It’s Met Gala Time! Get Yourself Suitable with This Guide on What to Expect

Met Gala celebrity chair Lewis Hamilton speaks at the Metropolitan Museum of Art's Costume Institute during a press conference October 9, 2024. (AFP)
Met Gala celebrity chair Lewis Hamilton speaks at the Metropolitan Museum of Art's Costume Institute during a press conference October 9, 2024. (AFP)
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It’s Met Gala Time! Get Yourself Suitable with This Guide on What to Expect

Met Gala celebrity chair Lewis Hamilton speaks at the Metropolitan Museum of Art's Costume Institute during a press conference October 9, 2024. (AFP)
Met Gala celebrity chair Lewis Hamilton speaks at the Metropolitan Museum of Art's Costume Institute during a press conference October 9, 2024. (AFP)

As springtime sunshine finally hits New York City, the Met Gala beckons — one of the most anticipated and visible parties in the world.

This year, the theme — “Tailored For You" — is focused on classic tailoring. As always, the dress code is inspired by the spring exhibit at the Costume Institute of the Metropolitan Museum of Art. “Superfine: Tailoring Black Style” is the first Met show to focus exclusively on Black designers, and the first in more than 20 years to have a menswear theme. The show looks at the evolution of Black style over the centuries through the lens of dandyism.

Here are some key things to know as fashion's biggest night approaches:

When is the Met Gala? The gala happens the first Monday in May — this year, May 5.

What exactly is the Met Gala? Not everyone knows that the gala is actually a fundraiser for the Costume Institute, the only self-funding department at the Met. Last year the evening brought in a whopping sum of more than $26 million to the museum's coffers.

Was it always this big? Definitely not. It started in 1948 as a Manhattan society midnight supper – held at various places like the Waldorf Astoria and the Rainbow Room. It took many years before it turned into a global event and one of the starriest nights of the year.

Who's hosting the 2025 Met Gala? Each year brings a new group of celebrity co-chairs. This year they are Pharrell Williams, Lewis Hamilton, Colman Domingo, and A$AP Rocky — along with Anna Wintour, the influential Vogue editor who always oversees the proceedings. NBA superstar LeBron James is honorary chair.

Who else is attending the Met Gala so far? Word on attendees trickles out slowly in the weeks leading up to the event. But this year there’s also a huge additional host committee with stars from various fields. (They don’t have specific host duties, other than showing up and, it goes without saying, looking fabulous.)

It includes athletes Simone Biles and husband Jonathan Owens, Angel Reese and Sha’Carri Richardson; filmmakers Spike Lee, Tonya Lewis Lee and Regina King; and actors Ayo Edebiri, Audra McDonald and Jeremy Pope, and musicians Doechii, Usher, Tyla, Janelle Monáe and André 3000.

Also in the group are author Chimamanda Ngozi Adichie; artists Jordan Casteel, Rashid Johnson and Kara Walker; playwrights Jeremy O. Harris and Branden Jacobs-Jenkins; and fashion figures Grace Wales Bonner, Edward Enninful, Dapper Dan and Olivier Rousteing.

Can anyone buy a ticket to the Met Gala? In a word: No. You cannot just buy a ticket. The right question is: If I were famous or powerful and got invited, how much would it cost?

If I were famous or powerful and got invited, how much would it cost? Individual tickets start at $75,000. Generally, though, companies buy tables. A fashion label, for example, would then host its desired celebrities. A table of 10 starts at $350,000 this year, as it did last year. There will be approximately 400 guests.

How strict is the dress code? The code is meant to be a guide, not a hard rule, and loose interpretation is encouraged.

How do guests spend the evening? Guests enter the museum and walk past an enormous flower arrangement in the museum’s grand lobby – always a talking point. Often there is an orchestra playing nearby. At the top of the grand staircase, Wintour and her co-hosts form a receiving line. Guests then head to view the exhibit, which is followed by dinner. The most hotly anticipated guests sometimes arrive around dessert time for maximum impact (we're looking at you, Rihanna).



Britain Celebrates Late Queen Elizabeth II as a Style Icon to Mark Her Centenary

The coronation dress of Britain’s Queen Elizabeth II worn in 1953 is displayed at the exhibition “Queen Elizabeth II: Her Life in Style” at The King’s Gallery, Buckingham Palace in London, Britain, 09 April 2026. (EPA)
The coronation dress of Britain’s Queen Elizabeth II worn in 1953 is displayed at the exhibition “Queen Elizabeth II: Her Life in Style” at The King’s Gallery, Buckingham Palace in London, Britain, 09 April 2026. (EPA)
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Britain Celebrates Late Queen Elizabeth II as a Style Icon to Mark Her Centenary

The coronation dress of Britain’s Queen Elizabeth II worn in 1953 is displayed at the exhibition “Queen Elizabeth II: Her Life in Style” at The King’s Gallery, Buckingham Palace in London, Britain, 09 April 2026. (EPA)
The coronation dress of Britain’s Queen Elizabeth II worn in 1953 is displayed at the exhibition “Queen Elizabeth II: Her Life in Style” at The King’s Gallery, Buckingham Palace in London, Britain, 09 April 2026. (EPA)

The late Queen Elizabeth II believed the monarch had to be seen to be believed. And she made sure that was true even when Britain’s famously changeable weather intervened, pioneering the use of a clear plastic raincoat so that a stodgy black umbrella didn’t obscure her from public view.

That raincoat is one of some 300 garments and other fashion artifacts that go on display Friday at the King’s Gallery at Buckingham Palace in an exhibit that celebrates the late queen’s life and reign as Britain prepares to mark the centenary of her birth. The most comprehensive exhibition of her style choices ever mounted, the show charts Elizabeth’s story, and her impact on British fashion.

“I think she had a definite sense of what suited her,” exhibition curator Caroline de Guitaut said. “She absolutely knew how she wanted to appear.”

An Olympian moment

Some of the items are easily recognizable since Elizabeth was one of the most photographed people ever. But the ball gowns, tweed suits and trademark headscarves are sometimes strange to see on museum mannequins instead of the queen herself.

And then there are the items that are truly one-offs.

Like the dress, complete with bloomers, that Elizabeth’s stunt double wore during the opening ceremony for the 2012 London Olympics, when the then-86-year-old queen appeared to parachute into the stadium alongside Daniel Craig in his James Bond persona. To complete the illusion, the queen soon emerged in the stands identically attired.

Both dresses, designed by Elizabeth’s longtime dressmaker Angela Kelly, are displayed side by side, though the stunt double’s version has large zipper in back to accommodate the parachute.

Cecilia Oliver, Textile Conservator at the Royal Collection Trust adjusts day wear worn by Queen Elizabeth II, on display at “Queen Elizabeth II: Her Life in Style” exhibition, to mark the centenary of the late queen's birth, at The King's Gallery at Buckingham Palace in London, Thursday, April 9, 2026. (AP)

Fashion connection to the public

The exhibition, drawn from some 4,000 items once owned by the queen, explores how fashion became one of her most powerful tools of communication as she evolved from a young princess into Britain’s longest-reigning monarch.

That could often be seen in her choice of color and decorative detail, as in the green and white Norman Hartnell gown she chose to wear for the state banquet during her 1961 visit to Pakistan, honoring her hosts by donning their national colors.

“The queen had an intimate understanding of how fashion could lend itself to diplomacy, a trait which, while its origins certainly lay in earlier reigns, the queen developed into nothing short of an art form,” de Guitaut said. “Color or embellishment communicated messages of respect to her host nation before she had even uttered a word in her speech.”

Particularly as she got older, Elizabeth opted to wear bright or distinctive shades during large public events so she could be easily spotted, and visitors could say they had seen the queen.

The exhibit also explores the queen’s off-duty wardrobe. The tweed suits she wore at Balmoral Castle, the royal family’s summer retreat in Scotland, are on display alongside clothes for riding, hiking and other outdoor pursuits. There’s a thick woolen coat Kelly designed during Elizabeth’s later years alongside items by Burberry and British designer Hardy Amies.

Big occasions, big statement gowns

Clothes worn during the many milestones of the queen's long life are also on display, from her christening robe, commissioned by Queen Victoria for the baptism of the future King Edward VII, to dresses she wore for her wedding and coronation.

The exhibit also includes sketches and notes that show just how involved the queen was in designing her wardrobe.

Naomi Pike, commissioning editor for Elle UK, said the collection finally recognizes Elizabeth’s status as a fashion icon, even though other royals, including her younger sister, the late Princess Margaret, and her daughter-in-law, the late Princess Diana, stole the spotlight during her lifetime.

“I think we’re very quick in this day and age to afford people icon status. ... It’s thrown around so easily,” Pike said. “But I think in the case of the queen, she was an icon and so much of that comes down to having a very strong sense of personal style.”

A member of the Royal Collection Trust staff looks towards hats, bags and shoes worn by Princess Elizabeth, on display at “Queen Elizabeth II: Her Life in Style” exhibition, to mark the centenary of the late queen's birth, at The King's Gallery at Buckingham Palace in London, Thursday, April 9, 2026. (AP)

On fairy wings

While the gowns may be the exhibit’s biggest draw, the show also provides a few surprises. With the task of showing us “what the monarch wore,” the curators conjured up a somewhat battered fairy outfit made from a tutu with wings on the back.

The piece is a favorite of Cecilia Oliver, a textile conservator at the King’s Gallery, who described it as the “cutest thing in the world.”

“I think what I love most about it is that it was bought for Elizabeth as a child, and to think of her as this tiny little girl that then grew up into this magnificent woman with all this weight of responsibility on her shoulders, it just feels very, sort of sentimental,” Oliver said.

Oliver grew almost wistful as she described the months of work on the exhibit and the privilege of handling so many things connected to a person familiar to so many but truly known by so few.

“As a conservator, I have a really intimate knowledge of these pieces. I’ve been able to touch them. I’ve been able to smell them. I’ve been able to understand them,” she said. “And through that, I felt really close to her.”

“Queen Elizabeth II: Her Life in Style” runs until Oct. 18 at the King’s Gallery, Buckingham Palace.


Second-hand Fashion Platform Vinted Reports 38% Jump in Revenue

FILE PHOTO: Employees work in the Vinted headquarters in Vilnius, Lithuania November 26, 2019. Vinted-Investment/Handout via REUTERS
FILE PHOTO: Employees work in the Vinted headquarters in Vilnius, Lithuania November 26, 2019. Vinted-Investment/Handout via REUTERS
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Second-hand Fashion Platform Vinted Reports 38% Jump in Revenue

FILE PHOTO: Employees work in the Vinted headquarters in Vilnius, Lithuania November 26, 2019. Vinted-Investment/Handout via REUTERS
FILE PHOTO: Employees work in the Vinted headquarters in Vilnius, Lithuania November 26, 2019. Vinted-Investment/Handout via REUTERS

Second-hand fashion platform Vinted said on Thursday it made 1.1 billion euros ($1.28 billion) in revenue in 2025, a 38% increase on the previous year, as it expanded into categories like electronics and homeware, and launched in three new countries.

Surging inflation in Europe since 2021 has boosted demand for cheaper second-hand products as shoppers cut spending on new clothes, helping platforms like Vinted attract more people to browse items and list their own unwanted tops, dresses and jeans for sale.

The total value ⁠of products sold ⁠on Vinted last year - gross merchandise value - hit 10.8 billion euros ($12.59 billion), a 47% increase from 2024, as the platform added categories like collectibles, sports equipment and electronics.

Vinted is available in 26 countries, having launched in Estonia, Latvia and Slovenia in 2025, and in January this year in the United States, making its first foray outside of Europe.

How consumer demand will be ⁠impacted by the Iran war-driven spike in energy prices is hard to predict, said Vinted CEO Thomas Plantenga, adding there are many unknowns including how governments might react.

"What we do know is that Vinted is a very useful tool if people have less money and things become more expensive, to sell things and make some money and find good deals," Plantenga told Reuters. "So it shouldn't be an environment that is going to hurt us a lot."

While revenue increased, net profit declined to 62 million euros from 77 million euros in 2024, which the privately held company said was due to investments in cheaper ⁠delivery options in Germany, ⁠adding new categories and launching in new countries.

"If we look at whether next-year profits will be bigger or smaller, it will be really dependent on whether, for example, the US test is going to work," said Plantenga.

Founded in Lithuania in 2008 and becoming the country's first "unicorn" - start-up valued at 1 billion euros - in 2019, Vinted has previously been rumored to be explore an IPO, but Plantenga said on Thursday that going public is not in the company's short-term plans.

Vinted is exploring a secondary share sale that would value it at 8 billion euros, the Financial Times reported in November, which would be a significant increase from the 5 billion-euro valuation of its October 2024 share sale.

Plantenga declined to comment on the valuation.


Tailors and Dressmakers Retire their Pincushions as US Demand for Skilled Sewers Grows

A heart-shaped pincushion bristling with needles hangs on the wall inside Kil Bae's store on Friday, March 27, 2026, in New York. (AP Photo/Andres Kudacki)
A heart-shaped pincushion bristling with needles hangs on the wall inside Kil Bae's store on Friday, March 27, 2026, in New York. (AP Photo/Andres Kudacki)
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Tailors and Dressmakers Retire their Pincushions as US Demand for Skilled Sewers Grows

A heart-shaped pincushion bristling with needles hangs on the wall inside Kil Bae's store on Friday, March 27, 2026, in New York. (AP Photo/Andres Kudacki)
A heart-shaped pincushion bristling with needles hangs on the wall inside Kil Bae's store on Friday, March 27, 2026, in New York. (AP Photo/Andres Kudacki)

Hunched over a sewing machine, Kil Bae is hemming a dress inside his Manhattan tailor shop when a new customer stops by with a vintage Tommy Hilfiger jacket he wants taken in.

The modeling agent paid $20 at a thrift store for his reversible bomber style that's plaid on one side and red on the other. He's willing to spend $280 to have it slimmed down. Alteration requests with such a price disparity would have seemed odd a few years ago, the tailor says, but are helping to keep the bobbins bobbing at his one-man shop, 85 Custom Tailor.

Bae carefully examines the cotton jacket before moving in to pin it, circling the customer like a sculptor with a chisel. He started training as a tailor at age 17, in his native South Korea. Now 63, he's part of a shrinking breed in the US, where professional sewers, dressmakers and tailors are aging out of the workforce as their services find fresh demand.

Shoppers who grew up on disposable fast fashion are enlisting tailors and seamstresses to give off-the-rack purchases a custom fit or personal flair, to revive secondhand finds or to extend the lives of their wardrobes, according to fashion industry experts. Weight-loss drugs like Zepbound and Wegovy mean more Americans are seeking adjusted waistbands, tapered sleeves and other types of resizing, Bae said.

“I recommend this job to young people because this one cannot be AI’d,” Bae said, noting artificial intelligence is automating pattern making but so far can't replicate a tailor's handiwork. “Different bodies. Different shape. They cannot copy like this. If I close this door, I can go out and find another one.”

But like engraving, repairing musical instruments and many other skilled trades, creating and fitting garments to individual specifications hasn't attracted enough entry-level workers over the years to replace the professionals retiring their pincushions after decades of performing their craft.

The US Bureau of Labor Statistics estimated almost two years ago there were fewer than 17,000 tailors, custom sewers and dressmakers working in business establishments nationwide, a 30% decline from a decade earlier.

Including self-employed individuals and people working in private households, the median age for all sewers, dressmakers and tailors was 54 last year, 12 years older than the median for the entire employed population, according to the bureau.

The income that a proficiency with needle and thread commands relative to the skills needed and the physical toll of bending over detailed work for hours likely discourages teenagers and young adults from heeding Bae's advice, fashion industry experts said.

The mean annual wage tailors, dressmakers and custom sewers earned as of May 2024 was $44,050 a year, compared to $68,000 for all workers, according to BLS calculations.

“Most of fashion training is really aimed at mass production, not spending time in a shop handmaking a garment,” said Scott Carnz, the provost of LIM College, a for-profit college that offers degrees in disciplines from the business side of fashion. “The work is also tedious.”

Online job postings for tailors, dressmakers and sewers have remained fairly stable, according to Cory Stahle, an economist with the research arm of jobs site Indeed. Between February 2020 and the end of the same month this year, advertised openings decreased by roughly 2%, while postings for both marketing and software jobs declined by nearly 30%, he said.

“There is a kind of a craftsmanship ... that I think is an important piece that we can’t ignore,” Stahle, who focuses on the US labor market, said.

Immigrants with and without permanent legal status, refugees and naturalized citizens have powered America's garment industry for well over a century.

An analysis of recent census data by the Migration Policy Institute found about 40% of tailors, dressmakers and sewers were foreign-born, according to Julia Gelatt, associate director of the nonpartisan think tank's US Immigration Policy Program. The biggest shares came from Mexico, South Korea, Vietnam and China, she said.

To address a worsening labor shortage, the fashion industry is looking to create a new generation of master tailors.

Nordstrom, North America’s largest employer of tailors and alteration specialists, teamed up with New York's Fashion Institute of Technology to launch a nine-week program in advanced sewing and alteration techniques.

“Customarily, tailoring has never been part of the American skill set,” said FIT instructor and Broadway costume builder Michael Harrell, who teaches the course.

The fashion institute received 200 applications for the inaugural cohort of 15 students, who started in October and received certificates of completion in February, said Jacqueline Jenkins, the executive director of the school's Center for Continuing and Professional Studies.

The hands-on training was designed to prepare participants to work at Nordstrom. The luxury department store chain employs 1,500 people to provide tailoring and alternations, from hemming jeans and repairing rips to fitting suits and reworking evening gowns.

Ten members of the first class were hired or are in the process of being hired, Marco Esquivel, Nordstrom’s director of alterations, said.

“We owe it to the broader industry to ensure that this is an art form that exists for years and years to come and continues to serve customers both within our walls as well as outside,” Esquivel said.

Meanwhile, other retailers are expanding their tailoring services because of demand.

Brooks Brothers, a luxury brand that has made custom men’s clothes since the 1800s, tested a similar service for women at five stores last year. This year, it expanded bespoke women's tailoring to 40 more stores. Prices start at $165 for shirts and $1,398 for suits, the company said.

No one to take over Back at 85 Custom Tailor, Bae asked more than once if the customer with the Tommy Hilfiger jacket was certain he wanted to proceed with the alterations. Jonathan Reiss, 33, was sure. He said he planned to wear the jacket often.

“I think I fell victim to buying cheap stuff, and then you realize it just falls apart or shrinks or it just doesn’t last long,” The Associated Press quoted Reiss as saying.

Bae has a son who's a year older than Reiss. He tried to persuade him to go into tailoring. The son used to work with computers and then opened a bagel shop.

“Young people. They just want to find a job in computers,” Bae said. “I think that’s too boring. I think this is very interesting. Every time, I am drawing in my head. I am like an artist.”

Bae trained under his older sister and brother at their custom apparel shop about 93 miles (150 kilometers) from Seoul. After five years, he moved to South Korea's capital to work on custom orders and samples for various companies. He moved to the New York City area, where he worked as a pattern maker for Ralph Lauren, Donna Karan and other designer brands.

He opened his own shop in Connecticut in 2011, but the COVID-19 pandemic forced him to close after a decade. He reopened in his current location a year later.

He uses three different sewing machines: a basic one, another for for heavy materials like denim and leather, and an overlock machine, which cuts, trims, and finishes fabric edges simultaneously.

Bae said he intends to keep working as long as his hands stay steady enough.

“I'm always learning,” he said.