Visual Arts Commission Announces Art and Ideas Riyadh Initiative

Visual Arts Commission Announces Art and Ideas Riyadh Initiative
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Visual Arts Commission Announces Art and Ideas Riyadh Initiative

Visual Arts Commission Announces Art and Ideas Riyadh Initiative

The Visual Arts Commission announced the upcoming edition of its Art and Ideas initiative, taking place 14–15 December 2025 at Prince Mohammad bin Salman City “Misk City”.

After the success of its Paris and Seoul iterations, Art and Ideas initiative launches a new edition in Riyadh to bookend the year with an exciting new program. This annual initiative takes its new mission line as a launchpad to present ideas that will shape the visual arts' future, SPA reported.

According to a press release issued by the commission today, the title, "Art and Ideas: in Action," emphasizes the relationship between theory and practice, intention and execution. Each session gathers distinguished practitioners from various creative fields such as curation, media and technology to present perspectives that broaden audience’s understanding of the arts landscape and highlight the ideas that are shaping our present moment. Framing the visual arts as a record of the times in which they are conceived and presented, "Art and Ideas: in Action" stresses the Visual Arts Commission's commitment to supporting an ever-evolving art landscape.

CEO of the Visual Arts Commission Dina Amin said that “the initiative launched this year as a cross-city dialogue, traveling between Seoul and Paris. Today, it returns to its home—Riyadh under the theme ‘Art and Ideas: In Action.’ Riyadh now stands as a global platform for cultural exchange, collective exploration, and the building of lasting bridges between artistic communities, aligned with the commission’s vision to foster dialogue and to establish a thriving and sustainable artistic ecosystem.”

The release added that the two-day program features four panel discussions and two keynote presentations, hosting distinguished speakers from Saudi Arabia and around the world. These sessions explore the intersections of visual arts with technology, learning, gaming, and contemporary thought, in addition to discussions on building a future-ready art ecosystem and fostering community-driven initiatives.

Driven by the Kingdom’s ambition to create a profound and lasting movement in the fields of arts and culture, the initiative dedicates its efforts to supporting diversity, encouraging experimentation, and strengthening global connectivity. It continues to expand its role by creating spaces that bring together artists, curators, innovators, and cultural thinkers, enabling the exchange of knowledge and perspectives and fostering creative dialogue. Through this convergence of practitioners and experts, the initiative sheds light on current issues and lived experiences that shape the contemporary art landscape and contribute to defining the legacy of Saudi visual art in an ever-changing world.

This edition of Art and Ideas is held in Misk City, which is a destination that fosters arts and innovation within a broader cultural and knowledge-driven ecosystem. Its innovative spaces attract artists and creators, offering platforms for dialogue and artistic exploration. Its presence in this context reflects a vision that places people and creativity at the heart of urban development, aligning with national efforts to support distinctive initiatives such as Zawaya and Afkar.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.