Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
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Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP

One bucket at a time, Palestinian workers cleared sand and crumbling mortar from the remains of an former medieval fortress turned museum in Gaza City, damaged by two years of fighting between Israel and Hamas.

A dozen workers in high visibility jackets worked by hand to excavate the bombarded buildings that remain of the Pasha Palace Museum -- which reputedly once housed Napoleon Bonaparte during a one-night stay in Gaza -- stacking stones to be reused in one pile, and rubble to be discarded in another.

Overhead, an Israeli surveillance drone buzzed loudly while the team toiled in silence.

"The Pasha Palace Museum is one of the most important sites destroyed during the recent war on Gaza City," Hamouda al-Dahdar, the cultural heritage expert in charge of the restoration works, told AFP, adding that more than 70 percent of the palace's buildings were destroyed.

As of October 2025, the UN's cultural heritage agency, UNESCO, had identified damage at 114 sites since the start of the war in Gaza on October 7, 2023, including the Pasha Palace.

Other damaged sites include the Saint Hilarion Monastery complex -- one of the oldest Christian monasteries in the Middle East -- and Gaza City's Omari Mosque.

Issam Juha, director of the Center for Cultural Heritage Preservation, the nonprofit organization in the Israeli-occupied West Bank who is helping coordinate the castle's restoration at a distance, said the main issue was getting materials into Gaza.

"There are no more materials and we are only managing debris, collecting stones, sorting these stones, and have minimal intervention for the consolidation," Juha told AFP.

Israel imposed severe restrictions on the Gaza Strip at the start of the war, causing shortages of everything including food and medicine.

After a US-brokered ceasefire deal came into effect in October, aid trucks began flowing in greater numbers, but each item crossing into Gaza must be approved by strict Israeli vetting, humanitarian organizations say.

Juha said the ceasefire had allowed workers to resume their excavations.

Before, he said, it was unsafe for them to work and "people were threatened by drones that were scanning the place and shooting".

Juha said that at least 226 heritage and cultural sites were damaged during the war, arguing his number was higher than UNESCO's because his teams in Gaza were able to access more areas.

Juha's organization is loosely affiliated with the Ramallah-based Palestinian Authority's ministry of antiquities, he said.

"Our cultural heritage is the identity and memory of the Palestinian people," Dahdar said in Gaza City.

"Before the war, the Pasha's Palace contained more than 17,000 artefacts, but unfortunately all of them disappeared after the invasion of the Old City of Gaza," he said.

He added that his team had since recovered 20 important artefacts dating back to the Roman, Byzantine and Islamic eras.

Gaza's history stretches back thousands of years, making the tiny Palestinian territory a treasure trove of archaeological artefacts from past civilizations including Canaanites, Egyptians, Persians and Greeks.

"We are... salvaging the archaeological stones in preparation for future restoration work, as well as rescuing and extracting any artefacts that were on display inside the Pasha Palace," Dahdar said.

As the pile of excavated rubble already several metres high grew, one craftsman carefully restored a piece of stonework bearing a cross mounted with an Islamic crescent.

Another delicately brushed the dust off stonework bearing Islamic calligraphy.

"We are not talking about just an old building, but rather we are dealing with buildings dating back to different eras," said Dahdar.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.