Archaeologists Lift the Lid on a 1,700-year-old Roman Sarcophagus Hidden beneath Budapest

This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)
This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)
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Archaeologists Lift the Lid on a 1,700-year-old Roman Sarcophagus Hidden beneath Budapest

This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)
This photo released by Budapest History Museum shows an intact Roman sarcophagus after its lid was lifted at an archeological site in Budapest, Hungary, Sept. 30, 2025. (Gabor Lakos, Budapest History Museum via AP)

A remarkably well-preserved Roman sarcophagus has been unearthed in Hungary’s capital, offering a rare window into the life of the young woman inside and the world she inhabited around 1,700 years ago.

Archaeologists with the Budapest History Museum discovered the limestone coffin during a large-scale excavation in Óbuda, a northern district of the city that once formed part of Aquincum, a bustling Roman settlement on the Danube frontier.

Untouched by looters and sealed for centuries, the sarcophagus was found with its stone lid still fixed in place, secured by metal clamps and molten lead. When researchers carefully lifted the lid, they uncovered a complete skeleton surrounded by dozens of artifacts, The AP news reported.

“The peculiarity of the finding is that it was a hermetically sealed sarcophagus. It was not disturbed previously, so it was intact,” said Gabriella Fényes, the excavation’s lead archaeologist.

The coffin lay among the ruins of abandoned houses in a quarter of Aquincum vacated in the 3rd century and later repurposed as a burial ground. Nearby, researchers uncovered a Roman aqueduct and eight simpler graves, but none approaching the richness or pristine condition of the sealed tomb.

Keeping with Roman funerary customs, the sarcophagus held an array of objects: two completely intact glass vessels, bronze figures and 140 coins. A bone hair pin, a piece of amber jewelry and traces of gold-threaded fabric, along with the size of the skeleton, point to the grave belonging to a young woman.

The objects, Fényes said, were “items given to the deceased by her relatives for her eternal journey.”

“The deceased was buried very carefully by her relatives. They must have really loved who they buried here,” she said.

During the Roman period, much of what is now Hungary formed the province of Pannonia, whose frontier ran along the right bank of the Danube River less than a mile (1.6 kilometers) from the site. A short distance away stood a legionary camp guarding the empire’s border, and the newly found structures are believed to have been part of the civilian settlement that grew around it.

Anthropologists will now examine the young woman’s remains, a process expected to reveal more about her age, health and origins. But even now, the grave’s placement and abundance of artifacts offer strong clues.

The sarcophagus and its contents “definitely make it stand out,” said Gergely Kostyál, a Roman-period specialist and coleader of the project. “This probably means that the deceased was well-to-do or of a higher social status.”

“It is truly rare to find a sarcophagus like this, untouched and never used before, because in the fourth century it was common to reuse earlier sarcophagi,” he added. “It is quite clear that this sarcophagus was made specifically for the deceased.”

Excavators also removed a layer of mud roughly 4 centimeters (1.5 inches) thick from inside the coffin that Fényes hopes could contain more treasures.

“I suspect we could find jewelry. We haven’t found any earrings or other jewelry belonging to the woman, so I hope that these small items will turn up during the sifting of the mud,” she said.

For Fényes, the discovery of the Roman sarcophagus is not only of scientific significance, but an emotionally resonant insight into the devotion displayed by people in an ancient time.

“I was very touched by the care and expression of love that we were able to get a glimpse of,” she said. “Even now, I shudder to think how painful it must have been for the people at that time to bury this young lady.”



Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
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Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)

Iraq is home to ruins from some of the world's earliest civilizations, but teams led by international archaeologists have been forced by drone and rocket attacks in the Middle East war to cut short their expeditions.

Archaeologists told AFP that some of the projects interrupted by the war had been planned for years, but their teams have had to evacuate ancient sites since the United States and Israel attacked Iraq's neighbor, Iran.

Like other countries around the region, Iraq has become engulfed in the war, bringing to an abrupt end a period of nascent stability.

Iraq's precious archaeological sites, some dating back thousands of years, had for years faced threats ranging from climate change to successive conflicts.

Under normal circumstances, around 60 international teams would have been working on digs, a government official told AFP, but "all of these missions have left Iraq".

- 'Like a musician' -

Adelheid Otto of Germany's Ludwig-Maximilians-University started a long-planned dig at ancient Shuruppak, modern-day Tell Fara, on February 28.

That same day, Israel and the US launched strikes against Iran, sparking a war that has dragged Iraqi armed groups into the fray -- and cutting short Otto's work.

"We are Near Eastern archaeologists. So that is our work. That is like a musician who can no longer play an instrument," she told AFP.

Her team -- 18 German archaeologists, geologists, geophysical experts and students and seven Iraqi archaeologists -- initially stayed, reasoning travelling the 750 kilometers (460 miles) overland to Türkiye was more dangerous.

"After some days we got kind of used to the rockets and drones above our heads," she said.

But Iraqi officials repeatedly urged them to depart, despite their discovery of ancient cuneiform tablets.

"It is impossible" to leave, she told authorities, insisting on staying extra days. "We have to document it. We have to take photos of everything."

"I told the students you have to work on all the small finds that we have," said Otto, 59, who boasts four decades of experience.

"You never know in any of these countries if you will ever return," she said.

- 'Guarantors' -

Many German institutions had just started relaxing travel restrictions to Iraq after a succession of conflicts, including the 2003 US-led invasion and the extremist ISIS group.

Now, said Otto, archaeologists once again face being shut out.

Iraq's State Board of Antiquities and Heritage head Ali Obeid Shalgham told AFP Iraqi security forces were the sites' "true guarantors", especially as many are in remote rural areas.

He said the country is installing so-called protective "blue shields" -- nicknamed "the Red Cross of heritage" -- at archaeological sites.

The presence of foreign teams is "crucial", said Aqeel al-Mansrawi, an Iraqi landscape archaeologist.

"They work to protect heritage through conservation," he said.

He also emphasized the training Iraqi experts receive from foreigners, vital after years of isolation and war.

"We are always training a lot of Iraqi archaeologists and colleagues," said Otto, of the German institute.

"If it would be cut again, it would be terrible," she said.

Foreign digs must work with Iraqi archaeologists, bringing their international expertise.

Shalgham said the arrangement allows Iraqis "to keep up with global advancements in new technologies and state-of-the-art equipment".

- 'Can't catch a break' -

Chicago University professor Augusta McMahon was in southern Iraq, working at the 6,000-year-old Nippur site, when the war began.

Having worked in the Middle East for almost four decades, this was her third evacuation.

In 2024, she had to leave Iraq, while in 2011, she left Syria.

"We had pressure from a lot of different directions in terms of having to leave," she said, with her eight-person team departing under an Iraqi escort on March 10.

"It is quite frustrating, along with everything else, I feel terribly bad for [my] Iraqi colleagues," she said.

The war has also rippled beyond the immediate: an initiative to finally return the preeminent Rencontre Assyriologique Internationale (RAI) conference to Iraq was cancelled by the University of Baghdad.

The city last attempted to host the event in 1990, according to the university, but it was scrapped with the Gulf War.

"Now 36 years later, they finally pulled themselves together... and it's cancelled again," said McMahon, who was due to be presenting.

"It's like they can't catch a break."


Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
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Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)

Thieves made off with three paintings by Renoir, Cézanne and Matisse worth millions of euros (dollars) from a museum near the city of Parma in northern Italy, police said on Monday.

The heist took place on the night of March 22-23, with thieves forcing open the entrance door, The Associated Press quoted police as saying.

The three stolen paintings are “Fish” by Auguste Renoir, “Still Life with Cherries” by Paul Cézanne, and “Odalisque on the Terrace” by Henri Matisse.

The Magnani Rocca Foundation, a private museum, lies in the heart of the countryside 20 kilometers (12 miles) from Parma.

Local media reported that the thieves were able to nab the paintings in less than three minutes and escape across the museum gardens.

Established in 1977, the foundation hosts the collection of the art historian Luigi Magnani and also includes works by Dürer, Rubens, Van Dyck, Goya and Monet.

The museum believes a structured and organized gang was responsible for the theft, which was interrupted by the alarm, local media reported.

The museum didn't post any statement about the theft on its website and wasn't reachable for a comment, as it is closed on Monday.

The crime in Parma comes after a series of high-profile heists at major European museums, including a major incident in October where thieves stole jewels and other items worth 88 million euros ($101 million) from the Louvre in Paris.


Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
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Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)

US and Israeli strikes on Iran have damaged at least 120 culturally or historically significant sites across the country since the start of the war, the head of Tehran city council's heritage committee said.

"At least 120 museums, historical buildings and cultural sites across various provinces were directly targeted and sustained serious structural damage," said Ahmad Alavi.

He was quoted by state TV as naming UNESCO-listed Golestan Palace -- sometimes likened to Versailles -- as well as Tehran's Marble Palace, Teymourtash house and Saadabad Palace.

One of the capital's most visited sites, the Saadabad Palace complex includes an extensive park and museums dedicated to Iranian history.

In addition to the cultural institutions, it also houses the residences of the Iranian president and governor of Tehran province, with judicial and Revolutionary Guards facilities located nearby.

The United States and Israel launched their campaign against Iran on February 28, killing its supreme leader and setting off a war that has since embroiled practically all of the Middle East.

Iran, whose history spans several millennia, possesses significant cultural heritage that has largely been spared from mass tourism.

According to the UN, at least four of the country's 29 UNESCO-listed sites have been damaged in the war: Golestan Palace, Chehel Sotoun Palace in Isfahan, the Masjed-e Jame mosque in the same city, and the prehistoric sites of the Khorramabad Valley.