Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
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Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)

Ever wanted to soar through the skies on the back of a friendly dragon? The new “How to Train Your Dragon” may be the ticket, from a decidedly safer, though possibly still vertigo-inducing, distance.

This live-action adaption of the underdog adventure story sends the audience cascading through the clouds with the teenage Viking boy Hiccup and his dragon friend Toothless. It’s the kind of immersive sensation and giddy wish fulfillment that might just have you forgetting momentarily to breathe and, maybe more importantly, that you’re still in a movie theater. Credit to veteran cinematographer Bill Pope, no stranger to fantasy worlds, whether it’s “The Matrix” or “Scott Pilgrim vs. The World.”

“How to Train Your Dragon” doesn’t stray far from the original, from shots to story beats. Gerard Butler once again plays Berk’s Chief Stoick the Vast. The new Hiccup, actor Mason Thames, even sounds a bit like Jay Baruchel. But unlike so many live-action remakes of animated films, it also doesn’t feel superfluous, or, worse, like a poor imitation of its predecessor that trades the magic of animation for photorealism.

Perhaps that’s because filmmaker Dean DeBlois, who made the three animated films, stayed in the director’s chair. Who better to kill their darlings than the one who brought them to the screen in the first place? And, crucially, to know where live-action might actually enhance the fabric of the world created by author Cressida Cowell.

It helps that dragon technology has come a long way since, say, “DragonHeart.” These fire-breathing CG creatures feel disarmingly real. And though it might look like “Lord of the Rings” or “Game of Thrones,” the tone stays light enough for younger filmgoers. There are a few intense sequences, but none that takes it any further than the animated film did 15 years ago.

“How to Train Your Dragon” does start a little slow, however, which is odd because it also begins with a fiery battle between the Vikings and the dragons on the Isle of Berk. There’s a lot of exposition and introduction that needs to happen before you can just give yourself over to the story. In this more multicultural version, the warriors on Berk have been recruited from tribes around the globe to try to defeat the dragons.

Hiccup is a Viking nepo baby. As the chief's son, he sits in a place of privilege, but he’s also a general outcast in this world of ruthless warriors — skinny and weak, he just longs to be part of the action, not sharpening the weapons. Killing dragons is currency in this society, and his crush Astrid (Nico Parker) happens to be one of the most promising up-and-comers. His sole champion is Gobber (a delightful Nick Frost), the blacksmith and dragon slayer teacher, who convinces the chief to give the clever Hiccup a shot.

The film finds its internal engine when Hiccup finds Toothless, the wide-eyed “Night Fury” dragon whom he can’t bring himself to kill. Instead, he decides to study this discovery, who he finds is not nearly as fearsome as everyone assumes. “How to Train Your Dragon” teaches empathy and ingenuity without a sermon.

Thames, a teenager himself, is the perfect embodiment of adolescent awkwardness and boldness. You can have all the cute dragons you want, but the audience would be lost if the human conduit to the relationship isn’t up to the task. Butler seems to be having a good time, resplendent in fur and chest-thumping ideas about ancient duties. And Parker gives Astrid a relatable depth — the best in the bunch who is outshone in an unequal fight.

Kids deserve movies that are made on the biggest possible canvas. “How to Train Your Dragon” is one that's worth the trip to the theater. It might just spark some young imaginations, whether it’s to go back and read the books or dream up their own worlds. And, chances are, no one is going to be yelling “chicken jockey.”



'Baby Shark' Boy Returns to Stage as K-pop Singer

Fans arrive to attend a concert by K-pop boy band Stray Kids, which kicked off the band’s “Run It” world tour, in Seoul on July 25, 2026. (Photo by GREG BAKER / AFP)
Fans arrive to attend a concert by K-pop boy band Stray Kids, which kicked off the band’s “Run It” world tour, in Seoul on July 25, 2026. (Photo by GREG BAKER / AFP)
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'Baby Shark' Boy Returns to Stage as K-pop Singer

Fans arrive to attend a concert by K-pop boy band Stray Kids, which kicked off the band’s “Run It” world tour, in Seoul on July 25, 2026. (Photo by GREG BAKER / AFP)
Fans arrive to attend a concert by K-pop boy band Stray Kids, which kicked off the band’s “Run It” world tour, in Seoul on July 25, 2026. (Photo by GREG BAKER / AFP)

The child star of the "Baby Shark Dance" video, the most-watched video in YouTube history, released his first K-pop digital single on Thursday, a decade after he first found fame.

Park Geonroung, who starred in the video when he was 7 years old, will make his solo K-pop debut under the name "Baby Shark Boy" and is backed by Pinkfong Company which owns the copyright for Baby Shark.

"Baby Shark Dance brought ⁠joy to people ⁠around the world, and I’m very grateful that so many people still remember me from 10 years ago. That made me want to come back and connect with people through music again," Reuters quoted him as saying.

The catchy song, ⁠which is about a family of sharks, was released in 2016 and the video has since surpassed 17.2 billion views. It has been played at the White House and praised by US President Donald Trump, Tesla CEO Elon Musk and celebrities, while prompting parodies and a dance craze.

In the years since the video, Park has starred in Pinkfong's other shows. He ⁠said ⁠his new digital single, titled "WAVE,” opens with the familiar Baby Shark melody before shifting into an electropop sound, to which he contributed lyrics.

Park added that he views the single as the start of a longer musical journey. "WAVE feels more like a new beginning than a one-off project. I hope to keep showing different sides of myself through music as well as other kinds of content,” he said.


Jurors Hear ‘Keffe D’ Say His Nephew Fired Fatal Shots at Tupac Shakur in 1996 Drive-by Shooting

 Duane Davis appears in court for his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Thursday, Aug. 20, 2026. (Steve Marcus/Las Vegas Sun/Pool)
Duane Davis appears in court for his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Thursday, Aug. 20, 2026. (Steve Marcus/Las Vegas Sun/Pool)
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Jurors Hear ‘Keffe D’ Say His Nephew Fired Fatal Shots at Tupac Shakur in 1996 Drive-by Shooting

 Duane Davis appears in court for his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Thursday, Aug. 20, 2026. (Steve Marcus/Las Vegas Sun/Pool)
Duane Davis appears in court for his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Thursday, Aug. 20, 2026. (Steve Marcus/Las Vegas Sun/Pool)

Jurors on Thursday heard Duane “Keffe D” Davis tell detectives in 2008 that his nephew Orlando “Baby Lane” Anderson fired the shots that killed Tupac Shakur.

Davis, who said in the interview that he was also in the car with Anderson, is accused of orchestrating the 1996 killing of the 25-year-old hip-hop superstar in Las Vegas. At the time of the interview, his nephew had been dead for a decade.

Davis said the white Cadillac he and Anderson were riding in with two other men pulled up alongside a car with Shakur inside, along with hip-hop mogul and Death Row Records head Marion “Suge” Knight.

“If we would have been on my side, I would have blasted,” Davis said. Instead, Knight’s car was on the other side, so Davis passed his gun back to Deandre “Big Dre” Smith. But Smith didn’t want it, Davis said.

Anderson, who was also in the back seat, took the weapon and started firing, Davis said.

Jurors watched the screen as the transcript of the audio recording rolled. Some occasionally took notes. At the beginning of the audio interview, Davis and his attorney whispered to each other. Shakur’s family sat still, occasionally looking at the screen or looking down to the floor. The room was quiet as Davis described the shooting.

It was the first time Davis directly discussed his involvement in the killing with authorities. The interview is essential evidence in the state's case against the 63-year-old Davis. Prosecutors told jurors in opening statements that they would lean heavily on Davis' own admissions in interviews with police and on podcasts, as well as the 2019 memoir he co-authored, “Compton Street Legend.”

He also previously told the FBI that his nephew was not involved in the 1996 shooting of Shakur, and speculated that Knight or Sean “Diddy” Combs were involved.

Davis has pleaded not guilty. His lawyer has called the prosecution’s narrative “fiction” and said Davis was “full of crap” when he told stories of his involvement, and that authorities knew it. He argued investigators failed to back up the statements his client made with evidence.

The Los Angeles police detectives had actually brought Davis in to talk about the 1997 shooting death of Shakur's archrival, the Notorious B.I.G.

Davis had briefly been one of the suspects in that still unsolved killing, but he was later discounted.

“Everybody was a suspect at that time,” Daryn Dupree, one of the detectives in the interview, said in court testimony Thursday.

The detectives tell Davis that their discussion is confidential.

“Nothing you say today can be used against you,” said Greg Kading, the other detective conducting the interview who described it in a book a few years later.

Some in the audience shook their heads when someone in the audio tells Davis that “nothing leaves this room.”

Dupree adds, “If you don’t say nothing, it’s cool, but if you go out there and start talking ...”

Prosecutors say Davis did in fact “go out there and start talking” a decade later when he told stories about the shooting in interviews and the memoir. They said that nullifies any agreement he had with law enforcement over this and other recorded conversations.

Prosecutors allege Shakur was killed to avenge Shakur’s entourage attacking Davis’ nephew Anderson a few hours earlier at the MGM Grand after a Mike Tyson fight. Davis was at the fight but not the brawl.

Later in the evening, they were in the Cadillac and saw Shakur hanging out of a black BMW with people calling out “Tupac!”

Davis said that after Lane fired the shots, he thought Knight was dead.

Decades after his death, Shakur remains a cultural icon, and one of the most influential and versatile rappers of all time. He died as his popularity was peaking and his film career as an actor was taking off. His legend has only grown in the years since.


‘Tinker Tailor’ Filmmaker John Irvin Dies at 86

British filmmaker John Irvin. (AFP)
British filmmaker John Irvin. (AFP)
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‘Tinker Tailor’ Filmmaker John Irvin Dies at 86

British filmmaker John Irvin. (AFP)
British filmmaker John Irvin. (AFP)

British filmmaker John Irvin, best known for adapting John Le Carre's espionage classic "Tinker Tailor Soldier Spy" for television, has died aged 86, his producer Claire Evans told UK media Wednesday.

Irvin, who also directed a string of 1980s action movies including "The Dogs of War", "Raw Deal" and "Hamburger Hill", enjoyed a five-decade career that spanned TV, documentaries and cinema.

He died "peacefully at home" on August 11, surrounded by his family, Evans confirmed to The Guardian.

The pair worked together on the 2016 film "Mandela's Gun", which explored the South African ex-president's experience as a guerrilla fighter for the African National Congress.

Irvin, born in northern England in 1940, won two BAFTAs and an Emmy nomination for his 1979 BBC adaptation of Le Carre's spy novel, which cast Alec Guinness as the shy, monkish hero George Smiley.

Its success opened the doors to Hollywood, with Irvin making a number of action-packed movies and other films featuring a host of star names in the decade that followed.

They included Christopher Walken and Tom Berenger in "The Dogs of War", Fred Astaire in horror film "Ghost Story", Arnold Schwarzenegger in "Raw Deal" and Patrick Swayze and Liam Neeson in crime thriller "Next of Kin".

He is survived by three children and two grandchildren, according to reports.