Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
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Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP

One bucket at a time, Palestinian workers cleared sand and crumbling mortar from the remains of an former medieval fortress turned museum in Gaza City, damaged by two years of fighting between Israel and Hamas.

A dozen workers in high visibility jackets worked by hand to excavate the bombarded buildings that remain of the Pasha Palace Museum -- which reputedly once housed Napoleon Bonaparte during a one-night stay in Gaza -- stacking stones to be reused in one pile, and rubble to be discarded in another.

Overhead, an Israeli surveillance drone buzzed loudly while the team toiled in silence.

"The Pasha Palace Museum is one of the most important sites destroyed during the recent war on Gaza City," Hamouda al-Dahdar, the cultural heritage expert in charge of the restoration works, told AFP, adding that more than 70 percent of the palace's buildings were destroyed.

As of October 2025, the UN's cultural heritage agency, UNESCO, had identified damage at 114 sites since the start of the war in Gaza on October 7, 2023, including the Pasha Palace.

Other damaged sites include the Saint Hilarion Monastery complex -- one of the oldest Christian monasteries in the Middle East -- and Gaza City's Omari Mosque.

Issam Juha, director of the Center for Cultural Heritage Preservation, the nonprofit organization in the Israeli-occupied West Bank who is helping coordinate the castle's restoration at a distance, said the main issue was getting materials into Gaza.

"There are no more materials and we are only managing debris, collecting stones, sorting these stones, and have minimal intervention for the consolidation," Juha told AFP.

Israel imposed severe restrictions on the Gaza Strip at the start of the war, causing shortages of everything including food and medicine.

After a US-brokered ceasefire deal came into effect in October, aid trucks began flowing in greater numbers, but each item crossing into Gaza must be approved by strict Israeli vetting, humanitarian organizations say.

Juha said the ceasefire had allowed workers to resume their excavations.

Before, he said, it was unsafe for them to work and "people were threatened by drones that were scanning the place and shooting".

Juha said that at least 226 heritage and cultural sites were damaged during the war, arguing his number was higher than UNESCO's because his teams in Gaza were able to access more areas.

Juha's organization is loosely affiliated with the Ramallah-based Palestinian Authority's ministry of antiquities, he said.

"Our cultural heritage is the identity and memory of the Palestinian people," Dahdar said in Gaza City.

"Before the war, the Pasha's Palace contained more than 17,000 artefacts, but unfortunately all of them disappeared after the invasion of the Old City of Gaza," he said.

He added that his team had since recovered 20 important artefacts dating back to the Roman, Byzantine and Islamic eras.

Gaza's history stretches back thousands of years, making the tiny Palestinian territory a treasure trove of archaeological artefacts from past civilizations including Canaanites, Egyptians, Persians and Greeks.

"We are... salvaging the archaeological stones in preparation for future restoration work, as well as rescuing and extracting any artefacts that were on display inside the Pasha Palace," Dahdar said.

As the pile of excavated rubble already several metres high grew, one craftsman carefully restored a piece of stonework bearing a cross mounted with an Islamic crescent.

Another delicately brushed the dust off stonework bearing Islamic calligraphy.

"We are not talking about just an old building, but rather we are dealing with buildings dating back to different eras," said Dahdar.



20-Year-Olds Gathering in Kimonos for Coming of Age Day Ceremony in Japan

Kimono-clad Japanese young women take pictures after attending a Coming-of-Age Day ceremony in Yokohama, near Tokyo, Japan, 12 January 2026. EPA/FRANCK ROBICHON
Kimono-clad Japanese young women take pictures after attending a Coming-of-Age Day ceremony in Yokohama, near Tokyo, Japan, 12 January 2026. EPA/FRANCK ROBICHON
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20-Year-Olds Gathering in Kimonos for Coming of Age Day Ceremony in Japan

Kimono-clad Japanese young women take pictures after attending a Coming-of-Age Day ceremony in Yokohama, near Tokyo, Japan, 12 January 2026. EPA/FRANCK ROBICHON
Kimono-clad Japanese young women take pictures after attending a Coming-of-Age Day ceremony in Yokohama, near Tokyo, Japan, 12 January 2026. EPA/FRANCK ROBICHON

Young women in brightly colored long-sleeved kimonos and young men in formal suits or traditional hakama and haori gathered Monday at Yokohama Arena to mark Coming-of-Age Day, an annual celebration for those who have turned 20.

The ceremonies, which are a widely observed public rite of passage in Japan, lasted less than an hour. Before and after the events, young adults gathered near the arena entrance, sidewalks and nearby train stations, greeting friends they had not seen for a long time. Smartphones were raised repeatedly as participants took pictures of each other and themselves.

Among the many participants wearing black and navy suits, a large number of young men chose traditional hakama trousers and haori jackets.

Legally, adulthood in Japan now begins at 18, following a revision of the Civil Code in April 2022. Even so, most local governments continue to hold Coming-of-Age ceremonies for 20-year-olds.

Inside Yokohama Arena, participants stood for the national anthem, then sang Yokohama’s city song together. Many then switched on the lights of their mobile phones, illuminating the hall.


Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture
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Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

The Saudi pavilion at Global Village in Makkah, part of the Makkah winter season, reflects the richness and uniqueness of the Kingdom's culture and heritage.

It features interactive and engaging sections that introduce visitors to the Kingdom’s cultural heritage, including live demonstrations of traditional handicrafts and artwork inspired by the local environment, SPA reported.

The pavilion’s presence at Global Village reflects ongoing efforts to highlight the nation’s cultural heritage, promote its civilizational legacy, and strengthen its cultural presence at major events.


Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner
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Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

The Culinary Arts Commission is participating as a strategic partner in the 17th Klija Festival, held in the city of Buraidah and running until January 17, under the patronage of Qassim Region Governor Prince Dr. Faisal bin Mishaal.

The commission’s involvement comes as part of its strategy to support events and festivals specializing in Saudi culinary arts by highlighting national and regional dishes and showcasing the Kingdom’s culinary and cultural diversity, SPA reported.

The festival features several zones and interactive activities aimed at supporting families working in the cottage industry and local artisans who produce Klija, while introducing visitors to its history and authenticity as a regional dish of Qassim, in addition to offering live demonstrations and unique interactive experiences.

During the festival, the commission is also presenting a selection of books available for viewing and purchase.