Archaeologists Uncover Oldest Known Partial Face Fossil of Human Ancestor in Western Europe

This photo provided by the Catalan Institute of Human Paleoecology and Social Evolution in March 2025, shows archaeological excavation work at the Sima del Elefante site in Sierra de Atapuerca, Burgos, Spain, where a fossil from a hominin between 1.1 million and 1.4 million years old was found. (Maria D. Guillén/IPHES-CERCA via AP)
This photo provided by the Catalan Institute of Human Paleoecology and Social Evolution in March 2025, shows archaeological excavation work at the Sima del Elefante site in Sierra de Atapuerca, Burgos, Spain, where a fossil from a hominin between 1.1 million and 1.4 million years old was found. (Maria D. Guillén/IPHES-CERCA via AP)
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Archaeologists Uncover Oldest Known Partial Face Fossil of Human Ancestor in Western Europe

This photo provided by the Catalan Institute of Human Paleoecology and Social Evolution in March 2025, shows archaeological excavation work at the Sima del Elefante site in Sierra de Atapuerca, Burgos, Spain, where a fossil from a hominin between 1.1 million and 1.4 million years old was found. (Maria D. Guillén/IPHES-CERCA via AP)
This photo provided by the Catalan Institute of Human Paleoecology and Social Evolution in March 2025, shows archaeological excavation work at the Sima del Elefante site in Sierra de Atapuerca, Burgos, Spain, where a fossil from a hominin between 1.1 million and 1.4 million years old was found. (Maria D. Guillén/IPHES-CERCA via AP)

A fossil of a partial face from a human ancestor is the oldest in western Europe, archaeologists reported Wednesday.
The incomplete skull — a section of the left cheek bone and upper jaw – was found in northern Spain in 2022. The fossil is between 1.1 million and 1.4 million years old, according to research published in the journal Nature.
“The fossil is exciting," said Eric Delson, a paleontologist at the American Museum of Natural History, who was not involved in the study. “It's the first time we have significant remains older than 1 million years old in western Europe.”
A collection of older fossils from early human ancestors was previously found in Georgia, near the crossroads of eastern Europe and Asia. Those are estimated to be 1.8 million years old, The Associated Press reported.
The Spanish fossil is the first evidence that clearly shows human ancestors “were taking excursions into Europe” at that time, said Rick Potts, director of the Smithsonian’s Human Origins Program.
But there is not yet evidence that the earliest arrivals persisted there long, he said. “They may get to a new location and then die out,” said Potts, who had no role in the study.
The partial skull bears many similarities to Homo erectus, but there are also some anatomical differences, said study co-author Rosa Huguet, an archaeologist at the Catalan Institute of Human Paleoecology and Social Evolution in Tarragona, Spain.
Homo erectus arose around 2 million years ago and moved from Africa to regions of Asia and Europe, with the last individuals dying out around 100,000 years ago, said Potts.
It can be challenging to identify which group of early humans a fossil find belongs to if there's only a single fragment versus many bones that show a range of features, said University of Zurich paleoanthropologist Christoph Zollikofer, who was not involved in the study.
The same cave complex in Spain's Atapuerca Mountains where the new fossil was found also previously yielded other significant clues to the ancient human past. Researchers working in the region have also found more recent fossils from Neanderthals and early Homo sapiens.



Saudi Arabia's Ithra Launches iRead Marathon with Participation from 13 Arab Countries

The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)
The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)
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Saudi Arabia's Ithra Launches iRead Marathon with Participation from 13 Arab Countries

The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)
The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)

Saudi Arabia's King Abdulaziz Center for World Culture (Ithra) announced the launch of the fifth annual iRead Marathon, in collaboration with the Arab Federation for Libraries and Information (AFLI) and environmental partners, reported the Saudi Press Agency on Tuesday.

The event will witness the participation of 52 libraries from 13 Arab countries, including Saudi Arabia, the United Arab Emirates, Qatar, Oman, Egypt, Morocco, Tunisia, Algeria, Palestine, Jordan, Bahrain, Kuwait, and Iraq.

This year’s edition, taking place from February 5 to 7, has recorded a 235% increase in participation by Arab libraries compared to last year. It is an extension of a series of initiatives introduced by Ithra with aim of encouraging reading in society.

Ithra Library Head Abdullah Al Hawas explained that Ithra places great emphasis on reading and its promotion, adopting reading as a key priority for the next five years.

He noted its launch of the Arab Reading Index to monitor the state of reading across Arab countries. The iRead Marathon is in line with these efforts.


Trevi Fountain Fee Takes Effect as Rome Seeks to Manage Tourist Crowds

02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)
02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)
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Trevi Fountain Fee Takes Effect as Rome Seeks to Manage Tourist Crowds

02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)
02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)

Tourists hoping to get close to the Trevi Fountain had to pay 2 euros ($2.35) starting Monday as the city of Rome inaugurated a new fee structure to help raise money and control crowds at one of the world’s most celebrated waterworks.

The first tourists to pass through the new ticket check seemed unfazed by the tariff, noting it was a small price to pay for quality access to a fountain made famous by Federico Fellini’s movie “La Dolce Vita.”

“Before, there were problems accessing the fountain. There were a lot of people. Now, it’s very easy,” said Ilhan Musbah, a tourist from Morocco. “You can take photos, you feel good, you’re comfortable, and on top of that 2 euros is not much.”

The tourist fee was rolled out in conjunction with a new 5-euro (nearly $6) tourist ticket fee for some city museums. In both cases, Rome residents are exempt from the fees and the extra revenue will actually expand the number of city-run museums that are free for registered Roman residents.

It's all part of the Eternal City’s efforts to manage tourist flows in a particularly congested part of town, improve the experience and offset the maintenance costs of preserving all of Rome’s cultural heritage. Officials estimate it could net the city 6.5 million euros ($7.6 million) extra a year.

The city decided to impose the Trevi Fountain fee after seeing positive results already from a yearlong experiment to stagger and limit the number of visitors who can reach the front edge of the basin by imposing lines and pathways for entrance and exit.

“I think tourists were shocked by the fact that the city of Rome is only asking for 2 euros for a site of this level,” Alessandro Onorato, Rome’s assessor of tourism, said Monday. “I believe that if the Trevi Fountain were in New York, they would have charged at least $100.”

The fee follows a similar ticketing system at Rome’s Pantheon monument and the more complicated tourist day-tripper tax that the lagoon city of Venice imposed last year in a bid to ease overtourism and make the city more livable for residents.

The Italian fees still pale in comparison to the 45% price hike that French authorities announced for the Louvre Museum for most non-European visitors, where tickets can now run to 32 euros ($37) from 22 euros ($26).

The Trevi fee, which can be paid in advance online, enables tourists to get close to the fountain during prime-time daylight hours. The view for those admiring the late Baroque masterpiece from the piazza above remains free, as it is up close after hours.

The towering fountain features the Titan god Oceanus flanked by falls cascading down the travertine rocks into a shallow turquoise pool, where Marcello Mastroianni and Anita Ekberg famously took their nighttime dip in “La Dolce Vita.”

While bathing is prohibited nowadays, legend has it that visitors who toss a coin over their shoulders and make a wish will return to Rome.


Red Sea Museum Strengthens Community Connection to Cultural Heritage through Enriching Knowledge Experiences

The program featured interactive workshops for children - SPA
The program featured interactive workshops for children - SPA
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Red Sea Museum Strengthens Community Connection to Cultural Heritage through Enriching Knowledge Experiences

The program featured interactive workshops for children - SPA
The program featured interactive workshops for children - SPA

As part of its cultural program, the Red Sea Museum presented a series of high-quality activities. These included art workshops, cultural dialogues, performance showcases, and family-oriented programs.

Together, they offered an enriching knowledge experience that blends the Red Sea’s cultural heritage with contemporary creative practices. The interactive content targeted diverse segments of society through innovative educational approaches, SPA reported.

The program covered a wide range of themes, including traditional architecture, historical photography, music, travel literature, maritime history, and public health in the Red Sea region. Activities were held across the museum’s facilities and in Jeddah’s Historic District. They were presented within a cultural framework that reintroduces heritage as a living, evolving element and a source of inspiration.

The program also featured interactive workshops for children. These introduced participants to the fundamentals of cartography and navigation. In parallel, specialized workshops revived historical photographic printing techniques through a contemporary approach.
In addition, the program included intellectual talks on traditional architecture and its relationship to identity and modern transformations.

It also offered practical workshops tracing the evolution of navigation from past to present. These activities combined theoretical knowledge with hands-on experience.

Through these initiatives, the Red Sea Museum continues to strengthen its role as a cultural anchor for the community. It builds effective bridges of engagement with various audiences through diverse programs and guided tours for schools, universities, and associations.

This approach broadens opportunities for reflection and learning, enhances the museum’s standing as a knowledge destination, and strengthens connection to the region’s cultural identity.