‘I Chose to Stay Away from Cinema,’ Dalia el-Behery Tells Asharq Al-Awsat

The jury of the Casablanca Arab Film Festival
The jury of the Casablanca Arab Film Festival
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‘I Chose to Stay Away from Cinema,’ Dalia el-Behery Tells Asharq Al-Awsat

The jury of the Casablanca Arab Film Festival
The jury of the Casablanca Arab Film Festival

Egyptian actress Dalia el-Behery said the “My Very Beautiful Lady” play, which she is set to perform at the National theater during the winter season, has been her dream since she read the original novel in her childhood. During an interview with Asharq Al-Awsat, Behery explained that the new show differs from the play starred by the couple Fouad el-Mohandes and Shwikar. She also expressed her joy for partaking in the jury of the Feature Film Competition at the Casablanca Arab Film Festival, and noted that she looks forward to the 5th season of the comic series “Diaries of a Very Angry Wife”.

· How do you assess your recent participation in the jury of the Feature Film Competition at the Casablanca Arab Film Festival?

This is the first time I attend this festival upon the invitation of its director Fatima al-Nawali, a very respectful person who’s passionate of her work. I love the Moroccan cinema, and was thrilled with this participation, which was not my first experience as a juror, it’s the tenth maybe. I already partook in juries of the Cairo International Film Festival twice, in Damascus festival before it suspends, in Morocco’s Salé festival, and Aswan International Women's Film Festival.
· As an actress, how did you benefit from these participations?

They were beneficial on all levels. They allowed me to watch non-commercial movies that are screened only in festivals, meet young talents in all fields and cinema figures that I can only see in such events. In Casablanca, I met Palestinian director Rashid Masharawi, and Mohammad Kiblawi, director of Malmo Arab film Festival. These festivals are also beneficial on the artistic and human levels and can open new horizons.

· In your opinion, does a good movie has specific features?

A good movie gets everybody’s applaud. As a jury, we all agreed on the winning movies, mainly the Jordanian film “Farha”, which won the best film award for highlighting a humanitarian cause that touched us all with great acting and amazing cinematography. A good movie should be presented with an esteemed cinematic language that focuses on the image and performance more than the script, and this is why the film should be coherent and attract the spectators from the beginning until the end.

· You had many successful leading roles on the big screen including “The Embassy Next Door”, “Mohami Khulaa”, and “Harim Karim”. Why did you step away from cinema?

Because I respect the audience, myself, and my short journey during which I presented 12 movies. I don’t plan to partake in works that underestimate me, or make the audience respect me less. Recently, I was offered roles that don’t resemble me. I am not used to act just for appearances, or to make money. My roles should be valuable additions to my careers, and make me more proud of my work. Some don’t care about these things, and some have to accept such roles for living, but I am grateful I can say no.
· You started the rehearsals for “My Very Beautiful Lady” which you will perform on the national theater…what does this show represent to you?

I am thrilled to stand on the stage of the national theater, it will be a huge moment for me as an actress. As for the play, I loved it since I was a kid, we had the playscript of George Bernard Shaw's Pygmalion in my father’s library, and I always dreamed of performing it after I became an actress. Director Hassan Rizk offered me this role in his new play, and I always wished I could work with him because I am sure he can bring new energies in me as an actress.

· Does this mean that we will be watching another version of “Sodfa Baadeshi”?

No, “My Very Beautiful Lady” is not related to “Sodfa Baadeshi”, but it involves the same theme because they are both inspired by Shaw’s Pygmalion. A group of amazing actors will be performing the play alongside me in a comic, musical frame composed by musician Mahmoud Talaat. Luckily, I met Shwikar once, in the premiere of “First Year of Scam”. I sat next to her, and when she watched the movie, she told me that I have a Spanish style and hailed my performance.

· You made four seasons of the series “Diaries of a Very Angry Wife”. What about the fifth?

I heard of a fifth season, and I look forward to it. This series is one of the dearest works to my heart. It could continue for more seasons because it involves non-stop developments. The audience loved it, and it helped me gain more fans, especially among the younger generations who watched it.

· You started your journey as a TV personality, and many actors and actresses have worked as TV presenters after acting. Do you consider returning to TV?

I don’t mind the idea if it would bring me an added value. I presented all kinds of programs (politics, entertainment, and children content…). The most important thing is to make something new. I was recently offered to present a program, but it was aimed at making profit, and meant nothing to me.

· As a former Miss Egypt, how do you see beauty?

Beauty is a combination of factors including the physical features, classiness, culture, and intelligence. I partook many times as a juror in Miss Egypt, but I don’t understand why we call it “Beauty Queen”. The winner is “the lady of Egypt”, which means she’s the one with the perfect Egyptian characteristics, including the Egyptian look, fitness, respect of traditions, and culture. The good look is not everything. There are so many beautiful women who lose their beauty once they speak, or beautiful but lack intelligence.



Dolly Parton Estate Announces 2-Day Festival ‘Dollyfest’ to Celebrate Her Legacy

US singer and actress Dolly Parton attends the 2015 NBC TCA summer press tour at the Beverly Hilton Hotel in Beverly Hills, California on August 13, 2015. (AFP)
US singer and actress Dolly Parton attends the 2015 NBC TCA summer press tour at the Beverly Hilton Hotel in Beverly Hills, California on August 13, 2015. (AFP)
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Dolly Parton Estate Announces 2-Day Festival ‘Dollyfest’ to Celebrate Her Legacy

US singer and actress Dolly Parton attends the 2015 NBC TCA summer press tour at the Beverly Hilton Hotel in Beverly Hills, California on August 13, 2015. (AFP)
US singer and actress Dolly Parton attends the 2015 NBC TCA summer press tour at the Beverly Hilton Hotel in Beverly Hills, California on August 13, 2015. (AFP)

Dolly Parton is not done yet. The estate behind the icon, who died of cancer last week at age 80, has announced Dollyfest, a two-day festival to be held in Nashville and London across two consecutive weekends in 2027.

According to a press release Monday morning, the festival was originally scheduled to take place in January 2026 — around her 80th birthday — and was going to feature Parton as a performer and host. Now, it will serve as a celebration of her legacy.

“We had the venue booked and we had the announcement ready to go. And then, in August 2025, Dolly had to take a step back after her initial health challenges. A lot of people always say, WWDD (What Would Dolly Do?), and, well, at this moment, Dollyfest is WDWD (What Dolly Would Do!),” organizer Danny Nozell, founder and CEO of CTK Enterprises, said in a statement.

“We are not discouraging people from celebrating Dolly in the ways they choose. However, as far as a traditional memorial goes, that is not something Dolly wanted,” he continued. “So, instead, it feels more appropriate for us to take a beat, let all the tributes that immediately make sense occur naturally, and then, see through this festival-style concept that was truly dreamed up by Dolly.”

There was a private service for Parton on Friday attended only by immediate family, The Associated Press has confirmed. There will not be a public ceremony, per Parton's wishes.

Parton's great-niece, Lainey Parton, posted a tribute on Instagram on Saturday, writing in the caption: “This is a really hard post for me to make. I wanted to wait until after my granny was laid to rest yesterday before I tried to put any of this into words. From the time I was little, my granny always had a way of making me feel like I was enough. She never made my dreams feel too big or made me feel like I couldn’t do something. She believed in me before I even knew how to believe in myself.”


Jury to Hear Closing Arguments in Tupac Killing Trial

Duane Davis enters the courtroom during his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Nevada, US, August 27, 2026. (Reuters)
Duane Davis enters the courtroom during his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Nevada, US, August 27, 2026. (Reuters)
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Jury to Hear Closing Arguments in Tupac Killing Trial

Duane Davis enters the courtroom during his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Nevada, US, August 27, 2026. (Reuters)
Duane Davis enters the courtroom during his murder trial, related to the 1996 killing of rapper Tupac Shakur, in Clark County District Court at the Regional Justice Center in Las Vegas, Nevada, US, August 27, 2026. (Reuters)

Closing arguments are set for Monday in the trial of an ex-gang leader accused of masterminding the drive-by killing of hip-hop legend Tupac Shakur in Las Vegas, a cold case that became emblematic of violence permeating 1990s rap culture.

Duane "Keffe D" Davis, 63, is charged in Nevada's Clark County with a single count of murder using a deadly weapon. He has pleaded not guilty.

Davis is accused of leading a group of men to kill Shakur, 25, who was one of rap's most commercially successful and influential ‌artists, in ‌retaliation for the beating of his nephew.

Police say they long ‌suspected ⁠Davis but did ⁠not have enough evidence to charge him until he went public with his story in media appearances and a memoir, which, along with tapes of his secret meetings with investigators, make up most of the prosecution’s case.

Prosecutors with the Clark County District Attorney’s Office are likely to argue that Davis’ story is generally consistent and that he has essentially admitted to arranging Shakur’s killing, which under Nevada law is enough to be charged ⁠with murder.

DAVIS' WORDS WERE BRAVADO, SAYS LAWYER

Davis’ lawyer told jurors during ‌opening statements that his client’s words were mere ‌bravado and could not be corroborated. He also said there is no hard evidence to back ‌up Davis’ claim or even prove he was in Las Vegas at the ‌time of the killing.

Over the past two weeks, prosecutors played hours of recordings for jurors, including public interviews and secret meetings with investigators, where Davis said he was enraged after Shakur and his entourage beat up Davis’ nephew at a Las Vegas casino on September 7, ‌1996.

Davis and three other men, including his nephew, went looking for Shakur and his record executive Marion “Suge” Knight in a ⁠white Cadillac on ⁠the night of the beating, he told police during an unrelated investigation. Davis said he passed a gun to the backseat, and when they found Knight and Shakur’s car, one of the two men in the back opened fire.

Prosecutors have not named the shooter, and the three other men in the car have since died.

Davis was a leader of the South Side Compton Crips, a Los Angeles-area street gang that feuded with rival gang Mob Piru, which was associated with Shakur and his record label Death Row Records.

Shakur's killing in 1996 became a seminal moment in rap history and heightened hip-hop culture's violent image during “gangsta” rap’s heyday, an era defined by feuding between East and West Coast artists.

Relatives of Shakur are attending the trial and have said they hope it can bring them long-awaited closure.


Movie Stars, Timely Documentaries and Awards Hopefuls Convene at the Venice Film Festival

George Clooney poses on the red carpet at the premiere of his film "The Ides of March," opening the 68th edition of the Venice Film Festival in Venice, Italy on Aug. 31, 2011. (AP)
George Clooney poses on the red carpet at the premiere of his film "The Ides of March," opening the 68th edition of the Venice Film Festival in Venice, Italy on Aug. 31, 2011. (AP)
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Movie Stars, Timely Documentaries and Awards Hopefuls Convene at the Venice Film Festival

George Clooney poses on the red carpet at the premiere of his film "The Ides of March," opening the 68th edition of the Venice Film Festival in Venice, Italy on Aug. 31, 2011. (AP)
George Clooney poses on the red carpet at the premiere of his film "The Ides of March," opening the 68th edition of the Venice Film Festival in Venice, Italy on Aug. 31, 2011. (AP)

August can be a dreary month for Hollywood glamour, but the Venice Film Festival is on the horizon to kick off the busy fall film festival season in style.

There will be plenty of stars gracing the red carpets when the 83rd edition of the festival kicks off Wednesday on the Lido: Noel and Liam Gallagher, Robert Pattinson, Rooney Mara, George Clooney and Penélope Cruz are among those expected to attend. Some of the films may even become Oscar nominees.

But the mood feels a little different this year. There will always be a spotlight for the Hollywood contingent and the awards hopefuls posing on boats and docks in designer duds. Yet, in a lineup featuring Pattinson as “To Catch a Predator” host Chris Hansen, Dakota Johnson as Marilyn Monroe, Guy Pearce as Rupert Murdoch and Clooney as, well, himself (he’s getting a lifetime achievement award, as is Ellen Burstyn), it’s possible that much of the attention will be on a man who (probably) won’t be there: Elon Musk.

Docs feature Musk, Russia and Gaza

Alex Gibney’s nearly four-hour documentary about the world’s richest man has been in the works for almost four years. The Oscar-winner wasn’t sure about taking it on at first, but a good friend convinced him it would be a worthy portrait of 21st-century power — and this was before the 2024 presidential campaign and DOGE.

When the documentary was announced, Musk called it a “hit piece” on social media. Gibney replied, “How would you know?”

In fact, Gibney told The Associated Press he started off as a kind of admirer — as well as a Tesla owner — and sincerely wanted to talk to Musk for the film.

“Ultimately, he didn’t want to talk to me,” Gibney said. “But then you start, you know, digging into the facts and you follow them where they lead. And where they led, for me, was to a place that upended the myth, I would say, of Elon Musk as a kind of modern Leonardo da Vinci ... I think that the news in this film is that Musk isn’t an inventor. He’s a confidence man.”

The filmmakers talked to hundreds of people on and off the record to compile a sweeping picture of the Tesla and SpaceX CEO who, Gibney said, is not dissimilar to the guys at Enron or Elizabeth Holmes. He was most surprised by how many people seemed to be afraid to be on camera talking about Musk — even his admirers wanted permission first.

“I thought, wow, for such a big and powerful person, that seems awfully weak,” Gibney said.

But while it’s a “dark and dangerous topic,” Gibney said, the film is also a “fun ride.”

The same could be said of “My Undesirable Friends: Part II — Exile,” in which Julia Loktev continues her sprawling portrait of independent Russian journalists after the invasion of Ukraine.

The conflict in Gaza will also take center stage in the documentary “NAZA,” a late addition to the competition, from two of the filmmakers behind the Oscar-winning “No Other Land.”

Unlike last year, no large-scale protests are planned, but the group Venice4Palestine did call on the festival to “suspend all agreements with entities and institutions linked to the Israeli government." It also asked that the Palestinian flag be flown throughout.

Hollywood eyes awards in Venice

Part of the intrigue of Venice is how it might play into the Oscar race — it’s usually good for a best picture nominee or two.

Martin McDonagh’s “Wild Horse Nine,” starring John Malkovich and Sam Rockwell as 1970s CIA agents, seems like a promising candidate after his last two films debuted at Venice and went on to nominations. “The Father” filmmaker Florian Zeller returns with “Bunker,” a psychological thriller with Cruz and Javier Bardem. Danny Boyle looks at a turning point in tabloid media in “Ink.” And there's much curiosity around Lance Oppenheim’s “Primetime,” for Pattinson’s performance and for its examination of reality television culture in the early 2000s.

Japanese filmmaker Hirokazu Kore-eda is also debuting “Look Back,” about two small-town girls who aspire to be manga artists. And Korean auteur Lee Chang-dong examines themes of labor and freedom through two married couples in “Possible Love.”

This is also a year in which big Hollywood hasn’t needed the sheen of the international film festival. Cannes was bereft of a big blockbuster, and the industry went on to have one of its highest-earning summers ever. The reigning best picture winner, “One Battle After Another,” skipped festivals entirely.

Venice might have more Hollywood films than Cannes did, but following several years in which fates might have been prematurely decided for both would-be contenders, like “After the Hunt” and “The Smashing Machine,” and blockbusters like “Joker: Folie à Deux,” it too seems a bit more muted — at least on paper.

Venice fails in its pledge to women

And then there is the subject of women, specifically those behind the camera. There is only one in the main competition: Danish-Egyptian director May El-Toukhy. The same thing happened in 2018, prompting the festival that year to sign a pledge to have at least half of the films in competition be directed by women by 2020, which they have yet to achieve.

Adding more insult to injury is the fact that Maggie Gyllenhaal, whose first film “The Lost Daughter” won Venice's best screenplay prize in 2021, is presiding over a jury which includes Kaouther Ben Hania, whose film “The Voice of Hind Rajab” won the Silver Lion last year when there were six female-directed films in the competition.

Only seven women have won the Golden Lion, including Laura Poitras with “All the Beauty and the Bloodshed,” who is returning this year with a short film she co-directed with Rachel Lauren Mueller about US Immigration and Customs Enforcement in Minneapolis. “They’re Here” is part of the Venice Open section, which also includes Gyllenhaal’s Marilyn Monroe short “Flesh Impact.”

Outside of the main competition, there are also documentaries from Loktev, Barbara Kopple and Elizabeth Chai Vasarhelyi. There are several others in the Horizons sections as well, including a short from Saoirse Ronan.

Opening Venice Days on Wednesday is Hungarian filmmaker Lili Horvát’s English-language debut, “My Notes on Mars,” about a couple — Rupert Friend and Mackenzie Davis — whose marriage is in trouble when the wife, a scientist, mysteriously disappears and then reappears the day of her memorial service.

“The story argues for great love,” Horvát said. “Yet it shows the eternal limits of knowing the person we are in love with.”

Venice Days is an independent sidebar in which more than half the selections are by women, including several high-profile shorts from filmmakers like Mona Fastvold and Claire Denis.

“It’s good to be in a progressive section,” Horvát said.