Comoros’ Prized Muslim Headgear Undercut by Chinese Copies 

Muslim men talk to each other after performing the Friday prayer at the Badjanani Mosque in Moroni, on January 12, 2024. (AFP)
Muslim men talk to each other after performing the Friday prayer at the Badjanani Mosque in Moroni, on January 12, 2024. (AFP)
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Comoros’ Prized Muslim Headgear Undercut by Chinese Copies 

Muslim men talk to each other after performing the Friday prayer at the Badjanani Mosque in Moroni, on January 12, 2024. (AFP)
Muslim men talk to each other after performing the Friday prayer at the Badjanani Mosque in Moroni, on January 12, 2024. (AFP)

In the markets of the Comoros, the hand-embroidered kofia that is essential headwear for men and boys at Eid celebrations this month is facing fierce competition from much cheaper Chinese versions.

The authentic kofia -- which often feature delicately embroidered Arabic calligraphy in silk thread -- can cost up to 400 euros ($432) each.

A "made in China" version goes for about 12 euros -- and even that is negotiable, vendor Hassanati Idjabou tells a customer at the bustling Volovolo market in Moroni, capital of the Muslim-majority archipelago of 870,000 people.

"The main attraction is the price," admits the customer, Said Mohamed, a plumber who is shopping for kofia for his two sons ahead of Eid at the end of the month.

"Handmade kofia are more beautiful but they are excessively expensive, especially for carefree children who don't appreciate their value," he says, walking away with his purchase.

The average salary in these Indian Ocean islands is below 200 euros a month but nearly half the population is on the poverty line, living on just over 100 euros a month, according to national statistics.

Three years ago, Idjabou's stand was raided by police combating forgery. "I was arrested for several hours by the national police and my stock of kofia was confiscated for a few days," the frail vendor says.

But today the policemen patrolling a few meters from her stall are indifferent to the counterfeit products.

Idjabou does not think the cheaper versions she sells will undercut the future of the authentic version so cherished on these islands and nearby countries.

"Traditional kofia will not disappear for one simple reason: no one would dream of sending a counterfeit kofia to a man about to marry their daughter," she says.

Another advantage of the Chinese version: they are unlikely to get stolen, says Mohamed Ali Mgomri, who also owns one. "Nobody's going to want to steal something that costs 15 euros," he says.

- 'Killing our craft' -

In the Comoros, kofia are only worn by males but almost exclusively embroidered by women in work that is slow and painstaking.

In the seaside town of Mitsamiouli, 40 kilometers (25 miles) from Moroni, long-time kofia creator Chifayi Mwasi opens the heavy, ornate door of her house at the entrance of the medina.

"They're killing our craft," says Mwasi, who is in her seventies and has been sewing kofia since she was 11 years old.

"They take photos of our models and go to China to produce them in industrial quantities," she says.

In the middle of the living room is an antiquated black-and-gold sewing machine.

"It's over 50 years old, it is hardy," laughs Mwasi. Her right foot, resting on a cushion, gently presses the pedal in a regular rhythm.

"Electric sewing machines are far too fast for crafting a kofia," she says. Mwasi designs the patterns that are later embroidered on to the kofia by other women, such as Maissara Mhadjou.

"Making a kofia takes me at least two months and I am paid 150 euros ($162)," says Mhadjou, whose swollen fingers run over and over an intricate stitch.

"Our heritage won't just disappear," she says. "Chinese kofia aren't ugly, but they're no match for hand-embroidered ones."

But anthropologist Abderemane Wadjih, who is wearing a handmade version on his head, believes "the Chinese invasion represents a cultural threat" to an item that is precious to the Comoros identity.

The Comoros has to nurture the age-old mother to daughter transfer of the art and craft of creating kofia while also considering how to make more affordable versions, says the government's director of culture, Wahida Hassani.

"We have to do our utmost to ensure that this transmission continues, whether through formal or non-formal education," she says. "Preventing the Chinese from proliferating the kofia -- that is not one of my abilities."



Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.