Before Dawn, Ancient Drum Rite Wakes Istanbul Faithful to Fast

Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
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Before Dawn, Ancient Drum Rite Wakes Istanbul Faithful to Fast

Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)
Turkish drummer Hakan Ozbingol plays drum and sings traditional songs in the streets of Istanbul, to wake Muslims up for the suhour, the Ramadan meal eaten at night, on February 24, 2026. (AFP)

It's 3:30 am and lights are slowly coming on in the homes lining a narrow Istanbul street as people are woken up by the rhythmic thump of a drum.

Emerging onto a balcony, Sibel Savas and her grandson look down as the drummer -- or davulcu in Turkish -- wanders through the Ayvansaray neighborhood, his drumbeat waking the faithful for a last meal before the daily Ramadan fast begins at sunrise.

For the past 55 years, Hakan Ozbingol has got up at 3:00 am every day during Ramadan to play his davul, a large double-headed drum carried with a strap and played while walking through the streets.

He inherited the role from his father, with whom he started venturing out when he was 10.

Although their nightly sortie is purely voluntary, local residents traditionally give a tip at the end of the month, says Ozbingol, who is now 65.

If once this amounted to enough to buy the children a nice gift, these days it's barely enough "to buy them clothes or to cover the bills", he sighs, as people struggle to cope with Türkiye's bitter economic crisis.

But for him, it's not a job but more of a sacred duty.

"As long as it's to do with Allah, this drum will never fall silent. We're doing Allah's work, it's our duty," he said hoarsely, trudging with bent back through the winding streets.

- Ottoman roots -

According to Harun Korkmaz, a music historian at Istanbul University, the Ramadan drum rite "dates back to the end of the 19th century" when the Ottoman military bands, or mehters, performed several times a day, setting the pace of daily life.

"The davulcu are continuing this tradition," he told AFP of a tradition that began in Istanbul and spread to the rest of the country.

As well as drumming, "real" davulcu will also chant "mani", or short rhythmic poems, under people's windows to flatter a sleepy audience, Ozbingol explained.

"In Türkiye, there are few davulcus who know how to sing mani. It's not enough to pick up the drum and bang on it while walking around," he said, proudly tapping his temple to show where he keeps this knowledge.

The tradition began in the Fatih district near Istanbul's historic peninsula, and most of today's Ramadan drummers come from Türkiye's Roma community, who today number around 2.7 million, research figures show.

As the davulcu walks the street where washing lines vie for space with Turkish flags draped from the high facades of the buildings, he is warmly greeted by a pensioner called Zafer, who is also a musician.

"If the Roma weren't here there would be nothing. They are the musicians and Istanbul's Ramadan drummers," the 71-year-old told AFP.

- 'A tradition that must not die' -

Still holding her grandson, Sibal Savas says she has no alarm clock and relies on the early-morning drum rite to wake her up.

"This tradition is important to us this. It comes from our ancestors," she told AFP.

In a nearby street, another drummer, 58-year-old Yurdaer, is trying to play a little more quietly as he passes the home of an elderly neighbor who has heart problems.

Across Istanbul, Türkiye's largest city, there are a total of 3,000 davulcu who go out nightly to wake the faithful in 961 neighborhoods, explains Selami Aykut, who heads an organization representing the megacity's local mayors.

Since the pandemic, when the nightly rite was briefly halted, the authorities doubled the number of accredited drummers.

"We have increased the number we work with in order to better pass on our Ottoman traditions to young people, so that they can feel the excitement of Ramadan," Aykut told AFP.

With street vendors hawking traditional foods increasingly scarce across the city's streets, their services replaced by supermarkets, the davulcu is one rare tradition not at risk of disappearing due to his unique role at Ramadan.

"There are no more people selling boza (a fermented cereal-based drink), no more yoghurt sellers, nor other street vendors -- they've almost all disappeared," said Ozbingol.

"Only the davulcu are left," he murmurs, wandering off up the street.



Iran Says Museums and Historic Sites Damaged in War

FILED - 10 March 2026, Iran, Tehran: A member of the Iranian Red Crescent Society (IRCS) rescue teams works at the site of a building damaged in a US-Israeli airstrike in Resalat Square. Photo: -/ZUMA Press Wire/dpa
FILED - 10 March 2026, Iran, Tehran: A member of the Iranian Red Crescent Society (IRCS) rescue teams works at the site of a building damaged in a US-Israeli airstrike in Resalat Square. Photo: -/ZUMA Press Wire/dpa
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Iran Says Museums and Historic Sites Damaged in War

FILED - 10 March 2026, Iran, Tehran: A member of the Iranian Red Crescent Society (IRCS) rescue teams works at the site of a building damaged in a US-Israeli airstrike in Resalat Square. Photo: -/ZUMA Press Wire/dpa
FILED - 10 March 2026, Iran, Tehran: A member of the Iranian Red Crescent Society (IRCS) rescue teams works at the site of a building damaged in a US-Israeli airstrike in Resalat Square. Photo: -/ZUMA Press Wire/dpa

Iran's cultural heritage and tourism ministry said Saturday at least 56 museums and historic sites across the country have been damaged, as the Middle East war entered its 15th day.

In Tehran, US-Israeli strikes damaged the UNESCO-listed Golestan Palace in the early days of the conflict, local media reported.

The palace complex is one of the oldest sites in the Iranian capital and once served as the residence of the Qajar dynasty.

The ministry said Tehran has recorded the highest number of damaged monuments, with 19 suffering varying levels of harm.

The vast Naghsh-e Jahan Square, a 17th-century architectural jewel in the heart of the central Iranian city of Isfahan, has also been damaged.

In the port of Siraf, in Bushehr province, several houses were hit in the historic quarter, home to many century-old buildings.

UNESCO, the UN's culture agency, told AFP on Friday it was concerned about hundreds of historic sites in Iran, Israel and Lebanon that have been damaged or threatened by the war.


Ukraine's 'Origami Deer' Sculpture Rescued from Frontline Tours Europe

Ukrainian artist Zhanna Kadyrova (R) and Ukrainian curator of the 'Security Guarantees' project Leonid Marushchak pose in front of the 'Origami Deer' sculpture in Prague on March 12, 2026. (Photo by Michal Cizek / AFP)
Ukrainian artist Zhanna Kadyrova (R) and Ukrainian curator of the 'Security Guarantees' project Leonid Marushchak pose in front of the 'Origami Deer' sculpture in Prague on March 12, 2026. (Photo by Michal Cizek / AFP)
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Ukraine's 'Origami Deer' Sculpture Rescued from Frontline Tours Europe

Ukrainian artist Zhanna Kadyrova (R) and Ukrainian curator of the 'Security Guarantees' project Leonid Marushchak pose in front of the 'Origami Deer' sculpture in Prague on March 12, 2026. (Photo by Michal Cizek / AFP)
Ukrainian artist Zhanna Kadyrova (R) and Ukrainian curator of the 'Security Guarantees' project Leonid Marushchak pose in front of the 'Origami Deer' sculpture in Prague on March 12, 2026. (Photo by Michal Cizek / AFP)

An "Origami Deer" statue rescued from a Ukrainian city destroyed and occupied by Moscow's army is touring six European countries before featuring at the 61st Venice Biennale, which has sparked outrage over the inclusion of Russian artists.

Ukrainian artist Zhanna Kadyrova created the concrete work with her colleague Denys Ruban in 2019 for a park in the eastern city of Pokrovsk to replace a Soviet-era military plane displayed there.

In 2024, Kadyrova and historian Leonid Marushchak removed the deer, shaped like a paper origami, as Russian troops closed in and then occupied Pokrovsk.

The sculpture will be the main feature of the Ukrainian pavilion, named Security Guarantees, at the Venice Biennale.

It will feature alongside Russian exhibits at the event that started in 1895 and comprises festivals, art and architecture exhibitions running from May 9 to November 22.

The decision to invite Russian artists, banned from the 2022 and 2024 editions after Moscow's full-scale invasion of Ukraine, has sparked international uproar with the European Union threatening to cut funding for the Biennale.

"It's very important for us to see how the entire world reacts to the situation, supporting us and opposing Russia's participation," Marushchak told AFP.

"If the Russians want to show their culture, they might as well organize a biennale in Pokrovsk which they have destroyed," he added.

En route to Venice, the deer has been exhibited in Warsaw, Vienna and Prague and will continue on to Berlin, Brussels and Paris.

Displaced from its pedestal, the deer symbolizes "millions of Ukrainians who have lost their home" and moved abroad, Kadyrova told AFP during a stopover in Prague.

The resemblance to paper origami refers to the Budapest Memorandum of 1994 which saw Ukraine yielding its nuclear arsenal to Russia in exchange for security guarantees that did not materialize.

"So it's no more than paper," Kadyrova said.

Marushchak has been evacuating works of art from eastern Ukraine since the war started.

He has saved scores of objects, often taking huge risk with his team, to protect them from looting or theft.

One of the most dramatic rescue operations involved a 700-year-old stone lion statue evacuated from a museum in Bakhmut in 2023, just before the Russian army took the city, as Marushchak's car was hit by a shell on the way out.

"Other evacuations were difficult in that we didn't succeed as much as we wanted because the front line was too close and the danger was too big," Marushchak told AFP.

The Venice Biennale typically attracts more than 600,000 visitors to pavilions set up by participating countries.

Kadyrova said the Ukrainian team was not planning any protest over Russia's participation as "it's up to politicians".

"But I hope that some community will gather to pressure the Biennale, pressure Italy, and I hope that it will not happen."


'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.