‘I Chose to Stay Away from Cinema,’ Dalia el-Behery Tells Asharq Al-Awsat

The jury of the Casablanca Arab Film Festival
The jury of the Casablanca Arab Film Festival
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‘I Chose to Stay Away from Cinema,’ Dalia el-Behery Tells Asharq Al-Awsat

The jury of the Casablanca Arab Film Festival
The jury of the Casablanca Arab Film Festival

Egyptian actress Dalia el-Behery said the “My Very Beautiful Lady” play, which she is set to perform at the National theater during the winter season, has been her dream since she read the original novel in her childhood. During an interview with Asharq Al-Awsat, Behery explained that the new show differs from the play starred by the couple Fouad el-Mohandes and Shwikar. She also expressed her joy for partaking in the jury of the Feature Film Competition at the Casablanca Arab Film Festival, and noted that she looks forward to the 5th season of the comic series “Diaries of a Very Angry Wife”.

· How do you assess your recent participation in the jury of the Feature Film Competition at the Casablanca Arab Film Festival?

This is the first time I attend this festival upon the invitation of its director Fatima al-Nawali, a very respectful person who’s passionate of her work. I love the Moroccan cinema, and was thrilled with this participation, which was not my first experience as a juror, it’s the tenth maybe. I already partook in juries of the Cairo International Film Festival twice, in Damascus festival before it suspends, in Morocco’s Salé festival, and Aswan International Women's Film Festival.
· As an actress, how did you benefit from these participations?

They were beneficial on all levels. They allowed me to watch non-commercial movies that are screened only in festivals, meet young talents in all fields and cinema figures that I can only see in such events. In Casablanca, I met Palestinian director Rashid Masharawi, and Mohammad Kiblawi, director of Malmo Arab film Festival. These festivals are also beneficial on the artistic and human levels and can open new horizons.

· In your opinion, does a good movie has specific features?

A good movie gets everybody’s applaud. As a jury, we all agreed on the winning movies, mainly the Jordanian film “Farha”, which won the best film award for highlighting a humanitarian cause that touched us all with great acting and amazing cinematography. A good movie should be presented with an esteemed cinematic language that focuses on the image and performance more than the script, and this is why the film should be coherent and attract the spectators from the beginning until the end.

· You had many successful leading roles on the big screen including “The Embassy Next Door”, “Mohami Khulaa”, and “Harim Karim”. Why did you step away from cinema?

Because I respect the audience, myself, and my short journey during which I presented 12 movies. I don’t plan to partake in works that underestimate me, or make the audience respect me less. Recently, I was offered roles that don’t resemble me. I am not used to act just for appearances, or to make money. My roles should be valuable additions to my careers, and make me more proud of my work. Some don’t care about these things, and some have to accept such roles for living, but I am grateful I can say no.
· You started the rehearsals for “My Very Beautiful Lady” which you will perform on the national theater…what does this show represent to you?

I am thrilled to stand on the stage of the national theater, it will be a huge moment for me as an actress. As for the play, I loved it since I was a kid, we had the playscript of George Bernard Shaw's Pygmalion in my father’s library, and I always dreamed of performing it after I became an actress. Director Hassan Rizk offered me this role in his new play, and I always wished I could work with him because I am sure he can bring new energies in me as an actress.

· Does this mean that we will be watching another version of “Sodfa Baadeshi”?

No, “My Very Beautiful Lady” is not related to “Sodfa Baadeshi”, but it involves the same theme because they are both inspired by Shaw’s Pygmalion. A group of amazing actors will be performing the play alongside me in a comic, musical frame composed by musician Mahmoud Talaat. Luckily, I met Shwikar once, in the premiere of “First Year of Scam”. I sat next to her, and when she watched the movie, she told me that I have a Spanish style and hailed my performance.

· You made four seasons of the series “Diaries of a Very Angry Wife”. What about the fifth?

I heard of a fifth season, and I look forward to it. This series is one of the dearest works to my heart. It could continue for more seasons because it involves non-stop developments. The audience loved it, and it helped me gain more fans, especially among the younger generations who watched it.

· You started your journey as a TV personality, and many actors and actresses have worked as TV presenters after acting. Do you consider returning to TV?

I don’t mind the idea if it would bring me an added value. I presented all kinds of programs (politics, entertainment, and children content…). The most important thing is to make something new. I was recently offered to present a program, but it was aimed at making profit, and meant nothing to me.

· As a former Miss Egypt, how do you see beauty?

Beauty is a combination of factors including the physical features, classiness, culture, and intelligence. I partook many times as a juror in Miss Egypt, but I don’t understand why we call it “Beauty Queen”. The winner is “the lady of Egypt”, which means she’s the one with the perfect Egyptian characteristics, including the Egyptian look, fitness, respect of traditions, and culture. The good look is not everything. There are so many beautiful women who lose their beauty once they speak, or beautiful but lack intelligence.



Affable Comedy Acting Legend Dick Van Dyke Turns 100 Years Old

Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)
Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)
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Affable Comedy Acting Legend Dick Van Dyke Turns 100 Years Old

Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)
Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)

Comedy icon Dick Van Dyke celebrated his 100th birthday on Saturday, hitting the century mark some six decades after he sang and danced with Julie Andrews in "Mary Poppins" and starred in his self-titled sitcom.

"The funniest thing is, it’s not enough," Van Dyke said in an interview with ABC News at his Malibu, California home. "A hundred years is not enough. You want to live more, which I plan to."

As part of the celebration of Van Dyke's birthday this weekend, theaters around the country are showing a new documentary about his life, "Dick Van Dyke: 100th Celebration."

Van Dyke became one of the biggest actors of his era with "The Dick Van Dyke Show," which ran from 1961-66 on CBS; appeared with Andrews as a chimney sweep with a Cockney accent in the 1964 Disney classic "Mary Poppins" and, in his 70s, played a physician-sleuth on "Diagnosis: Murder."

Also a Broadway star, Van Dyke won a Tony Award for "Bye Bye Birdie" to go with a Grammy and four Primetime Emmys. In 1963, he starred in the film version of "Bye Bye Birdie."

Just last year, he became the oldest winner of a Daytime Emmy, for a guest role on the soap "Days of Our Lives."

In the 1970s, he found sobriety after battling alcoholism, and spoke out about it at a time when that was uncommon to do.

Now that he has hit triple digits, Van Dyke said he's gotten some perspective on how he used to play older characters.

"You know, I played old men a lot, and I always played them as angry and cantankerous," he told ABC News. "It's not really that way. I don't know any other 100-year-olds, but I can speak for myself."

He recently imparted wisdom about reaching the century mark in his book, "100 Rules for Living to 100: An Optimist’s Guide to a Happy Life." He credited his wife, 54-year-old makeup artist and producer Arlene Silver, with keeping him young.

"She gives me energy. She gives me humor, and all kinds of support," he told ABC News.

Van Dyke was born in West Plains, Missouri, in 1925, and grew up "the class clown" in Danville, Illinois, while admiring and imitating the silent film comedians.

He told ABC News he started acting when he was about 4 or 5 years old in a Christmas pageant.

"I made some kind of crack, I don't know what I said, but it broke the congregation up," he said. "And I liked the sound of that laughter."

And what's hard about being 100?

"I miss movement," he told ABC News. "I've got one game leg from I don't know what."

"I still try to dance," he said with a laugh.


Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".