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Saudi Arabia’s Contributions Culminate in its Re-election to UNESCO Executive Board

Minister of Culture Prince Badr bin Abdullah bin Farhan delivers Saudi Arabia’s speech at the UNESCO General Conference in Paris. (SPA)
Minister of Culture Prince Badr bin Abdullah bin Farhan delivers Saudi Arabia’s speech at the UNESCO General Conference in Paris. (SPA)
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Saudi Arabia’s Contributions Culminate in its Re-election to UNESCO Executive Board

Minister of Culture Prince Badr bin Abdullah bin Farhan delivers Saudi Arabia’s speech at the UNESCO General Conference in Paris. (SPA)
Minister of Culture Prince Badr bin Abdullah bin Farhan delivers Saudi Arabia’s speech at the UNESCO General Conference in Paris. (SPA)

As a culmination of its contributions to promoting education, culture and science around the world, Saudi Arabia has won membership in the Executive Council of the United Nations Educational, Scientific and Cultural Organization (UNESCO) for the 2023-2027 session, for the second time in a row, during the 42nd session of the UNESCO General Conference.

Prince Badr bin Farhan, Minister of Culture and Chairman of the National Committee for Education, Culture, and Science, said: “As one of the founding members of UNESCO since 1946, Saudi Arabia fully supports the enhancement of the education, culture, and science sectors globally.”

He added that the Kingdom’s victory was a result of the member-states’ confidence in Saudi Arabia’s effective contribution to supporting the three sectors in achieving sustainable development goals and serving as catalysts for empowerment and prosperity worldwide.

Prince Badr bin Farhan noted that Saudi Arabia was the first country to take the initiative to include the cultural dimension in the agenda of the G20 Summit, adding that UNESCO was a party in the first joint meeting of the group’s culture ministers, during the Kingdom’s presidency of the summit in 2020.

Regarding the partnership between his country and the organization in the fields of education, science and culture, the minister pointed to the Saudi Fund at UNESCO, through which the Kingdom launched six pioneering projects to make a positive impact on cultural heritage around the world.

Prince Badr explained that Saudi Arabia, through its membership in the Executive Board of UNESCO, will collaborate with member states to strengthen international cooperation, achieve the organization’s strategic targets, and sustain its vital role within the organization.

The Executive Council is one of the three constitutional bodies of UNESCO, which include the General Conference and the General Secretariat. Its members are elected at the General Conference, which is held every two years.

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Culture

Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
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Morocco's Women Rug Weavers Battle to Save Age-old Craft

Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP
Women in southern Morocco have kept on the tradition of weaving carpets despite its meagre earnings - AFP

In southern Morocco, women are the guardians of the age-old craft of carpet weaving, an intricate art form that often leaves them with meagre earnings.

Women like Ijja Benchri, who creates carpets on a wooden weaving loom outside her small home in the village of Taznakht, follows traditions going back many generations.

"I started when I was 11 or 12, imitating the women I saw weaving," said Benchri, 60.

Known for their bold geometric patterns and vibrant colors, the handwoven rugs are a fixture in local markets and a favorite among tourists.

In 2022, traditional carpets accounted for nearly 22 percent of the kingdom's artisan exports, according to government data, AFP reported.

The mountain villages around Taznakht are famous for their Ait Ouaouzguite carpets, named after a native Amazigh tribe, one among a grouping of several communities indigenous to North Africa long referred to as Berbers.

The carpets are woven by the women on small traditional looms, either at home or in specialised workshops.

They are then categorized into various styles, depending on their region of origin and their designs.

Some of Morocco's finest rugs are crafted from high-quality sheep wool in Jbel Sirwa just south of the Atlas Mountains, and dyed using natural pigments from plants like henna, pomegranate peels, or indigo.

Though industrial dyes have replaced natural ones for most weavers because they are cheaper and can be produced more quickly.

"This tradition has been handed down for centuries, from mothers to daughters," said Safia Imnoutres, who leads a local women's weaving cooperative.

She was one of the women showcasing their creations at a recent festival in Taznakht dedicated to safeguarding the heritage.

- 'Comes from within' -

Creating a single carpet can take two to four weeks depending on its size, said Benchri, speaking in Tamazight, the community's language recognized as an official language alongside Arabic in Morocco.

"I choose the colors as I go, according to my feelings," she added.

Imnoutres also described the process as "instinctive", guided by emotion rather than a predetermined design.

"Weaving is an expression of the women's feelings, when they are joyful, when they are melancholic," she added. "It's an art that comes from within."

But beyond its artistic value, weaving is a vital source of income.

Every Thursday, many travel to a weekly market to sell their rugs, often to middlemen who set the prices.

On average, a large rug sells for just 250 Moroccan dirhams (around $24), with its final price later raking astronomical profits.

In cities like Marrakech, some 250 kilometres (160 miles) north of Taznakht, they are sold in bazaars for up to ten times the original price.

Other rugs are listed at up to $6,000 on online platforms.

"We earn very little," said Benchri. "The intermediaries decide the price, and we have no choice but to accept it because this is our livelihood."

These diminishing returns, she added, have contributed to making the craft less attractive for younger women and jeopardising the handcraft tradition.

Additionally, the influx of cheaper, machine-made rugs has deepened competition.

To address these challenges, a new exhibition space in Taznakht allows some weavers to sell their work directly to buyers, cutting out middlemen.

The center also tries to open new avenues for these women to sell their products independently through courses in digital marketing.

"If this heritage isn't made financially viable, we risk losing it," Imnoutres warned.