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‘I Chose to Stay Away from Cinema,’ Dalia el-Behery Tells Asharq Al-Awsat

The jury of the Casablanca Arab Film Festival
The jury of the Casablanca Arab Film Festival
    Cairo - Intissar Dardir
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‘I Chose to Stay Away from Cinema,’ Dalia el-Behery Tells Asharq Al-Awsat

The jury of the Casablanca Arab Film Festival
The jury of the Casablanca Arab Film Festival

Egyptian actress Dalia el-Behery said the “My Very Beautiful Lady” play, which she is set to perform at the National theater during the winter season, has been her dream since she read the original novel in her childhood. During an interview with Asharq Al-Awsat, Behery explained that the new show differs from the play starred by the couple Fouad el-Mohandes and Shwikar. She also expressed her joy for partaking in the jury of the Feature Film Competition at the Casablanca Arab Film Festival, and noted that she looks forward to the 5th season of the comic series “Diaries of a Very Angry Wife”.

· How do you assess your recent participation in the jury of the Feature Film Competition at the Casablanca Arab Film Festival?

This is the first time I attend this festival upon the invitation of its director Fatima al-Nawali, a very respectful person who’s passionate of her work. I love the Moroccan cinema, and was thrilled with this participation, which was not my first experience as a juror, it’s the tenth maybe. I already partook in juries of the Cairo International Film Festival twice, in Damascus festival before it suspends, in Morocco’s Salé festival, and Aswan International Women's Film Festival.
· As an actress, how did you benefit from these participations?

They were beneficial on all levels. They allowed me to watch non-commercial movies that are screened only in festivals, meet young talents in all fields and cinema figures that I can only see in such events. In Casablanca, I met Palestinian director Rashid Masharawi, and Mohammad Kiblawi, director of Malmo Arab film Festival. These festivals are also beneficial on the artistic and human levels and can open new horizons.

· In your opinion, does a good movie has specific features?

A good movie gets everybody’s applaud. As a jury, we all agreed on the winning movies, mainly the Jordanian film “Farha”, which won the best film award for highlighting a humanitarian cause that touched us all with great acting and amazing cinematography. A good movie should be presented with an esteemed cinematic language that focuses on the image and performance more than the script, and this is why the film should be coherent and attract the spectators from the beginning until the end.

· You had many successful leading roles on the big screen including “The Embassy Next Door”, “Mohami Khulaa”, and “Harim Karim”. Why did you step away from cinema?

Because I respect the audience, myself, and my short journey during which I presented 12 movies. I don’t plan to partake in works that underestimate me, or make the audience respect me less. Recently, I was offered roles that don’t resemble me. I am not used to act just for appearances, or to make money. My roles should be valuable additions to my careers, and make me more proud of my work. Some don’t care about these things, and some have to accept such roles for living, but I am grateful I can say no.
· You started the rehearsals for “My Very Beautiful Lady” which you will perform on the national theater…what does this show represent to you?

I am thrilled to stand on the stage of the national theater, it will be a huge moment for me as an actress. As for the play, I loved it since I was a kid, we had the playscript of George Bernard Shaw's Pygmalion in my father’s library, and I always dreamed of performing it after I became an actress. Director Hassan Rizk offered me this role in his new play, and I always wished I could work with him because I am sure he can bring new energies in me as an actress.

· Does this mean that we will be watching another version of “Sodfa Baadeshi”?

No, “My Very Beautiful Lady” is not related to “Sodfa Baadeshi”, but it involves the same theme because they are both inspired by Shaw’s Pygmalion. A group of amazing actors will be performing the play alongside me in a comic, musical frame composed by musician Mahmoud Talaat. Luckily, I met Shwikar once, in the premiere of “First Year of Scam”. I sat next to her, and when she watched the movie, she told me that I have a Spanish style and hailed my performance.

· You made four seasons of the series “Diaries of a Very Angry Wife”. What about the fifth?

I heard of a fifth season, and I look forward to it. This series is one of the dearest works to my heart. It could continue for more seasons because it involves non-stop developments. The audience loved it, and it helped me gain more fans, especially among the younger generations who watched it.

· You started your journey as a TV personality, and many actors and actresses have worked as TV presenters after acting. Do you consider returning to TV?

I don’t mind the idea if it would bring me an added value. I presented all kinds of programs (politics, entertainment, and children content…). The most important thing is to make something new. I was recently offered to present a program, but it was aimed at making profit, and meant nothing to me.

· As a former Miss Egypt, how do you see beauty?

Beauty is a combination of factors including the physical features, classiness, culture, and intelligence. I partook many times as a juror in Miss Egypt, but I don’t understand why we call it “Beauty Queen”. The winner is “the lady of Egypt”, which means she’s the one with the perfect Egyptian characteristics, including the Egyptian look, fitness, respect of traditions, and culture. The good look is not everything. There are so many beautiful women who lose their beauty once they speak, or beautiful but lack intelligence.

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Entertainment

Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.

Entertainment

‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.

Entertainment

Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.