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Riyadh Art Enriches Metro Stations with Artworks

Zaman Jassim’s When the Moon is Full. SPA
Zaman Jassim’s When the Moon is Full. SPA
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Riyadh Art Enriches Metro Stations with Artworks

Zaman Jassim’s When the Moon is Full. SPA
Zaman Jassim’s When the Moon is Full. SPA

Riyadh Art, the world’s largest public art program, has unveiled four monumental public artworks with the launch of the Riyadh Metro, transforming key metro stations into cultural landmarks.
At the King Abdullah Financial District (KAFD) Metro Station, designed by the internationally acclaimed Zaha Hadid Architects, Alexander Calder’s Janey Waney takes center stage. This bold and colorful sculpture exemplifies Calder’s pioneering spirit in kinetic art, creating a dynamic and engaging experience for visitors. Nearby, Robert Indiana’s LOVE (Red Outside Blue Inside), one of the most recognizable public artworks globally, captivates audiences with its vibrant interplay of color and universal themes of connection and hope. Together, these masterpieces transform the daily commute into a celebration of art, architecture, and creativity.
At the Qasr Al Hokm Downtown Metro Station, designed by the renowned architectural firm Snøhetta, Ugo Rondinone’s The Sun stands as a striking golden centerpiece, symbolizing energy and renewal. Complementing this is Zaman Jassim’s When the Moon is Full, a reflective and poetic piece inspired by Riyadh’s rich cultural heritage. These artworks, combined with the architectural brilliance of the station, redefine public spaces, blending art with the rhythm of daily life to create a truly unique cultural experience.
“These permanent artworks embody our vision of transforming Riyadh into an open-air gallery that enriches the quality of life and fosters a deeper connection between people and art,” said Architect Khalid Al-Hazani, Executive Director of Riyadh Art. “By collaborating with some of the most creative minds of our time, we’re not just adding art to public spaces—we’re creating cultural landmarks that inspire and engage generations.”
Riyadh Art is an unparalleled cultural infrastructure initiative that reimagines urban spaces, fosters creativity, and enriches lives. Led by the Royal Commission for Riyadh City (RCRC), as one of the four initial Mega Projects of Saudi Vision 2030, Riyadh Art champions cultural innovation, drives economic diversification, and positions Riyadh as a global center for contemporary art and culture.
Since its launch in 2019, Riyadh Art has seamlessly integrated art into the urban fabric of Saudi Arabia’s capital, showcasing over 500 artworks by more than 500 local and international artists, hosting more than 6,000 community engagement activities, and engaging over 6 million visitors. As the program continues to expand, the number of artworks and initiatives is set to grow significantly, fostering a sense of community, enriching the city’s identity, and elevating Riyadh’s standing as a vibrant global arts destination.

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Culture

Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
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Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP

The historic Baron Hotel in Syria's Aleppo is dilapidated and damaged by years of war but still standing and ready for a revival, much like the city itself.

Aleppo's old city, designated a UNESCO World Heritage site, was ravaged by the conflict that erupted after a government crackdown on protests in 2011.

Between 2012 and 2016, it became a battleground between Syria's military and opposition factions.

The army of now-ousted president Bashar al-Assad shelled opposition fighters from the ground and struck them from the air, supported by Russian firepower.
Opposition groups, meanwhile, used mortars and artisanal rockets, as the fighting turned ancient streets into sniper alleys.

During the four years of fighting before the government recaptured Aleppo following a devastating siege, the city was virtually emptied.

Now, after Assad's fall following a lightning opposition offensive led by Hayat Tahrir al-Sham, residents are looking forward to reconstruction.

"Unfortunately, more than 60 percent of the edifices in the old city, monuments of the old city of Aleppo, were devastated to ground zero," said Georges Edleby, a tour guide in the city for 35 years.

"Hopefully there will be a day that we see them again restored."

The ancient souks where Aleppo's famed olive oil soap is piled up in stacks for sale has been reduced in many places to little more than rubble.

- 'Hope for a better life' -

Aleppo's medieval citadel, however, remains relatively intact.

Opposition fighters, one with a rose slipped into the barrel of his gun, stood guard outside the ancient ramparts, which Syria's army turned into a stronghold during the war.

Most of the damage in the citadel was caused by a 2023 earthquake, locals say.

Below in the old city, a few alleys of the souk -- once the largest in the world with 4,000 stalls -- have reopened after being restored, including with Saudi financial aid.

Jamal Habbal, 66, has spent all his life under the stone vaults of the old city and reopened his macrame and rope shop there a year ago.

"We have so many memories here. It was a big market that was vibrant and lively. Girls used to come to buy items for their trousseaus. They could find everything," he told AFP.

"And then suddenly, the crisis," he said, reluctant to even say the word war.

"We had to leave. I returned in 2018, but it's still difficult," he added, speaking in a dark and largely deserted alley.

Fadel Fadel has also reopened his shop offering souvenirs, soap and mother-of-pearl inlaid boxes.

"It was completely destroyed here," said the 51-year-old.

He is hoping to see Aleppo returned to its status as a "center of commerce, industry and tourism."

"We hope for a better life."

- Museum ready to reopen -

Outside, dusty streets wind between ruins that await reconstruction and revival.

The Baron Hotel once welcomed Agatha Christie, Egyptian president Gamal Abdel Nasser and France's Charles de Gaulle.

Visitors flocked to see the somewhat faded glory of its rooms, as well as its terrace and the unpaid bar bill belonging to one Lawrence of Arabia.

But now, several broken windows adorned with shutters hanging from a single hinge offer a view into a deserted building covered in dust.

The hotel's future is uncertain.

Its last owner, Armen Mazloumian, has passed away. He told AFP back in 2014 that he felt the hotel's glory days were behind it and it would "never be what it once was again".

Nearby, however, the National Museum of Aleppo is readying to reopen. Its courtyard was hit in shelling but its building and collection were spared.

Director Ahmed Othman said the museum "took lessons from the experience of our neighbours," including institutions in Iraq and Lebanon.

"We took the necessary measures to protect our collections," he said.

"The statues that were too heavy to move were encased in concrete and the smaller pieces were moved to safe places."

Treasures that trace nine millennia of history and the birth of writing in nearby Mesopotamia have been preserved unharmed as a result.

"We did many things in order to protect the museum as a whole," said Othman