Before Dawn, Ancient Drum Rite Wakes Istanbul Faithful to Fast

Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
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Before Dawn, Ancient Drum Rite Wakes Istanbul Faithful to Fast

Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)

It's 3:30 am and lights are slowly coming on in the homes lining a narrow Istanbul street as people are woken up by the rhythmic thump of a drum.

Emerging onto a balcony, Sibel Savas and her grandson look down as the drummer -- or davulcu in Turkish -- wanders through the Ayvansaray neighborhood, his drumbeat waking the faithful for a last meal before the daily Ramadan fast begins at sunrise.

For the past 55 years, Hakan Ozbingol has got up at 3:00 am every day during Ramadan to play his davul, a large double-headed drum carried with a strap and played while walking through the streets.

He inherited the role from his father, with whom he started venturing out when he was 10.

Although their nightly sortie is purely voluntary, local residents traditionally give a tip at the end of the month, says Ozbingol, who is now 65.

If once this amounted to enough to buy the children a nice gift, these days it's barely enough "to buy them clothes or to cover the bills", he sighs, as people struggle to cope with Türkiye's bitter economic crisis.

But for him, it's not a job but more of a sacred duty.

"As long as it's to do with Allah, this drum will never fall silent. We're doing Allah's work, it's our duty," he said hoarsely, trudging with bent back through the winding streets.

- Ottoman roots -

According to Harun Korkmaz, a music historian at Istanbul University, the Ramadan drum rite "dates back to the end of the 19th century" when the Ottoman military bands, or mehters, performed several times a day, setting the pace of daily life.

"The davulcu are continuing this tradition," he told AFP of a tradition that began in Istanbul and spread to the rest of the country.

As well as drumming, "real" davulcu will also chant "mani", or short rhythmic poems, under people's windows to flatter a sleepy audience, Ozbingol explained.

"In Türkiye, there are few davulcus who know how to sing mani. It's not enough to pick up the drum and bang on it while walking around," he said, proudly tapping his temple to show where he keeps this knowledge.

The tradition began in the Fatih district near Istanbul's historic peninsula, and most of today's Ramadan drummers come from Türkiye's Roma community, who today number around 2.7 million, research figures show.

As the davulcu walks the street where washing lines vie for space with Turkish flags draped from the high facades of the buildings, he is warmly greeted by a pensioner called Zafer, who is also a musician.

"If the Roma weren't here there would be nothing. They are the musicians and Istanbul's Ramadan drummers," the 71-year-old told AFP.

- 'A tradition that must not die' -

Still holding her grandson, Sibal Savas says she has no alarm clock and relies on the early-morning drum rite to wake her up.

"This tradition is important to us this. It comes from our ancestors," she told AFP.

In a nearby street, another drummer, 58-year-old Yurdaer, is trying to play a little more quietly as he passes the home of an elderly neighbor who has heart problems.

Across Istanbul, Türkiye's largest city, there are a total of 3,000 davulcu who go out nightly to wake the faithful in 961 neighborhoods, explains Selami Aykut, who heads an organization representing the megacity's local mayors.

Since the pandemic, when the nightly rite was briefly halted, the authorities doubled the number of accredited drummers.

"We have increased the number we work with in order to better pass on our Ottoman traditions to young people, so that they can feel the excitement of Ramadan," Aykut told AFP.

With street vendors hawking traditional foods increasingly scarce across the city's streets, their services replaced by supermarkets, the davulcu is one rare tradition not at risk of disappearing due to his unique role at Ramadan.

"There are no more people selling boza (a fermented cereal-based drink), no more yoghurt sellers, nor other street vendors -- they've almost all disappeared," said Ozbingol.

"Only the davulcu are left," he murmurs, wandering off up the street.



French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
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French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)

The oldest bridge in Paris has begun to vanish this week, as the artist JR — who is known as the “French Banksy” — began inflating a giant “cave” over the Pont Neuf.

The monumental, rocky illusion is swallowing the 17th-century landmark, which has carried Parisians across the Seine for more than 400 years. By Thursday, it looked as if a prehistoric cliff had risen in the heart of the city.

The inflation process, which was carried out overnight — after being delayed by bad weather — is the most dramatic stage yet of a project more than a year in the making.

One of the most ambitious public artworks Paris has seen in decades, which has been funded by the sale of JR’s work and a handful of corporate partners, does not open to the public until June 6.

“We’re about to leave something pretty incredible in the middle of Paris,” JR told The Associated Press earlier this year at his studio in the city’s east, wearing his trademark hat and shades.

The transformation of the bridge has been documented by the AP since March with time-lapse cameras, including one fixed on a rooftop terrace high above the river, watching the bridge slowly disappear day by day.

From the outside, the installation looks like a rocky mass that “literally” breaks the landscape, said JR, who is famous for pasting enormous photographs on buildings, walls and rooftops around the world. This time he wanted Parisians to do something unusual on their busiest bridge: stop.

Visitors will be able to walk for free through a long, dark tunnel that lets in no daylight and where, according to JR, people “will lose track of time.”

The numbers are startling. The structure is 120 meters (393 feet) long and 18 meters (59 feet) tall — which is as high as a six-story building.

Yet it is built almost entirely from air — 80 fabric arches filled with 20,000 cubic meters of it — and weighs only about five tons. The fabric was hand stitched by 25 artisans in a village in Brittany.

Nothing digs into the historic stone.

Cut the air and the cliff would sink like a held breath — a collapse JR’s engineers spent weeks rehearsing in a hangar at Orly airport to be sure that if the power ever failed, the rock would come down gently.

The artwork, called La Caverne du Pont Neuf, is a tribute to a Parisian artistic legend.

In 1985, artist Christo and his wife, Jeanne-Claude, wrapped the same bridge in pale golden fabric — 13 kilometers of rope, a decade of arguing with city hall, three million visitors in two weeks. The act helped invent the idea of monumental art in modern cities.

A square beside the bridge now carries their names.

“It’s pretty hard to go after them,” JR said.

His idea, he said, is to bring “mineral and nature” back to the heart of the city. He is not covering the bridge but undressing it — sending the dressed stone back to the limestone quarries from which Paris itself was cut.

The cave is also a warning. JR built it as a nod to Plato’s allegory, in which prisoners mistake shadows on a wall for the real world.

“What are our caves today? Our phones,” he said. “Because we believe that our algorithm on social media is the reality.”

Then he walks straight into the contradiction: to enter his cave about screens, visitors raise their phones.

The tech company Snap has built an augmented-reality layer that shows what the eye cannot.
The sound is a low, mineral hum from Thomas Bangalter, formerly of Daft Punk — who was 10 the year Christo wrapped the bridge.

The cave will be open around the clock from June 6-28, closing the bridge to traffic and visible from the quays, from passing boats, even from the top of the Eiffel Tower.

It will coincide with Paris Fashion Week, World Music Day and the all-night Nuit Blanche arts festival.

When it comes down, the fabric will be reused or recycled. Air, JR likes to say, leaves no scar.
Then, like the golden wrapping 40 years before, the cave will be gone — and the Pont Neuf, older than the republic and older than the revolution, will reappear exactly as it was.


Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
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Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP

As Britain's wartime leader, Winston Churchill was known for his stirring speeches, but a new London exhibition explores another side to his creativity -- as a passionate and prolific artist.

The exhibition opening Saturday at the Wallace Collection will be the most significant display of the statesman's paintings for more than 60 years, including over 50 canvases, many of them rarely seen in public.

Churchill first tried painting during World War I after he resigned from the government over the 1915 failed Dardanelles naval attack.

This was a "very difficult time in his life" when "he suddenly finds himself with all this unwanted leisure time", Lucy Davis, co-curator of the exhibition, told AFP.

"And he discovered painting as a way of releasing the stress, the anguish that the situation had caused him."

The museum presents a chronological survey starting with his first paintings, created with advice from renowned artist John Lavery, then canvases painted in the 1920s at Chartwell, the country house where Churchill lived with his family.

Largely self-taught while associating with well-known painters, Churchill quickly became interested in landscape painting and drew inspiration from holidays in the south of France to create brightly colored canvases dominated by blues and ochre.

- 'Loved the light' -

Churchill "saw painting as a spur to travel" and "just loved the light and warmth and atmosphere, which he captures so beautifully", said Davis.

A whole room is dedicated to canvases inspired by trips to Morocco, including "The Tower of the Koutoubia Mosque", the only painting that Churchill did during World War II. A gift to US President Franklin D. Roosevelt, the painting recently belonged to Hollywood star Angelina Jolie.

The exhibition ends with the postwar period when Churchill, defeated in a general election, began painting again and continued until his death in 1965, with some of his works going on display at the Royal Academy.

Churchill had previously shown paintings at various galleries, but always under an assumed name.

As a statesman, Churchill went down in history for his wartime leadership, but as an artist, he had little interest in depicting current world events, the curator stressed.

"He was a wartime leader. He was known for these very stirring wartime speeches. But in these paintings, you really see his joie de vivre, his witty side, his playful side."

One painting at the exhibition is an exception: "The Beach At Walmer", painted in 1938 as fears grew of imminent war.

It shows a sandy beach in southern England with bathers paddling. But in the foreground, a black cannon points at the sea, suggesting a looming threat.


Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo
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Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo

Saudi Arabia’s Heritage Commission announced the discovery of a collection of Abbasid-era gold jewelry at the archaeological site of Diriyyah in Qassim Region during the fourth season of excavation and survey work.

The discovery includes 100 gold pieces adorned with floral and geometric motifs, along with architectural remains from the Abbasid period, including stone foundations, mud walls, pottery, and metal tools.

The findings indicate human settlement dating back to the late third century AH and highlight the site’s historical importance along pilgrimage and trade routes.

The discovery reflects the Heritage Commission’s ongoing efforts to document and preserve the Kingdom’s archaeological heritage, supporting cultural development goals aligned with Saudi Vision 2030.