Saudi Minister of Culture Visits Kingdom’s Pavilion at Expo 2025 Osaka

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan visits the Kingdom's pavilion at Expo 2025 Osaka on Monday. (SPA)
Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan visits the Kingdom's pavilion at Expo 2025 Osaka on Monday. (SPA)
TT

Saudi Minister of Culture Visits Kingdom’s Pavilion at Expo 2025 Osaka

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan visits the Kingdom's pavilion at Expo 2025 Osaka on Monday. (SPA)
Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan visits the Kingdom's pavilion at Expo 2025 Osaka on Monday. (SPA)

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan, chairman of the steering committee for the Kingdom's participation in international expos, visited the Kingdom's pavilion at Expo 2025 Osaka on Monday as part of his official visit to Japan.

Upon his arrival, the minister of culture was received by Deputy Minister of Culture and chairman of the executive committee for the Kingdom's participation in international expos Hamed bin Mohammed Fayez, Assistant Minister of Culture Rakan bin Ibrahim Al-Touq, Saudi Ambassador to Japan Dr. Ghazi Faisal Binzagr, and several senior officials.

Prince Badr toured the sections of the national pavilion, reviewing its design and the progress of ongoing construction at the exhibition site, which is set to open in April 2025. He was briefed on the pavilion's visitor experience, which showcases the Kingdom’s rich cultural heritage and identity.

The pavilion presents Saudi Arabia's history in the form of a narrative, inviting visitors on a journey to explore its cultures, traditions, and values, which form the foundation of the nation’s identity. It also highlights the transformative developments currently underway in the Kingdom and its contributions to building a better future for the world.



Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
TT

Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
TT

Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.


Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
TT

Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA

The Dia Aziz Dia Award for Portrait, hosted by the Saudi Arabian Society for Culture and Arts in Jeddah, is a leading platform for portraiture and the only competition of its kind in the Middle East. It fosters national identity through contemporary art, connecting veteran and emerging artists.

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives, including Saudi women, the Arabian horse, the Saudi Green Initiative, and King Abdulaziz.

These themes highlight art's role in reflecting social transformations and contributing to the cultural goals of Saudi Vision 2030, SPA reported.

The current ninth edition, with a theme focused on King Salman, invited artists to depict the leadership and humanity of the Custodian of the Two Holy Mosques. This edition attracted significant participation, with 787 submissions from 42 cities, including international entries.

Of these, 61 works were shortlisted for the final competition, with prizes totaling SAR170,000 awarded to three main winners and seven incentive recipients.