‘The Offer’ Recreates Wild Drama behind ‘The Godfather’

This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)
This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)
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‘The Offer’ Recreates Wild Drama behind ‘The Godfather’

This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)
This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)

On a trip to New York in the early 1970s, Robert Evans, the former head of Paramount, discovered a dead rat in his hotel room bed. According to the new Paramount+ series " The Offer," this was not an unfortunate travel experience that today would result in a scathing Yelp review, but a warning from the mafia.

Crime boss Joseph Colombo believed Mario Puzo's book "The Godfather" was an insult to Italian Americans and did not want Paramount to adapt it for the big screen.

The scene is both horrifying and hilarious as Matthew Goode as Evans high-tails it out of town, after ordering the movie's producer, Al Ruddy (played by Miles Teller), to make it right.

What's revealed in the 10-episodes of "The Offer," debuting April 28, is that pressure from the mafia was just one of many hurdles that Ruddy, Evans and other players navigated to get the movie made.

"I couldn’t believe some of the stories," said Goode.

Adds Patrick Gallo, who plays Puzo: "If you love the film, you’re not going to believe the kinds of things that went into making it."

Although the "The Godfather" is an extreme example, Colin Hanks, who plays one of the suits at Paramount’s then owner, Gulf + Western, says "The Offer" provides a window into just how hard it is to make anything in Hollywood.

"It’s an interesting show for the people that have watched ‘The Godfather’ and love ‘The Godfather’ because obviously they’re going to know locations, they’re going to know characters, and there’s going to be some insight into the making of the film. But I think even if someone has not seen ‘The Godfather,’ I think it’s a pretty interesting examination of just how difficult it is."

It also shows how fickle Hollywood can be.

"I've talked to really acclaimed and accredited filmmakers who made an incredible film and then assumed that they would be able to make whatever they wanted to next. And they couldn’t," said Teller. "Even some true-blue movie stars, you’d be surprised how quickly the enthusiasm for them fades if they’re not coming off a hit. And somebody told me 'In this business, nobody cares what you did two years ago.' I think it’s nobody cares what you did seven months ago. It's a constant proving ground."

"The Offer" paints a heroic picture of Ruddy, who was steadfast in protecting director Francis Ford Coppola's creative vision, while taking heat from all sides. It depicts how Coppola desperately wanted to cast a then-unknown, off-Broadway actor named Al Pacino in the role of Michael Corleone, much to the initial dismay of Evans and Gulf + Western. He also thought Marlon Brando was perfect as Don Corleone, even though Brando was considered too unreliable at the time. Ruddy persisted and made it happen.

"If he believed in somebody and if he told you he had your back, he did. He had it until the very end," said Teller.

Ruddy was the film's sole producer - a rarity in today's Hollywood, but his support system included his assistant Bettye McCartt, who was at his side every step of the way.

Juno Temple plays McCartt and calls it "one of the greatest honors" of her career to bring Ruddy and McCartt's partnership to the screen, a pair who trusted each other implicitly.

"You always hear like, 'Men and women can’t be friends.' Yeah, they can. They can be best friends and they can get such incredible (expletive) done together."

Dan Fogler, who plays Coppola, says "The Offer” is a reminder of the director's genius, and he would personally love his stamp of approval.

"I wonder what he's going to think of all this. I hope he gives us his blessing," he said. (It should be noted that Coppola has dismissed the project, telling Variety in March that "The Offer" doesn't match his memory of what happened.)

And Hollywood isn't done with the story. A movie surrounding the rollercoaster to get "The Godfather" made, starring Oscar Isaac and Jake Gyllenhaal, called "Francis and the Godfather" is also in the works.



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."