Iraq’s Famed ‘Hunchback’ of Mosul Rebuilt Brick by Brick 

Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)
Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)
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Iraq’s Famed ‘Hunchback’ of Mosul Rebuilt Brick by Brick 

Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)
Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)

The leaning minaret of Mosul in northern Iraq has been restored using its original brickwork, years after it was reduced to rubble under ISIS rule.

The Al-Hadba or "hunchback" minaret is part of the historic Al-Nuri Mosque from where former ISIS chief Abu Bakr al-Baghdadi in July 2014 declared his so-called "caliphate" that committed atrocities across swathes of both Syria and Iraq.

The mosque and minaret were destroyed in June 2017 during the battle to oust ISIS from Mosul, and Iraq's authorities accused the extremists of planting explosives before their withdrawal.

The minaret and mosque are the latest landmarks in Mosul to be restored with the help of United Nations heritage body UNESCO, which has worked for five years to revive several sites there.

The Al-Hadba minaret of today is an exact replica of the old one, "built with the same bricks", said Abdullah Mahmoud of the Iraqi department of antiquities.

"Al-Hadba is our identity, and by restoring it, the identity of the city has been reclaimed."

The restored minaret's tilt has been retained at 160 centimeters (63 inches), just as it was in the 1960s.

However, engineers have reinforced the foundations so it no longer leans quite so precariously, as it began to do gradually after being built in the 12th century.

"The minaret's body from the inside needed 96,000 new bricks," Mahmoud said.

"But for the exterior we used 26,000 old bricks" to preserve its historical legacy.

A picture shows a view of the historic Great Mosque of Al-Nuri's "Al-Hadba" leaning minaret after its reconstruction in Mosul's old city in northern Iraq on February 3, 2025. (AFP)

- 'Massive change' -

Days before work was completed, hundreds of workers put the finishing touches to Al-Nuri's columns, dome and yard.

Mahmoud said the mihrab, a niche indicating the direction of the holy city of Makkah, has been largely repaired using its original stones.

But the minbar, from where sermons are delivered, has lost most of its original pieces.

Across the street, Imad Zaki, a former muezzin at the mosque, said: "Every day I stand here for an hour to watch as they are restored to their original state."

"Today one can feel the spirituality. It's as if our souls have finally found peace," added the 52-year-old, wearing a long traditional Iraqi abaya, or robe.

Eighty percent of Mosul's old city was destroyed in the fight against ISIS, and more than 12,000 tons of rubble was removed for the UNESCO restoration project, which also included Al-Tahira and Our Lady of the Hour churches and 124 heritage houses.

The Al-Tahira Church, dating from 1862, has been rebuilt with its arcades, embellished pillars and stained-glass windows.

Maria Acetoso, senior project manager at UNESCO Iraq, said the project aimed "to work in parallel on meaningful monuments for the city and also to bring life back" to Mosul.

"When I arrived here in 2019 it looked like a ghost city," Acetoso said. "In five years plus, there has been a massive change."

- Scars of battle -

After ISIS was defeated, life returned to the city's streets, where the chatter of patrons in small cafes blended with the clatter of construction work at the mosque.

In the coming weeks, Iraqi authorities will inaugurate the restored landmarks.

But Mosul still bears scars from the ferocious fight against ISIS.

Tucked away in narrow old city alleyways are ruined houses. Some bear the word "safe" scrawled in red on walls, signaling that they that have been cleared of explosives.

The crumbling walls and shattered windows tell tales of displacement. Their original owners, mostly Christian, have yet to return.

Mohammed Kassem, 59, came back to the old city a few years ago, to a new house as his former home was just debris.

Mosul still "needs a great deal" of work before it is back to normal, he said.

"It needs its former residents... the Christians to come back. This is their place," Kassem added.

Across the street from Al-Nuri Mosque, Saad Mohammed, 65, said he hoped the restoration efforts will attract visitors to Mosul, although he still feels sad because of what it has lost.

But he couldn't help but smile when he looked up at the minaret from his little shop.

"We opened the window once and saw the black ISIS flag on top of the minaret. Then we opened it again and the minaret was gone," said Mohammed, who never left Mosul, even at the height of the fighting.

"Today the minaret has risen again, alongside the mosque and the churches. Now we feel safe," he said.



Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.