Before Dawn, Ancient Drum Rite Wakes Istanbul Faithful to Fast

Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
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Before Dawn, Ancient Drum Rite Wakes Istanbul Faithful to Fast

Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)

It's 3:30 am and lights are slowly coming on in the homes lining a narrow Istanbul street as people are woken up by the rhythmic thump of a drum.

Emerging onto a balcony, Sibel Savas and her grandson look down as the drummer -- or davulcu in Turkish -- wanders through the Ayvansaray neighborhood, his drumbeat waking the faithful for a last meal before the daily Ramadan fast begins at sunrise.

For the past 55 years, Hakan Ozbingol has got up at 3:00 am every day during Ramadan to play his davul, a large double-headed drum carried with a strap and played while walking through the streets.

He inherited the role from his father, with whom he started venturing out when he was 10.

Although their nightly sortie is purely voluntary, local residents traditionally give a tip at the end of the month, says Ozbingol, who is now 65.

If once this amounted to enough to buy the children a nice gift, these days it's barely enough "to buy them clothes or to cover the bills", he sighs, as people struggle to cope with Türkiye's bitter economic crisis.

But for him, it's not a job but more of a sacred duty.

"As long as it's to do with Allah, this drum will never fall silent. We're doing Allah's work, it's our duty," he said hoarsely, trudging with bent back through the winding streets.

- Ottoman roots -

According to Harun Korkmaz, a music historian at Istanbul University, the Ramadan drum rite "dates back to the end of the 19th century" when the Ottoman military bands, or mehters, performed several times a day, setting the pace of daily life.

"The davulcu are continuing this tradition," he told AFP of a tradition that began in Istanbul and spread to the rest of the country.

As well as drumming, "real" davulcu will also chant "mani", or short rhythmic poems, under people's windows to flatter a sleepy audience, Ozbingol explained.

"In Türkiye, there are few davulcus who know how to sing mani. It's not enough to pick up the drum and bang on it while walking around," he said, proudly tapping his temple to show where he keeps this knowledge.

The tradition began in the Fatih district near Istanbul's historic peninsula, and most of today's Ramadan drummers come from Türkiye's Roma community, who today number around 2.7 million, research figures show.

As the davulcu walks the street where washing lines vie for space with Turkish flags draped from the high facades of the buildings, he is warmly greeted by a pensioner called Zafer, who is also a musician.

"If the Roma weren't here there would be nothing. They are the musicians and Istanbul's Ramadan drummers," the 71-year-old told AFP.

- 'A tradition that must not die' -

Still holding her grandson, Sibal Savas says she has no alarm clock and relies on the early-morning drum rite to wake her up.

"This tradition is important to us this. It comes from our ancestors," she told AFP.

In a nearby street, another drummer, 58-year-old Yurdaer, is trying to play a little more quietly as he passes the home of an elderly neighbor who has heart problems.

Across Istanbul, Türkiye's largest city, there are a total of 3,000 davulcu who go out nightly to wake the faithful in 961 neighborhoods, explains Selami Aykut, who heads an organization representing the megacity's local mayors.

Since the pandemic, when the nightly rite was briefly halted, the authorities doubled the number of accredited drummers.

"We have increased the number we work with in order to better pass on our Ottoman traditions to young people, so that they can feel the excitement of Ramadan," Aykut told AFP.

With street vendors hawking traditional foods increasingly scarce across the city's streets, their services replaced by supermarkets, the davulcu is one rare tradition not at risk of disappearing due to his unique role at Ramadan.

"There are no more people selling boza (a fermented cereal-based drink), no more yoghurt sellers, nor other street vendors -- they've almost all disappeared," said Ozbingol.

"Only the davulcu are left," he murmurs, wandering off up the street.



Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."


Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
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Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)

More than 200 years after being sunk by Adm. Horatio Nelson and the British fleet, a Danish warship has been discovered on the seabed of Copenhagen Harbor by marine archaeologists.

Working in thick sediment and almost zero visibility 15 meters (49 feet) beneath the waves, divers are in a race against time to unearth the 19th-century wreck of the "Dannebroge" before it becomes a construction site in a new housing district being built off the Danish coast.

Denmark’s Viking Ship Museum, which is leading the monthslong underwater excavations, announced its findings on Thursday, 225 years to the day since the Battle of Copenhagen in 1801.

“It’s a big part of the Danish national feeling,” said Morten Johansen, the museum’s head of maritime archaeology.

A great deal has been written about the battle “by very enthusiastic spectators, but we actually don’t know how it was to be onboard a ship being shot to pieces by English warships and some of that story we can probably learn from seeing the wreck,” Johansen said. The Associated Press was the only international outlet given access to the site.

In the Battle of Copenhagen, Nelson and the British fleet attacked and defeated Denmark’s navy as it formed a protective blockade outside the harbor.

Thousands were killed and wounded during the brutal hourslong naval clash, considered one of Nelson’s “great battles.” The intention was to force Denmark out of an alliance of Northern European powers, including Russia, Prussia and Sweden.

At the center of the fighting was the Danish flagship, the Dannebroge, commanded by Commodore Olfert Fischer.

The 48-meter (157-foot) Dannebroge was Nelson’s main target. Cannon fire tore through its upper deck before incendiary shells sparked a fire aboard.

“(It was) a nightmare to be on board one of these ships,” Johansen said. “When a cannonball hits a ship, it’s not the cannonball that does the most damage to the crew, it’s wooden splinters flying everywhere, very much like grenade debris.”

The battle also is believed to have inspired the phrase “to turn a blind eye.” After deciding to ignore a superior’s signal, Nelson, who had lost sight in his right eye, reportedly remarked: “I have only one eye, I have a right to be blind sometimes.”

Nelson eventually offered a truce and a ceasefire was later agreed with Denmark’s Crown Prince Frederik.

The stricken Dannebroge slowly drifted northward and exploded. Records say the sound created a deafening roar across Copenhagen.

Marine archaeologists have discovered two cannons, uniforms, insignia, shoes, bottles and even part of a sailor’s lower jaw, perhaps one of the 19 unaccounted-for crew members who likely lost their lives that day.

The dig site will soon be enveloped by construction work for Lynetteholm, a megaproject to build a new housing district in the middle of Copenhagen Harbor that is expected to be completed by 2070.

Marine archaeologists began surveying the area late last year, targeting a spot thought to match the flagship’s final position.

Experts say the sizes of the wooden parts found match old drawings. Dendrochronological dating, the method of using tree rings to establish the age of wood, match the year the ship was built. They also say the darkened dig site is full of cannonballs, a hazard for divers navigating waters darkened by clouds of silt stirred up from the seabed.

“Sometimes you can’t see anything, and then you really have to just feel your way, look with your fingers instead of with your eyes,” diver and maritime archaeologist Marie Jonsson said.

Chronicled in books and painted on canvases, the 1801 battle is deeply embedded in Denmark’s national story.

Archaeologists hope their discoveries may help reexamine the event that shaped the Scandinavian country and perhaps uncover personal stories of those who went into battle on that day 225 years ago.

“There are bottles, there are ceramics, and even pieces of basketry,” Jonsson said. “You get closer to the people onboard.”


Priceless Ancient Golden Helmet Stolen from Dutch Museum Is Recovered

A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)
A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)
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Priceless Ancient Golden Helmet Stolen from Dutch Museum Is Recovered

A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)
A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)

A priceless ancient golden helmet from Romania stolen last year from a museum in the Netherlands has been recovered, Dutch authorities announced Thursday.

Under the guard of heavily armed, balaclava-clad police, prosecutors unveiled the 2,500-year-old Cotofenesti helmet, one of Romania’s most revered national treasures from the Dacia civilization, during a news conference in the eastern Dutch city of Assen.

“We are incredibly pleased,” Corien Fahner of the prosecution service told reporters. “It has been a roller-coaster. Especially for Romania, but also for employees of the Drents Museum.”

The helmet was on display at the small museum in January 2025, the last weekend of a six-month-long exhibition, when thieves broke in and grabbed it, along with three golden wristbands.

There were fears the helmet may have been melted down because its fame and dramatic studded appearance made it virtually unsellable.

Two of three missing armbands were also recovered as part of a deal prosecutors reached with three men arrested for the heist shortly after it occurred. Their trial will begin later in April.

Fahner said the search for the remaining armband would continue.

The helmet did not return unscathed.

“The helmet is slightly dented, but there will be no permanent damage,” Drents Museum director Robert van Langh said during the news conference. “The armbands are in perfect condition.”

Thieves used a homemade firework bomb and sledgehammer to break into the museum. Grainy security video distributed by police after the raid appeared to show three people opening a museum door with a large crowbar, followed by an explosion.

The theft put a strain on relations between the Netherlands and Romania

Romanian Justice Minister Radu Marinescu last year called the incident a “crime against our state” and said recovering the artifacts “is an absolute priority.”