Iran Summons French Diplomat Over Praise of Palme d’Or-Winning Film 

Director Jafar Panahi, Palme d'Or award winner for the film "Un simple accident" (It Was Just an Accident), poses during a photocall after the closing ceremony of the 78th Cannes Film Festival in Cannes, France, May 24, 2025. (Reuters)
Director Jafar Panahi, Palme d'Or award winner for the film "Un simple accident" (It Was Just an Accident), poses during a photocall after the closing ceremony of the 78th Cannes Film Festival in Cannes, France, May 24, 2025. (Reuters)
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Iran Summons French Diplomat Over Praise of Palme d’Or-Winning Film 

Director Jafar Panahi, Palme d'Or award winner for the film "Un simple accident" (It Was Just an Accident), poses during a photocall after the closing ceremony of the 78th Cannes Film Festival in Cannes, France, May 24, 2025. (Reuters)
Director Jafar Panahi, Palme d'Or award winner for the film "Un simple accident" (It Was Just an Accident), poses during a photocall after the closing ceremony of the 78th Cannes Film Festival in Cannes, France, May 24, 2025. (Reuters)

Iran has summoned France's representative in protest after the French foreign minister praised a prize-winning Iranian film as “a gesture of resistance against the Iranian regime's oppression.”

Foreign Minister Jean-Noel Barrot had praised “It Was Just an Accident” after it won the prestigious Palme d’Or award at the Cannes Film Festival. The Iranian film centers on a man who abducts his suspected captor after being tortured in prison.

Iran’s Foreign Ministry said the French charge d’affaires was summoned over the minister’s “interventionist, irresponsible and instigative allegations,” the state-run IRNA news agency reported.

“Spare us Iranians the lectures. You have no moral authority whatsoever,” Iran’s Foreign Minister Abbas Araghchi said on “X,” citing France's approach to Israel's ongoing war in Gaza.

France last week threatened “concrete action” against Israel if the country didn't halt the offensive in Gaza and lift restrictions on humanitarian aid, but the statement was mostly dismissed as empty threats.

Immediately following the award's announcement, the Iranian state news agency had announced a more muted celebration of the award, crediting the country’s film industry for winning a second Palme d’Or after Abbas Kiarostami’s 1997 drama, “Taste of Cherry.”

In Iran, film productions need to receive script approval from the government to shoot in public. Dissident filmmaker Jafar Panahi refuses to do that, knowing they won’t allow him to make the films he wants to, and “It Was Just an Accident” was filmed without cooperation.

Iranian state TV called the film a mixture of “lie and smearing” as well as an “underground” film produced without required permits in Iran.

State TV also chastised Panahi for not mentioning the plight of the Palestinians in his acceptance speech.

The film follows a man named Vahid, played by Vahid Mobasser, who believes he sees his former captor, who tortured him in prison and ruined his life. He abducts him, takes him to the desert and begins to bury him in the ground.

But to satisfy pangs of doubt, Vahid decides to confirm his suspicion by bringing the man, locked in his van, to other former prisoners for identification. In a strange and emotional journey, they are all forced to grapple with revenge and forgiveness. Panahi drew on the experiences from his own imprisonment, as well as the stories of detainees around him.

Other state media were more critical of the win. The Mizan news agency, an arm of the country’s judiciary, reported on the win as part of the “Political Cannes Film Festival,” suggesting that the prize was given to Panahi because of his political leanings.

Pro-reform media outlets and activists praised Panahi. “This victory is no accident — it is the result of a tireless dedication to exploring humanistic values and human rights,” said Nobel Peace Prize laureate Narges Mohammadi, who was also previously imprisoned at Tehran’s notorious Evin Prison. Inmates at the prison include those with Western ties and political prisoners.

Panahi, one of the leading international directors, was banned from traveling out of Iran in 2009 for attending the funeral of a student killed in anti-government protests, a judgment later extended to two decades.

But even when placed under house arrest, Panahi kept making movies, many of which are among the most lauded of the century. He made 2011’s “This Is Not a Film” on an iPhone in his living room. “Taxi” (2015) was clandestinely shot almost entirely within a car.

Panahi was arrested in 2022 when he went to the Tehran prosecutor’s office to inquire about the arrests of two other Iranian filmmakers. A judge later ruled that he must serve six years for an earlier sentence on charges of propagandizing against the government from 2011 that had never been enforced. In early 2023, Panahi went on a hunger strike and was released from Evin Prison.

Panahi said he would not seek asylum in another country, despite the risks of additional imprisonment.

“It’s simple. I’m unable to live here,” he said last week from the Cannes festival. “I have no ability to adapt to a new country, a new culture. Some people have this ability, this strength. I don’t.”

On Monday, Panahi landed in Tehran to cheers and applause from fans.



Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”


Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
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Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."