Exclusive - Barack Obama Still Nursing Wounds of Imperialism

Exclusive - Barack Obama Still Nursing Wounds of Imperialism
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Exclusive - Barack Obama Still Nursing Wounds of Imperialism

Exclusive - Barack Obama Still Nursing Wounds of Imperialism

THE WORLD AS IT IS
By Ben Rhodes
Publisher: Bodley Head
480 pages

Ben Rhodes’ semi-memoirs starts with a quotation from Ernest Hemingway’s “The Old Man and the Sea”, stating that no man is ever alone in the sea. Rhodes then takes 480 pages to introduce us to a young man who is all at sea. The young man in question, well sort of young, is Barack Hussein Obama who was Rhodes’ boss for almost a decade, first as a junior Senator from Illinois and then as President of the United States. Rhodes initially served as a jack-of-all trades in Obama’s first presidential campaign but rose to become the president’s chief speech-writer and then as Deputy National Security Adviser, a position that gave him a rare spot at the White House coalface.

Despite his penchant for self-aggrandizement, an affliction of many Americans in public service, Rhodes’ narrative is interesting precisely because he was mostly a bit-player with no prospects for an independent career of his own in American politics. That enabled him to cast himself as an observer of the circus of which Obama was the ring master.

It took Rhodes little time to understand Obama, the real Obama, a synthetic product of American contradictions who knows how to survive and even prosper in a political system in which perception is often more important than reality. It didn’t matter who you were and what you believed in, if anything; what mattered was how you were seen and what you could market as your beliefs. Rhodes writes “Obama’s language sounded authentic” and that “his politics seemed moral.” The key words here are “sounded” and “seemed.”

Rhodes recalls a chat with one of Obama’s senior advisers who is concerned about the candidate’s lack of any knowledge of foreign policy and dismisses his youthful entourage as equally ignorant. “No one out there knows anything about foreign policy,” the adviser laments to Rhodes.

Rhodes, however, isn’t concerned. He writes: “We wanted a hero”, at a time that the US needed a leader and the American voters believed they were choosing a president.

Because Obama had little of substance to offer, except his synthetic charm, Rhodes tries to exploit his idol’s “complexity” as a factor that attenuates his intellectual shallowness. We are reminded that Obama was born in Hawaii, which had once been a US colony and thus still nursing the wounds of Imperialism, and that his father had been a Muslim from the Luo tribe in Kenya, a tribe that had suffered at the hands of British colonialism and, after Kenya’s independence, humiliated by the bigger tribe of the Kikuyus. Further, Obama’s step-father had been a Muslim from Indonesia, a country that had suffered from Dutch Imperialism and where Obama spent his boyhood and early youth. According to Rhodes, Obama’s multiple identities gave him “a different world view.”

Different from what? You might ask. Here is Rhodes’ answer “His views did not necessarily reflect those of the US government.”

In other words, the man chosen to represent the US government didn’t share that government’s views. He was his own man, a free spirit who could do what he liked. Only, we know that he couldn’t do what he liked because the US Government, notably the House of Representatives and the Senate, wouldn’t let him.

So what did he do? Rhodes says: “He turned to speeches to reorient American foreign policy.” Hillary Clinton, the erstwhile rival who became Obama’s Secretary of State, put it more starkly: “Whenever there was a crisis, Obama made a speech.” Rhodes wrote most of those speeches without having a clue about the subjects covered, mostly by googling things on the Internet.

Rhodes reveals that Obama and his entourage knew almost nothing about the Middle East, beyond a few quotations from” Lawrence of Arabia”, the David Lean film not the writings of the British agent who had been a master of self-promotion.

Early in his presidency, Obama told Rhodes that “the problems are in the Arab world” and decided to do something about it. That “something” was a grand visit to Cairo, the Egyptian capital, to deliver a speech aimed at flattering Muslims but asking them to adopt the Greater Middle East agenda worked under President George W Bush after the “liberation of Iraq”. The difference, however, was that Bush had preached the gospel of Jeffersonian democracy while Obama, who didn’t share such “American prejudices”, believed that the corrupt West wasn’t a model and that Muslims should do their own Islamic thing, whatever that meant.

In his Cairo speech, Obama condemned the Western model in these terms: “In the West there is a mindless violence, a crude sexuality, a lack of reverence for life, a glorification of materialism”. Worse still, according to Obama, the West, and the US in particular, had been guilty of trying to dictate to others and intervene in their affairs, a claim he repeated in his epistolary attempt at wooing Ayatollah Ali Khamenei the Islamic Republic’s “Supreme Guide.”

Later, Obama told Rhodes that “if democracy comes to Egypt, the Muslim Brotherhood will win.” We now know that his prediction wasn’t exact. In the first post-Mubarak presidential election, Mohammad Morsi the Muslim Brotherhood’s candidate, attracted the votes of fewer than 10 per cent of the Egyptian electorate. Morsi won in the second round by attracting most of the protest vote against a background of strong support from Washington.

Obama played a key role in forcing President Hosni Mubarak out of office, triggering the Egyptian crisis. Rhodes shows how Obama sent a special emissary, the seasoned diplomat Frank Wisner, to Cairo to persuade Mubarak to prepare for a transition of unspecified length instead of trying to crush the protesters. Thinking that he was now leading a strategy backed by the US, Mubarak complied until it was too late for a shift to containment of the crowds. At that time, Obama phoned Mubarak and openly asked him to step down as president. His claim that the US shouldn’t intervene in the affairs of others was thrown into the dustbin. Interestingly, Rhodes tells us that the hapless emissary, Wisner, hadn’t been told of the president’s shenanigans. That was no surprise as Wisner represented the “US Government” which Obama regarded as a negative force in world politics.

When news comes that Mubarak is out, Obama says “I feel good, I didn’t know him”, as if foreign leaders should be judged on the basis of their intimacy with him. Obama then adds: “If it had been King Abdullah of Jordan, I don’t know if I would have done the same thing.”

Obama’s sympathy for the Muslim Brotherhood and his own Muslim background didn’t necessarily make him sympathetic to Islam and Muslims; Sympathy came because he thought them to be anti-American.

Rhodes recalls an anecdote that Obama liked to repeat about the time that, as a child, he had spent in Pakistan with his “white” American mother. He recalls that his mother had entered a lift wearing cool clothing and no hijab. A young Pakistani man had entered the lift on one of the floors and, seeing that a woman, though of a certain age, was scantily clad had started to sweat so hard that he had been obliged to step out at the next floor.
In Obama’s view, Muslim men were obsessed with sex.

Rhodes claims that “Hezbollah” and Palestinians, especially “Hamas” supporters, loved Obama but, he notes, that “He didn’t do anything tangible for the Palestinians.” In fact, Obama had appointed the Democrat, former Senator George Mitchell, as his special envoy for Middle East with a brief to help create a Palestinian state within a year. However, Obama had soon forgotten the whole thing and never gave Mitchell access even to report on what was going on. Not surprisingly, Mitchel isn’t mentioned at all in Rhodes’ tome.

Rhodes shows that two things mattered most to Obama.

The first was what advantage he could claim by doing anything. Although he is of mixed black-and-white ethnicity, sometimes in his 30s he decided to cast himself as completely black to secure the votes of African-Americans as a bloc. He didn’t realize that he had been a victim of the cult of appearance, and that ”whiteness” and “blackness” were not matters solely of the color of your skin. You could be black in appearance but “white” in culture, taste, body-language and even beliefs and prejudices. In contrast you could have a dark skin and be whiter-than-white in character. To reduce a man, or a woman, to skin color, is simply idiotic.

The second stratagem that Obama adopted followed the first. He wanted to appear as a champion of “victims” real or imagined, a target he tried to hit with a series of symbolic gestures, including a bizarre tour of cities in Laos, Vietnam and Japan that the US had bombed during various wars. At each stop he made a speech, apologizing for what the US had done, much to the amazement of the ”natives” who knew that no war is one sided and that their nations too, were not as snow-white as Obama pretended.

It was also Obama’s belief that Iran had been a victim of American bullying that persuaded him to trample US and international law by pushing through his “nuclear deal”, certain to become a classical example of diplomatic subterfuge.

Obama’s embrace of the Venezuelan “strongman” Hugo Chavez, at a time that the latter was uprooting his nation’s democratic institutions, and the pas-de-deux to woo Cuba’s Raoul Castro, presiding over the biggest political prison in Latin America, were also prompted by the same “sympathy for the victims” of American Imperialism.

However, he never forgot the need to win votes. Before his second-term election, Obama secured a state visit to the United Kingdom to be received by the Queen.

According to Rhodes Obama believed that an audience with by the Queen, with full genuflections and hand-kissing, was “perfect, and will be a great validator for us with the White people.”

During Obama’s stay at Buckingham Palace, the US security found out that mice were roaming in the suite assigned to the President and his wife Michelle.

Rhodes quips “May be this is a dying Empire!” Obama replies “Just don’t tell the First Lady!”

Obama emerges from Rhodes’ portrayal as a reluctant, if not actually self-loathing, American. At one time, Obama compared the United Sates with the Mongol chief Chengiz Khan who conquered a big chunk of the world thanks to overwhelming violence.

“The difference is that the Mongols didn’t have our bombs,” Obama quipped. “But they had good horsemanship.”

Rhodes implies that he understands Obama’s dislike of America by saying the he himself is “a self-loathing Jew, maybe half self-loathing.”

Towards the end of his presidency Obama is asked by Rhodes and others in the entourage to define “The Obama Doctrine”, something that his admirers in the American media had invented.

“What is the Obama Doctrine?” he repeats the question. The answer is: ”Don’t do stupid shit!” Does this mean that he did “intelligent shit”?

According to Rhodes, Obama told him: “Our job is to tell a really good story about who we are.”

Well, Rhodes, who seems to have the talents of a writer of fiction, has taken the advice of his master and mentor; and the story he tells is a good one. It is also a sobering reminder of how vulnerable even a mature a democracy is.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.