Once on Civil War's Frontline, Lebanon Museum Sees New Life

People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir
People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir
TT

Once on Civil War's Frontline, Lebanon Museum Sees New Life

People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir
People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir

When Lebanon's civil war erupted 50 years ago this month, its national museum became a flashpoint of its capital's deadly frontline, with militants barricaded among ancient sarcophagi and sniping through historic mosaics.
Now, students and tourists roam through its artefacts - some still blackened by indoor campfires lit by those fighters - and into a new pavilion opened during Lebanon's most recent war last year, when Israel and armed group Hezbollah traded heavy fire.
For its admirers, the building not only houses the country's heritage, but also symbolizes its resilience.
"I hope these young people I see here also know what happened in the museum in 1975, because what happened here is something worthy of respect," said Lebanon's culture minister Ghassan Salameh, speaking to Reuters in the main museum hall.
"There is a right to forget. The Lebanese who want to forget the civil war – it's their right to do so. But there is also a duty to remember, so that we do not repeat it again, and again, and again."
The war erupted on April 13, 1975, after Christian gunmen fired on a bus carrying Palestinian fighters in Beirut - just a few kilometers from the museum, which first opened in 1942.
A frontline running directly adjacent to the museum split east Beirut from the west. After militants took up the museum as a barracks, the director of antiquities at the time, Maurice Chehab, ferried small artefacts to vaults at Lebanon's central bank and encased the larger pieces in reinforced concrete to protect them from shelling.
At least four major pieces were damaged, Salameh said. They are visible in the museum today, including a football-sized hole in a floor-to-ceiling 5th century mosaic used by snipers to target rival militants near the front.
The war lasted 15 years, leaving more than 100,000 dead and displacing hundreds of thousands more. Halfway through it, Israeli troops invaded all the way to Beirut and Hezbollah was founded the same year, vowing to push Israel out. In 2023, a new war erupted between the old foes, when Hezbollah launched rockets into Israel, triggering a year of tit-for-tat strikes until Israel escalated its air and ground campaign, leaving Hezbollah badly weakened by the end of 2024.
Even as that conflict was raging, the museum worked to open a new wing for rotating exhibitions. As construction was under way, archaeologists uncovered dozens of artefacts that Chehab had buried in the museum's backyard to protect them, said Sarkis Khoury, Lebanon's current director of antiquities.
He spoke to Reuters while standing in front of an outer wall damaged during the civil war that museum authorities had decided to preserve as a testament to its resilience.
"The things we left visible are a lesson for the future, because we are a country that should be a country of peace, a country of coexistence, because this is our history," said Sarkis Khoury, Lebanon's current director of antiquities.
"Its face is full of wounds and wrinkles, but this is a beautiful face for Lebanon," Khoury told Reuters, gesturing at the pockmarked wall.
Keeping the wall is a rare example of memory preservation in Lebanon, where other landmarks of the civil war have remained abandoned or were covered up by the rapid construction of high-rises once the conflict ended.
The post-war administration agreed a general amnesty for all political crimes perpetrated before the war's end, and most school curriculums opt not to teach its history. Asked whether Lebanon should one day establish a museum dedicated solely to the civil war, Salameh, the minister, said no - because it had only "produced destruction."
But he remained hopeful about his country's future.
"This country has been declared dead dozens, even hundreds of times... but this part of the Mediterranean has remained standing, with its specificities and its problems."
"It never ceases to be."



Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA
TT

Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques continues its mission to preserve the Kingdom’s architectural heritage by restoring Al-Qalaah Mosque in Hawtat Bani Tamim, Riyadh Region. Built in 1250 AH (1834 CE), this historic landmark is situated within the fortress of Second Saudi State founder Imam Turki bin Abdullah.

The mosque is a prime example of traditional Najdi architecture, featuring stone foundations, mud walls constructed using molded brick techniques, and a roof of tamarisk trunks and palm fronds supported by stone-bead cylindrical columns, SPA reported.

Through the current renovation, the mosque’s area has expanded from 608.68 to 625.78 square meters while maintaining a capacity for 180 worshippers. Executed by specialized Saudi firms under expert engineering supervision, the project balances traditional standards with modern sustainability to ensure the mosque remains a living testament to Islamic and national history.

This initiative aligns with Vision 2030 objectives to rehabilitate historical sites for worship, highlight cultural heritage, and preserve the Kingdom’s authentic architectural identity for future generations.


UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
TT

UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo

UNESCO said it is deeply concerned about the fate of world heritage sites in Iran and across the region, after Tehran's Golestan palace, often compared to Versailles, and a historic mosque and palace in Isfahan were damaged in the war.

The United Nations' cultural agency on Wednesday urged all parties to protect the region's outstanding cultural sites, saying four of Iran's 29 world heritage sites had been damaged since the start of the US and Israeli war with Iran.

"UNESCO is deeply concerned by the first impact that the hostilities are already having on many world heritage sites," Lazare Eloundou Assomo, director of the World Heritage Centre, told Reuters, adding he was also concerned for sites in Israel, Lebanon and across the Middle East.

Tehran's Golestan palace, damaged in US–Israeli strikes, is testimony to the grandeur of Iran's civilization in the 19th century, he said.

The palace was chosen as the Persian royal residence and seat of power by the Qajar family and shows the introduction of European styles in Persian arts, according to the UNESCO website. The last Shah of Iran, Mohammad Reza Pahlavi, held a coronation ceremony there in 1969.

"We sometimes even compare it with the Versailles Palace in France, for instance, and it has suffered, unfortunately, some damage. We don't know the extent for the moment. But clearly, with the images that we have been able to receive, we can confirm ... it has been affected," Eloundou Assomo said.

Photos of the interior of the palace have shown piles of smashed glass and shards of wood on the floor, and shattered woodwork.

Isfahan was one of Central Asia's most important cities and a key point on the Silk Road trading route. Its Masjed-e Jame (Jameh Mosque) is more than 1,000 years old and shows the development of Islamic art through 12 centuries.

Buildings close to the buffer zone of the prehistoric sites of the Khorramabad Valley have also been damaged, UNESCO said.

UNESCO has shared coordinates of key cultural sites to all parties, Eloundou Assomo said, and was monitoring damage.

"We are calling for the protection of all sites of cultural significance ... everything that tells the history of all the civilisations of the 18 countries in the region," he said.


Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
TT

Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)

An odd-looking coin used to pay for a bus fare in Leeds in the 1950s has been found to belong to an ancient civilization from more than 2,000 years ago, reported The Independent.

The coin, handed to a local bus driver decades ago, came into the hands of James Edwards, former chief cashier with Leeds City Transport, who gathered fares and counted them at the end of each day.

Since it couldn’t be spent, Edwards took it home and gifted the ancient coin to his young grandson, Peter, who kept it in a small wooden chest for more than 70 years.

Archaeologists from the University of Leeds have now found that it came from the Carthaginians, part of the Phoenician culture, in the Spanish city of Cadiz during the 1st century BC.

“My grandfather would come across coins which were not British and put them to one side, and when I went to his house, he would hand me a few,” the now 77-year-old grandson said.

“It was not long after the war, so I imagine soldiers returned with coins from countries they had been sent to. Neither of us were coin collectors, but we were fascinated by their origin and imagery – to me, they were treasure,” he said.

Peter attempted to uncover the coin’s origin, focusing on a particular inscription.

It bears the face of the god Melqart on one side, resembling the Greek hero Herakles and wearing his famed lionskin headdress.

Experts said it came from what was once a Carthaginian settlement on the Spanish coast.

“The coin always fascinated me because it was hard to decipher where it came from,” Peter said.

“My first thought when I found out its origin was that I would like to return it to an institute where it could be studied by all, and Leeds Museums and Galleries kindly offered to give it a good home,” he said.

The coin has been donated to Leeds Museums and Galleries and is now part of the Leeds Discovery Centre, which includes coins and currency from cultures around the world, spanning thousands of years of history.

“It’s incredible to imagine how this tiny piece of history created by an ancient civilization thousands of years ago has somehow made its way to Leeds and into our collection,” said Salma Arif, Leeds City Council’s executive member for adult social care, active lifestyles and culture.

“Museums like ours are not just about preserving objects, they’re also about telling stories like this one and inspiring visitors to think about the history that’s all around us, sometimes in the most unlikely of places,” Arif said.