Rembrandt Copied Another Artist’s Canine for His Famous ‘Night Watch’ 

The painting "The Night Watch" by Dutch painter Rembrandt at the Rijksmuseum, in Amsterdam, the Netherlands, 23 September 2025. (EPA)
The painting "The Night Watch" by Dutch painter Rembrandt at the Rijksmuseum, in Amsterdam, the Netherlands, 23 September 2025. (EPA)
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Rembrandt Copied Another Artist’s Canine for His Famous ‘Night Watch’ 

The painting "The Night Watch" by Dutch painter Rembrandt at the Rijksmuseum, in Amsterdam, the Netherlands, 23 September 2025. (EPA)
The painting "The Night Watch" by Dutch painter Rembrandt at the Rijksmuseum, in Amsterdam, the Netherlands, 23 September 2025. (EPA)

It didn't exactly take dogged detective work for an art sleuth in Amsterdam to solve a canine conundrum dating back to the Dutch Golden Age.

Anne Lenders, a curator at the city's landmark Rijksmuseum, said Tuesday that it was more or less by accident that she discovered that the barking dog in Rembrandt van Rijn’s famous "Night Watch" is a near-identical copy of one that features in a 1619 pen and ink drawing by fellow Dutch artist Adriaen van de Venne.

"I wasn't looking for this; it was really unexpected," Lenders said in the glass room where "Night Watch" is undergoing extensive restoration.

She was visiting an exhibition at the Zeeuws Museum in the southern Netherlands when her eye fell on a picture of a dog by Van de Venne that was printed in a book by the poet Jacob Cats. The original drawing, which turned out to be part of the Rijksmuseum's own vast collection, was also on display

"The resemblance is so strong that at the very first moment I thought he (Rembrandt) must have used this," she added.

That's when the research started: a comparison of Van de Venne's and Rembrandt's dogs; their pose, even the collar they wear.

"The head turns in exact the same angle with the mouth slightly opened. ... Both dogs have long hair and ears that hang vertical," said Lenders.

In the "Night Watch," the dog adds tension to a dark corner of the crowded composition, crouching and apparently barking near a drummer called Jacob Jorisz and just behind one of the iconic 1642 painting's main characters, Lieutenant Willem van Ruytenburch.

The discovery is the latest in a series of revelations to emerge during a yearslong project to reexamine the 379.5 by 453.5-centimeter (149.4 by 178.5-inch) canvas using modern techniques. "Operation Night Watch" began in 2019 with an extensive study of the painting and is continuing with restoration work that is likely to take years to complete.

"One tends to think, well, it’s been researched so well, we know everything about it," Rijksmuseum Director Taco Dibbits said. "But the great thing with great art is that you always keep discovering things."

One thing the Rijksmuseum couldn't figure out was exactly what kind of dog it is, with expert opinions divided between a French or a Dutch breed. Most likely, the two artists used a little poetic license.

"We will never have a conclusion on which breed it is," Dibbits said. "But it’s definitely very much loved."



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.