‘Saturday Night Live’ Celebrates 50 Years with Comedy, Music and Show’s Many, Many Famous Friends 

Martin Short arrives for the "Saturday Night Live 50: The Anniversary Special" at 30 Rockefeller Plaza in New York City, US, February 16, 2025. (Reuters)
Martin Short arrives for the "Saturday Night Live 50: The Anniversary Special" at 30 Rockefeller Plaza in New York City, US, February 16, 2025. (Reuters)
TT

‘Saturday Night Live’ Celebrates 50 Years with Comedy, Music and Show’s Many, Many Famous Friends 

Martin Short arrives for the "Saturday Night Live 50: The Anniversary Special" at 30 Rockefeller Plaza in New York City, US, February 16, 2025. (Reuters)
Martin Short arrives for the "Saturday Night Live 50: The Anniversary Special" at 30 Rockefeller Plaza in New York City, US, February 16, 2025. (Reuters)

Paul Simon and Sabrina Carpenter duetted on Simon's "Homeward Bound" to open the show, five-decade "Saturday Night Live" luminary Steve Martin delivered the monologue, and Paul McCartney gave an epic closing to a 50th anniversary special celebrating the sketch institution that was overflowing with famous former cast members, superstar hosts and legendary guests.

The 83-year-old Simon has been essential to "SNL" since its earliest episodes in 1975, and told the 25-year-old pop sensation of the moment Carpenter that he first performed "Homeward Bound" on "SNL" in 1976.

"I was not born then," Carpenter said, getting a laugh. "And neither were my parents," she added, getting a bigger laugh.

McCartney closed with the rarely performed song cycle from the Beatles' "Abbey Road,Golden Slumbers/Carry That Weight/The End," with its wistful ending, "the love you take, is equal to the love you make."

Lil Wayne and Miley Cyrus were among the night's other musical guests, though the show's musical legacy also had its own night with a Radio City Music Hall concert on Friday.

"SNL50: The Anniversary Celebration" aired live from New York, of course, on NBC and Peacock. The pop culture juggernaut has launched the careers of generations of comedians including Eddie Murphy, Kristen Wiig and Will Ferrell, who all appeared in early sketches.

And the evening included epic cameos that included Meryl Streep, Jack Nicholson and Keith Richards.

Steve Martin's opening sets tone

Martin, one of the shows most prolific hosts and guests since the first season in 1975, tried to keep it current in the monologue even on a backward-looking night.

Martin said when the show's creator Lorne Michaels only told him he'd be doing the monologue, "I was actually vacationing on a friend’s boat down on the Gulf of Steve Martin."

He was joined by former "SNL" luminaries and frequent hosts Martin Short and John Mulaney, who looked at the star-studded crowd full of former hosts in the same Studio 8H at 30 Rockefeller Plaza that has been the show's longtime home.

"I see some of the most difficult people I have ever met in my entire life," Mulaney said. "Over the course of 50 years, 894 people have hosted ‘Saturday Night Live,’ and it amazes me that only two of them have committed murder."

Later, on the night's "Weekend Update," anchor Colin Jost said there are so many former hosts and musical guests that wanted to see the show that many had to be seated in a neighboring studio and some had to watch "from the Metropolitan Detention Center in Brooklyn" as a photo of Sean "Diddy" Combs appeared.

Martin took a jab at the always-difficult-to-wrangle Bill Murray in his monologue.

"We wanted to make sure that Bill would be here tonight," Martin said, "so we didn’t invite him."

Murray appeared on "Weekend Update" to rank the show's anchors since they began with Chevy Chase. He poked at the whiteness of the group by first ranking its Black anchors, a list of just one, current co-anchor Michael Che.

The extravaganza came after months of celebrations of "Saturday Night Live," which premiered Oct. 11, 1975, with an original cast that included John Belushi, Chase and Gilda Radner.

It’s become appointment television over the years as the show has skewered presidents, politics and pop culture.

"It is a honor and a thrill to be hosting weekend update for the 50th and if it was up to our president final season of SNL," Jost said.

The show had its typical ending, with all involved looking exhilarated and exhausted on the studio stage. This night it was so crowded with luminaries it looked like it might break. Led by Short, they all applauded in tribute to Michaels, who created the show and has run it for 45 of its 50 years.

Cameos and memorials

Alec Baldwin, the show's most frequent host with 17 stints, appeared to introduce an evening of commercial parodies, seven months after his trial was halted and an involuntary manslaughter charge was dropped in the shooting of cinematographer Halyna Hutchins.

Aubrey Plaza made one of her first public appearances since the January death of her husband when she introduced Cyrus and Howard's performance.

The 87-year-old Nicholson was once a constant in the front rows of the Oscars and Los Angeles Laker games, but is rarely seen out anymore. He introduced his "Anger Management" co-star Adam Sandler, who sang in his signature style about the show’s history. He gave a roll-call of cast members, giving special attention to several who have died, including his friends Chris Farley and MacDonald along with Radner, Jan Hooks and Phil Hartman.

It ended with, "six years of our boy Farley, five of our buddy Norm."

The show didn't have a formal "in memoriam" section, though it pretended to when 10-time host Tom Hanks came out somberly to mourn "SNL characters and sketches that have aged horribly."

A montage began with the late Belushi's "Samurai" character. The word "Yikes" appeared on screen in a sketch that included Mike Myers and a young Macaulay Culkin in a bathtub. A "body shaming" label appeared over the beloved sketch of Farley and the late Patrick Swayze as Chippendale's dancers.

The oldest former cast member, 88-year-old Garrett Morris, appeared to introduce a film that showed the whole original cast.

"I had no idea y'all that I would be required to do so many reunion shows," he said.

Sketches and bits jam-packed with former cast and hosts

The first sketch featured a mash-up of former cast members and hosts. Fred Armisen hosted a "Lawrence Welk Show" that featured Ferrell as Robert Goulet.

Former hosts Kim Kardashian and Scarlett Johansson — Jost's wife — gave an updated version of the elegant singing Maharelle Sisters with former cast members Ana Gasteyer and Wiig, who provided the traditional punchline "And I’m Dooneese" with a balding head and creepy, tiny doll arms.

It was followed by "Black Jeopardy," hosted by the show’s longest running (and still current) cast member, Kenan Thompson, who called the game show the only one "where every single viewer fully understood Kendrick’s halftime performance."

It showcased many of the show’s most prominent Black cast members through the years including Tracy Morgan and Murphy, doing a Morgan impression.

Streep walked on as the mother of McKinnon's constant alien abductee Miss Rafferty, with the same spread legs and vulgar manner.

Streep's fellow all-time-great actor Robert De Niro paired with Rachel Dratch in a "Debbie Downer" sketch with its traditional trombone accompaniment.

Former cast member Amy Poehler and former lead writer Tina Fey, who partnered as "Weekend Update" anchors, led a Q-and-A with audience questions.

Ryan Reynolds stood, and they asked him how it's going.

"Great, why?" he said defensively. "What have you heard?"

Reynolds and wife Blake Lively, sitting next to him, have been locked in a heated legal and media battle with her "It Ends With Us" director and co-star Justin Baldoni.

Julia Louis-Dreyfus, Adam Driver, Cher, Bad Bunny, Peyton Manning and Richards were also featured in the bit.

Poehler also paired with Rudolph for a revival of their mock talk show "Bronx Beat," that featured Mike Myers as his mother-in-law-inspired, Streisand-loving character "Linda Richman."

"Look at you, both of you, you look like buttah," Myers said.



First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
TT

First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
TT

Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”


Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
TT

Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”