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Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM
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Abu Dhabi Arabic Language Center Reveals Shortlists for Sard Al Thahab Award

A total of 15 works from eight countries have been selected to compete across four categories. WAM
A total of 15 works from eight countries have been selected to compete across four categories. WAM

The Abu Dhabi Arabic Language Centre (ALC) has unveiled the shortlists for the second edition of the Sard Al Thahab Award, Emirates News Agency (WAM) reported Wednesday.

A total of 15 works from eight countries have been selected to compete across four categories: ‘Short Story for Published Stories’, ‘Popular Narratives’, ‘Short Story for Unpublished Stories’, and ‘Illustrated Story,’ WAM said.

In addition to these, the center will announce the winners in the ‘Narrators’ and ‘Emirati Narration’ categories, along with the winners in the four categories, over the coming months.

The shortlist features works from the UAE, Bahrain, Iraq, Sudan, Syria, Egypt, Morocco, and Tunisia. The increase in the number of participating countries highlights the award's rapid expansion and its capacity to attract creative talents across its six categories.

The shortlist for the ‘Short Story for Published Stories’ category is: ‘The Two Sisters’ by Ali AlAbdan from the UAE, published in 2023 by the Emirates Writers Union; ‘The Last Storyteller in This Time’ by Abdulrahman Abbas from Sudan, published in 2023 by Rwafead Publishing & Distribution; and ‘The Green Dragon’s Wife and Other Colourful Tales’ by Rawaa Sunbol from Syria, published in 2019 by Alaan Publishers & Distributors.

The shortlist for the ‘Popular Narratives’ category features: ‘Bahraini Folktales: One Thousand and One Tales’ by Dr. Dheya Abdulla Khamis AlKaabi from Bahrain, published in 2018 by the Arab Institute for Research & Publishing; ‘Encyclopedia of Folktales: One Thousand and Eighty Tales from Northern Upper Egypt’ by Dr. Sayed Fares from Egypt, published in 2023 by the Sharjah Institute for Heritage; and ‘The Hidden Heritage: The Sumerian Legend and the Gulf Novel of the Al-Sirah al-Hilaliyyah’ by Fathy Abdelsamie from Egypt, published in 2024 by Dar Waad for Publishing and Distribution.

The shortlist for the ‘Short Story for Unpublished Stories’ category has five entries: ‘Rooms with People Running Underneath Them’ by the Iraqi writer Yas AlFahdawi; ‘Biography of a Creature’ by the Moroccan writer Said Alfellak; ‘Suspended Souls’ by the Egyptian writer AbdelHady Ibrahim; ‘Judeilah Weather’ by the Egyptian writer Aida Deraman; and ‘Al Hashashat’ by the Tunisian writer Nasr Sami.

The shortlist for the ‘Illustrated Story’ category has four works: a documentary film titled ‘Tifan’ by Aaesha Alteneiji from the UAE; a photograph titled ‘Grandma’s Stories’ by Nuwair Alhajeri from the UAE; a photograph titled ‘Wife’s Loyalty’ by Issa Mohamed from Bahrain; and a drawing titled ‘Antara and Abla’ by Mahmood Shubbar from Iraq.

The jury selected the nominated works based on their alignment with the award's standards and objectives, reinforcing the award's commitment to excellence and fostering creativity in the literary field.

The Sard Al Thahab Award is an annual initiative launched by the Abu Dhabi Arabic Language Center. Its objectives are inspired by the poetry of the late Sheikh Zayed bin Sultan Al Nahyan, Father of the Nation. The award aims to serve as a platform that merges creativity with intellectual thought, fostering an artistic movement that draws upon Sheikh Zayed’s creative legacy as a foundation for new forms of creativity.

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Culture

Michelangelo’s Works Hidden in ‘Secret Room’, Researcher Says

Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)
Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)
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Michelangelo’s Works Hidden in ‘Secret Room’, Researcher Says

Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)
Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)

Renaissance artist Michelangelo ordered many of his artworks to be hidden by his pupils in a secret room to protect them for posterity, an Italian researcher claimed Wednesday.

According to renowned art historian Giorgio Vasari, the Italian genius burned a large number of his own drawings and sketches before his death in Rome in 1564.

But researcher Valentina Salerno says she has unearthed unpublished archival documents that reveal a plot to squirrel away his works.

"One of these three unpublished documents I found in the archives speaks of a room" kept by students of the Michelangelo school, the origins of which "can be traced back" to the artist, Salerno told AFP on the sidelines of a press conference in Rome.

"Assets are hidden inside this room. These assets are locked away so tightly that they require a system of multiple keys, so that no one can access them without the permission of others," she said.

Salerno was researching a book on Michelangelo when she came across a document that showed the artist had in 1550 joined the Brotherhood of the Most Holy Crucifix. Those close to him in his final years were members too.

Over a decade of research, she followed the document trail between a series of archives in the Vatican, Italy and European cities including Paris.

As part of what she called a "maniacal plan" cooked up by Michelangelo, his works were to be hidden "because otherwise it would all end up with a nephew he detested".

"The goal was to pass on to his poor, vulnerable, non-noble descendants the material to be able to continue studying, to transmit his art to future generations," she said.

Those involved in the plan went on to form the famous art Academy of San Luca in the 16th century, she added. It still exists today.

Salerno believes the secret room designed to safeguard the artist's creations was likely somewhere inside the Saint Peter in Chains church in central Rome.

- Michelangelo bust -

During her research, she also stumbled across a reference to a bust at the Basilica of Sant'Agnese, also in Rome, currently attributed to an anonymous artist.

She found documents attributing the white bust to Michelangelo down the centuries.

In the 1930s it appears to disappear from documentation, only to reappear in the 1980s, attributed to a minor artist.

Italy's cultural authorities later declared it to be a work by an unknown sculptor instead.

But Salerno insists the bust is a genuine Michelangelo, not just due to the paper trail, but also because it shares a striking resemblance to Tommaso dei Cavalieri, a young nobleman.

Salerno's work has not yet been peer reviewed, but she is a member of the Vatican committee for the celebrations marking the 500th anniversary of Michelangelo's birth.

Culture

Prince Mohammed bin Salman Project Restores Al-Hawza Mosque in Aseer

Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA
Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA
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Prince Mohammed bin Salman Project Restores Al-Hawza Mosque in Aseer

Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA
Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques is rehabilitating Al-Hawza Mosque in Dhahran Al-Janoub, Aseer, as part of its mission to preserve Islamic heritage under Vision 2030.

Built in 8 AH by Ali ibn Abi Talib during his trip to Yemen to spread Islam, the mosque is one of the oldest in the region and has undergone expansions in 1213 AH and 1353 AH. Its unique architectural identity reflects the Sarawat region's style, utilizing layered mud bricks and local wood to harmonize with the mountainous environment, SPA reported.

Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters, increasing its capacity to 148 worshippers while maintaining authentic features like its historic internal well.

By utilizing specialized Saudi companies and engineers, the project achieves a balance between traditional sustainability and modern standards, fulfilling strategic goals to restore architectural authenticity and highlight the Kingdom’s civilizational depth.

Culture

'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
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'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)

The people of Saudi Arabia’s AlUla have long maintained a close relationship with nature, reflected in their careful observation of crescent moons and the determination of lunar months, particularly Ramadan and Shawwal (Eid). This tradition was carried out through a role locally known as the “Moon Spotter,” reflecting inherited astronomical knowledge passed down through generations.

Known for sharp eyesight and precise knowledge of celestial timings, the Moon Spotter relied on traditional methods, including placing a copper vessel filled with water at an elevated position to observe the reflections of the sun and moon, which helped determine the crescent's position with accuracy.

Upon sighting the crescent, he would mark the reflected point with a palm frond before notifying the relevant court to contribute to the official announcement, the Saudi Press Agency said.

This heritage is closely tied to AlUla's historically clear skies, which enabled residents to observe celestial bodies with clarity and fostered a lasting connection to astronomy as part of their cultural legacy.