at a distance, said the main issue was getting materials into Gaza.

"There are no more materials and we are only managing debris, collecting stones, sorting these stones, and have minimal intervention for the consolidation," Juha told AFP.

Israel imposed severe restrictions on the Gaza Strip at the start of the war, causing shortages of everything including food and medicine.

After a US-brokered ceasefire deal came into effect in October, aid trucks began flowing in greater numbers, but each item crossing into Gaza must be approved by strict Israeli vetting, humanitarian organizations say.

Juha said the ceasefire had allowed workers to resume their excavations.

Before, he said, it was unsafe for them to work and "people were threatened by drones that were scanning the place and shooting".

Juha said that at least 226 heritage and cultural sites were damaged during the war, arguing his number was higher than UNESCO's because his teams in Gaza were able to access more areas.

Juha's organization is loosely affiliated with the Ramallah-based Palestinian Authority's ministry of antiquities, he said.

"Our cultural heritage is the identity and memory of the Palestinian people," Dahdar said in Gaza City.

"Before the war, the Pasha's Palace contained more than 17,000 artefacts, but unfortunately all of them disappeared after the invasion of the Old City of Gaza," he said.

He added that his team had since recovered 20 important artefacts dating back to the Roman, Byzantine and Islamic eras.

Gaza's history stretches back thousands of years, making the tiny Palestinian territory a treasure trove of archaeological artefacts from past civilizations including Canaanites, Egyptians, Persians and Greeks.

"We are... salvaging the archaeological stones in preparation for future restoration work, as well as rescuing and extracting any artefacts that were on display inside the Pasha Palace," Dahdar said.

As the pile of excavated rubble already several metres high grew, one craftsman carefully restored a piece of stonework bearing a cross mounted with an Islamic crescent.

Another delicately brushed the dust off stonework bearing Islamic calligraphy.

"We are not talking about just an old building, but rather we are dealing with buildings dating back to different eras," said Dahdar.



Archaeology Team Unearths 'Prototype' of World-famous Stonehenge Monument Just a Few Miles Away

This photo provided by Wessex Archaeology shows archaeologist Phil Harding standing at Stonehenge in May 2026, near Salisbury, England. (Wessex Archaeology via AP)
This photo provided by Wessex Archaeology shows archaeologist Phil Harding standing at Stonehenge in May 2026, near Salisbury, England. (Wessex Archaeology via AP)
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Archaeology Team Unearths 'Prototype' of World-famous Stonehenge Monument Just a Few Miles Away

This photo provided by Wessex Archaeology shows archaeologist Phil Harding standing at Stonehenge in May 2026, near Salisbury, England. (Wessex Archaeology via AP)
This photo provided by Wessex Archaeology shows archaeologist Phil Harding standing at Stonehenge in May 2026, near Salisbury, England. (Wessex Archaeology via AP)

Archaeologists revealed Thursday that they have discovered a structure near the prehistoric stone circle of Stonehenge in southern England that may have served as a “prototype” for the 5,000-year-old Neolithic monument.

A team from the British firm Wessex Archaeology said the structure would have consisted of two wooden poles 120 meters (394 feet) apart and aligned to point directly at the rising sun during the summer solstice and the setting sun at the winter solstice.

Researchers said the discovery predated Stonehenge by around 500 years, The Associated Press reported.

The team was led by archaeologist Phil Harding, who is well known in the UK through his many years of excavations for Channel 4 TV series “Time Team.”

Harding, 76, said the site, which also turned up a treasure trove of finds including pottery, animal bones and a rare disc-shaped knife, was likely to have been a focus for major religious gatherings.

“Opportunities like this probably only come once in a career, in a lifetime,” Harding said. “I’m probably towards the end of my career now, but thank God I’m still in archaeology long enough to be part of this discovery, because it’s certainly the highlight of my career.”

The findings were released ahead of the summer solstice, which falls this year on Sunday, when thousands head to Stonehenge each year to celebrate the longest day of the year in the Northern Hemisphere.

Stonehenge is a symbol of British culture and history and remains one of the country’s biggest tourist draws. The World Heritage Site was built on the flat lands of Salisbury Plain in stages starting 5,000 years ago, with the unique stone circle erected in the late Neolithic period about 2,500 B.C.

The site’s meaning has been the subject of vigorous debate. The most generally accepted interpretation is that it was a temple aligned with movements of the sun — lining up perfectly with the summer and winter solstices.

Researchers who found the structure near Stonehenge carried out the dig at Bulford, 5 kilometers (3.1 miles) from the main stone circle, as part of archaeological work to support the British defense ministry's program to accommodate troops who have been withdrawn in recent years from Germany, where the army had a big footprint for decades. The area around Stonehenge is one of the largest military training grounds and in the UK and Bulford is home to a barracks.

The original excavation took place between 2015 and 2017, with the findings requiring many years of analyses and tests.

English Heritage said other theories about Stonehenge include that it was a coronation place for Danish kings, a druid temple, a cult center for healing, or an astronomical computer for predicting eclipses and solar events.

Whatever the explanation, thousands of people, many dressed as druids and pagans, will gather at the site on Sunday to see the sun rise.

“What few will realize is that 5,000 years ago on a nearby hillside overlooking modern day Bulford, people were doing the exact same thing — revering and celebrating the sunrise on Midsummer’s Day,” said Harding.


Saudi Culture Ministry Launches Guide to Boost International Cultural Trade

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
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Saudi Culture Ministry Launches Guide to Boost International Cultural Trade

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities

The Ministry of Culture launched the guide to the international cultural trade journey in Saudi Arabia in a regulatory step aimed at enabling cultural exchange, facilitating the import and export of cultural goods and services, and boosting the presence of Saudi culture in regional and international markets, in line with the objectives of the National Culture Strategy under Saudi Vision 2030.

The guide provides a comprehensive framework outlining the international cultural trade journey across its various stages, beginning with an introduction to the cultural sector in the Kingdom and its sub-sectors, followed by an overview of import and export pathways, the identification of supporting and enabling entities, and related regulatory and operational guidelines, SPA reported.

The guide serves as a practical reference for stakeholders, including practitioners, creators, cultural companies, government entities, and investors.

The guide also addresses culture-related goods and services as vehicles for identity, values, and ways of life. It presents their classifications across various cultural sectors, including literature, publishing and translation, music, visual arts, film, theater and performing arts, heritage, museums, and other fields, while clarifying the regulatory and procedural requirements for cross-border trade to ensure compliance with regulations, protect cultural content, and safeguard intellectual property rights.

Publishing the guide is part of the ministry's efforts to build a sustainable cultural sector that diversifies the national economy, enhances the Kingdom's soft power through organized cultural exchange, and expands culture-related exports and imports within Saudi Arabia and around the world.


Literature Commission Inaugurates Saudi Pavilion at Beijing International Book Fair 2026

The participation reflects Saudi Arabia's growing presence in the global publishing industry and its efforts to strengthen cultural ties with China. (SPA)
The participation reflects Saudi Arabia's growing presence in the global publishing industry and its efforts to strengthen cultural ties with China. (SPA)
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Literature Commission Inaugurates Saudi Pavilion at Beijing International Book Fair 2026

The participation reflects Saudi Arabia's growing presence in the global publishing industry and its efforts to strengthen cultural ties with China. (SPA)
The participation reflects Saudi Arabia's growing presence in the global publishing industry and its efforts to strengthen cultural ties with China. (SPA)

Saudi Arabia’s Literature, Publishing and Translation Commission inaugurated on Wednesday the Kingdom’s pavilion at the Beijing International Book Fair 2026 that runs through June 21, reported the Saudi Press Agency.

The participation reflects Saudi Arabia's growing presence in the global publishing industry and its efforts to strengthen cultural ties with China.

CEO of the commission Dr. Abdullatif Al-Wasel said the pavilion aims to introduce Saudi literary and intellectual production to Asian audiences, highlight developments in the Kingdom's literature, publishing, and translation sectors, and raise awareness of the Saudi cultural scene through an accompanying program featuring panel discussions and poetry evenings with Saudi writers and intellectuals.

The commission also seeks to strengthen the presence of Saudi publishers in international forums and build professional partnerships with stakeholders in China's publishing industry, supporting opportunities for translation exchange and cultural cooperation, he added.