ICCROM Forum in Sharjah Concludes with Call to Empower Women, Youth in Safeguarding Heritage

Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM
Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM
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ICCROM Forum in Sharjah Concludes with Call to Empower Women, Youth in Safeguarding Heritage

Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM
Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM

The 5th Arab Forum for Cultural Heritage concluded in Sharjah last week after three days of dialogue, knowledge-sharing, and strategic planning to strengthen cultural heritage protection in the Arab region.

Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners to exchange experiences, showcase innovative projects, and chart collaborative pathways for the future.

In the closing session, participants adopted a set of key recommendations, which focused on empowering youth and women as central actors in heritage protection.

They highlighted the need to integrate heritage topics into curricula at all educational levels and develop vocational training programs for youth and women in conservation, documentation, and cultural entrepreneurship, as well as in media and communication, fields essential for strengthening heritage discourse and public engagement.

The recommendations also stressed the role of non-formal education, museums, and libraries in promoting a deeper community awareness of heritage, and called for initiatives targeting children and youth to reinforce intergenerational connections through cultural values.

On empowerment and inclusivity, the recommendations stressed the importance of ensuring equal opportunities for women and youth in participation, leadership, and decision-making.

They urged greater documentation of women’s professional contributions to heritage preservation, the integration of marginalized groups and displaced communities into heritage policies, and the positioning of heritage as a tool for peacebuilding and social cohesion. Intergenerational dialogue initiatives and the establishment of youth platforms were also encouraged to enhance participation and knowledge exchange.

The Forum further recommended supporting youth- and women-led initiatives through seed grants and strengthening skills in marketing and cultural innovation to transform heritage into a sustainable economic resource, while encouraging storytelling and creativity in promotion strategies.

The role of media and social platforms in advocacy for heritage issues was underscored, calling for greater youth and women's participation in national and international events to highlight identity and belonging.

Regarding documentation and digital innovation, participants urged the establishment of unified regional archives and digital repositories, the ethical and thoughtful use of modern technologies such as artificial intelligence (AI) and spatial documentation, the preparation of regular reports on the state of heritage, and the documentation of emerging cultural initiatives. They stressed the need to bridge the expertise of tech-savvy youth with that of heritage professionals to foster innovation and develop practical digital tools.

Looking to partnerships and future policies, the recommendations called for developing inclusive cultural policies that foster community engagement and align heritage with the Sustainable Development Goals (SDGs), while adopting sustainable financing mechanisms and contingency plans tailored to the Arab region in times of conflict and crises.

They further emphasized the importance of strengthening Arab and regional cooperation through the exchange of expertise, expanding partnerships with international organizations and the private sector, and recognizing and rewarding community initiatives to ensure their long-term continuity.

For future Forums, participants recommended greater involvement of universities and institutes, the creation of a dedicated digital archive for the Forum alongside youth-oriented content such as podcasts, and organizing deeper sessions for problem-solving and creative solutions.

They also proposed inviting diverse sectors beyond the heritage field, including the private sector and investors, to support initiatives financially. Finally, participants suggested launching a youth award and financially-supported women-led initiatives to enhance sustainability, reflecting the Forum’s commitment to consolidating the role of heritage in both the present and the future.



Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
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Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA

The Riyadh Art Program, one of the programs of the Royal Commission for Riyadh City, signed a memorandum of understanding (MoU) with the Royal Institute of Traditional Arts "Wrth" to strengthen cooperation in cultural and creative fields.

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact, SPA reported.

The MoU covers the development of joint creative initiatives that bring together contemporary and traditional arts through the exchange of expertise, art residency programs, and seasonal events.

It also includes cooperation to enhance the presence of both parties' projects and programs at relevant international events and forums.


Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
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Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou

Hundreds of people queued on Tuesday outside a Hong Kong gallery to see a Vincent van Gogh painting on public display for the first time in six decades.

The Dutch artist's "Chataigniers en fleurs" ("Chestnut Trees in Blossom") was on show in Hong Kong ahead of its November 18 auction in New York, where it is expected to smash records and fetch around $180 million, according to Sotheby's.

It was one of 12 works owned by late Argentine collectors Nelly Arrieta de Blaquier and Carlos Pedro Blaquier. Others by Claude Monet, Camille Pissarro and Paul Cezanne will also go under the hammer.

The van Gogh, which according to Sotheby's was unseen by the public for over 60 years, portrays a blossoming chestnut tree with a solitary man walking past three women in Japanese attire.

Completed in 1890, it is from the last two months of van Gogh's life.

"It's one of the last, most expressive and hopeful works by van Gogh in this final phase of his career," Scott Niichel, a vice chairman at Sotheby's, told AFP.

It is one of approximately 70 works van Gogh created after leaving the psychiatric asylum of Saint-Remy, where he had created his famous "The Starry Night.”

During these final days of his life, van Gogh was producing at a frantic rate -- averaging around one work a day.

He died shortly after at the age of 37, two days after shooting himself in the chest following well-documented mental health struggles.

"This manic frenzy of paint application suggests he has so much more to give, and he's just racing to put it to canvas," Niichel said, noting the thickness of the paint layers.

"Orchard with Cypresses" set the current record for a van Gogh price point, selling for $117.2 million in a 2022 auction.

Niichel said that "anything is possible" for who might claim the painting in November.

"Our revealing in Hong Kong suggests that Asia is certainly a possibility."


Egypt’s Fayoum Mummy Portraits to Travel Abroad for 1st Time after Restoration

Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)
Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)
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Egypt’s Fayoum Mummy Portraits to Travel Abroad for 1st Time after Restoration

Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)
Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)

Egypt unveiled Sunday a restored version of the “Tondo of the Two Brothers,” a prized 2nd-century painting from the famed Fayoum portraits.

Specialists from Rome worked alongside conservators from the Egyptian Museum in Tahrir — where the collection is usually kept — for three weeks to restore the artwork, officials said at a press conference.

A visitor films one of Fayoum portraits, "Demos", from the Greco-Roman period the 1st century BC, at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)

Fayoum mummy portraits were painted primarily on thin wooden panels and placed over the faces of the deceased within mummy wrappings, combining Egyptian funerary traditions with artistic influences from the wider Greco-Roman world.

Egypt will lend a major part of the collection to a temporary exhibition in Rome, marking the first time it will travel abroad.

“The restoration of the Tondo of the Two Brothers is an important example of what can be achieved through international cooperation in the preservation and study of cultural heritage,” said Sherif Fathy, Egypt’s minister of tourism and antiquities. “Egypt and Italy share deep historical and cultural ties, and this project brings together Egyptian and Italian expertise to preserve an exceptional work of art for future generations.”

Experts describe the painting as unusual because of its circular shape and its depiction of two people instead of one, and rank it among the most vivid surviving portraits from Roman-era Egypt. It was painted using a technique in which pigments are mixed with molten wax, and restorers were able to recover the features of the brother on the right.

Aly Abdel Halim, director general of the Egyptian Museum in Tahrir, said the conservation required careful intervention because both the wooden support, damaged by termites, and the painted surface were fragile.

Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)

The portraits will be featured in an exhibition in Rome from November to May 2027, The Associated Press reported.

Tomaso Radaelli, chairman of MondoMostre, the exhibition’s organizer, said it will bring together more than 110 objects, including painted panels, funerary shrouds, masks, marble portraits, plaster casts and ancient jewelry.