Rare Iconic Movie Posters to Be Auctioned in US

A poster for the for film “King Kong” is pictured during a press preview ahead of the Cinema on Paper: The Dwight M. Cleveland Collection Movie Posters Auction, at Heritage Auctions in London on February 27, 2025. (Justin Tallis / AFP)
A poster for the for film “King Kong” is pictured during a press preview ahead of the Cinema on Paper: The Dwight M. Cleveland Collection Movie Posters Auction, at Heritage Auctions in London on February 27, 2025. (Justin Tallis / AFP)
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Rare Iconic Movie Posters to Be Auctioned in US

A poster for the for film “King Kong” is pictured during a press preview ahead of the Cinema on Paper: The Dwight M. Cleveland Collection Movie Posters Auction, at Heritage Auctions in London on February 27, 2025. (Justin Tallis / AFP)
A poster for the for film “King Kong” is pictured during a press preview ahead of the Cinema on Paper: The Dwight M. Cleveland Collection Movie Posters Auction, at Heritage Auctions in London on February 27, 2025. (Justin Tallis / AFP)

Dozens of rare posters from some of the 20th century's most iconic films will go under the hammer this month as an American collector relinquishes some of his most precious possessions.

The 500 posters and lobby cards from classic films such as "King Kong", "Casablanca" and "2001: A Space Odyssey" have been exhibited in recent weeks in London, New York and Chicago.

Collected over half a century by real estate agent Dwight Cleveland, they are to be auctioned by Heritage showrooms in Dallas on March 27 and 28.

"I cherish every single one of them because every one of them was hand-picked," Cleveland, 65, told AFP.

"These are commercial art. They were intended to grab us by the lapels and yank us into a movie theater and say, 'See this film'."

But this was also "important art" that went beyond just advertising, he argued.

The posters and cards, which would have been displayed in cinema foyers, span around 125 years of film history. Many of the images date from the late 19th and early 20th centuries.

But after 50 years "it's getting harder and harder to find anything to add to the collection", said Cleveland.

"I don't feel like there's anything else I can do and give to this hobby," he added.

Some of the posters will do better at auction than others, he said, including the one for the 1933 version of "King Kong" showing actor Fay Wray in the grip of the beast.

It has an estimated guide price of $40,000 to $80,000.

- Passion -

"The selection of Cleveland's collection offered by Heritage in March represents the best of the best," said Joe Maddalena, Heritage's vice president.

"What makes me different from most collectors is that I fell in love with the artwork first," said Cleveland.

"I do not come to this from a film background."

Cleveland's interest in the subject began at school, where his art teacher displayed film posters and lobby cards in his room.

"We walked by these every day, and we kind of made fun of him, to be honest with you, because he had quite a few of them, and it was a very esoteric collection," Cleveland said.

But one day in 1977, his last year at school, he was drawn to a lobby card from the 1929 movie "Wolf Song" starring Gary Cooper and Mexican actor Lupe Velez.

He became hooked and it took him 18 months to gather enough movie items to trade for the card with his then former teacher -- sparking a lifelong love of collecting.

Cleveland's extensive collection has already been exhibited in the Norton Museum of Art in West Palm Beach, Florida in 2019.

Other exhibitions have been held in San Diego, Los Angeles and New York.

Other rare finds going under the hammer include a 1953 Italian poster for the 1942 film "Casablanca" starring Humphrey Bogart and Ingrid Bergman.

Most of the posters to be auctioned have estimates of between $1,000 to $2,000. Heritage has calculated that the whole auction could raise one million dollars.

After the Dallas auction, Cleveland will still own about 10,000 lobby cards and around 500 posters, which he might one day either donate or put up for auction.

"I'll be sad to see some of them go, but I'll be happy that they're going to be in the hands of other collectors to whom they'll mean a lot," he said.



In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)


Iceland to Boycott 2026 Eurovision in Protest of Go-Ahead for Israel

 12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
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Iceland to Boycott 2026 Eurovision in Protest of Go-Ahead for Israel

 12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)

Iceland will not take part in the 2026 Eurovision Song Contest, the country's public broadcaster RUV said on Wednesday, after organizer the European Broadcasting Union last week cleared Israel's participation.

The decision to allow Israel to take part in the next Eurovision, which will be held in Vienna in May, earlier prompted Spain, the Netherlands, Ireland, and Slovenia to withdraw in protest, citing Israel's conduct in the Gaza war.

"It is clear from the public debate in this country and the reaction to the EBU's decision last week that there will be neither joy nor peace regarding RUV's participation," the broadcaster's Director General Stefan Eiriksson said in a statement.

Iceland was among the countries that had requested a vote last week on Israel's participation. But the European Broadcasting Union, or EBU, decided not to call a vote on Israel's participation, saying it had instead passed new rules aimed at discouraging governments from influencing the contest.

Iceland has never won the song contest but came second in 1999 and 2009. The Eurovision Song Contest dates back to 1956 and reaches around 160 million viewers, according to the EBU.


Beyoncé, Venus Williams, Nicole Kidman and Anna Wintour Will Co-chair Next Met Gala

 This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)
This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)
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Beyoncé, Venus Williams, Nicole Kidman and Anna Wintour Will Co-chair Next Met Gala

 This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)
This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)

The new Met Gala co-chairs have been announced, and it's a high-powered quartet: Beyoncé, Venus Williams and Nicole Kidman will join Vogue's Anna Wintour in hosting the star-packed event next May.

Williams, who has never hosted before, takes the role seven years after her younger sister and fellow tennis champion, Serena, was co-chair. Beyoncé was honorary chair in 2013, and Kidman co-chaired in 2003 and 2005. Wintour, of course, oversees the annual event, a fundraiser that last year brought a record $31 million to the coffers of the Metropolitan Museum of Art's Costume Institute.

The museum on Wednesday also announced a gala host committee, chaired by designer Anthony Vaccarello and filmmaker Zoë Kravitz. It includes musicians Sabrina Carpenter, Doja Cat, LISA, Sam Smith and Yseult; dancer Misty Copeland; actors Teyana Taylor, Elizabeth Debicki, Gwendoline Christie and Lena Dunham; basketball player A'ja Wilson; models Alex Consani, Paloma Elsesser and Lauren Wasser; Vogue editor Chloe Malle; and artist Anna Weyant.

For years, Beyoncé, a seven-time gala guest, has been one of the most-watched celebrities on the carpet, keeping everyone in eager anticipation of her (fashionably) late arrival. In 2015, she made it worth the wait with a daring custom Givenchy gown that, with its strategically placed beading. A year later, the superstar again wore Givenchy, this time in a gleaming, skintight latex gown.

No word on what she will wear next; the dress code for the May 4 gala has yet to be announced. But it will dovetail with the theme of “Costume Art,” announced last month as the institute's next spring exhibit.

The exhibit aims to celebrate “the dressed body” as it appears in art through the centuries. It will do that by pairing garments with objects from across the museum to show how fashion has long been intertwined with different art forms.

“It’s a show that can really live in fascinating ways at the museum and can pull from all different areas of our collection — paintings, sculpture, drawings,” the museum’s CEO and director, Max Hollein, said in an interview last month.

The show, overseen as always by the Costume Institute’s curator in charge, Andrew Bolton, will be organized thematically by different body types. It will include the the “Classical Body,” for example, but also less traditional themes like the “Pregnant Body” and the “Aging Body.”

The new exhibit will also have a splashy new home. “Costume Art” will inaugurate new gallery space occupying some 12,000 square feet (1,115 square meters), right off the museum’s Great Hall — giving fashion a prominent space in the museum and also helping to control congestion at the heavily attended exhibits. The new Conde M. Nast galleries — created from what was formerly the museum’s retail store — will house not only all spring Costume Institute exhibits, but other shows from different parts of the museum.

Bolton has said the gallery space “will mark a pivotal moment for the department, one that acknowledges the critical role fashion plays not only within art history but also within contemporary culture.”

Venus Williams returned to competition in July at age 45 after nearly 1 1/2 years away from the tour, though she had never retired. She became the oldest player to play singles at the US Open since 1981. Serena Williams, meanwhile, recently threw cold water on the idea that she might be preparing to return to tennis.

“Costume Art” opens to the public May 10, 2026, and runs until Jan. 10, 2027.