What to Know About the Louvre Heist Investigation

 French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
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What to Know About the Louvre Heist Investigation

 French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)

More than 100 investigators are racing to piece together how thieves pulled off the brazen heist at the Louvre Museum in Paris, working to recover the stolen gems and bring those responsible to justice.

The daytime theft of centuries-old jewels from the world’s most-visited museum, thought to be of significant cultural and monetary value, has captured the world’s attention for its audacity and movie plot-like details.

Two suspects are in custody, but thus far little has been revealed about how the investigation is unfolding, a source of frustration for those accustomed to the 24-hour flow of information in American true crime or British tabloids.

Suspects, like the jewels themselves, have remained out of sight, the case file cloaked in mystery and French authorities characteristically discreet.

Paris prosecutor Laure Beccuau said that more details would come once the suspects’ custody period ends, expected midweek.

But here's what we know so far about the case:

What investigators want to know Authorities said it took mere minutes for thieves to ride a lift up the side of the museum, smash display cases and steal eight objects worth an estimated 88 million euros ($102 million) on Oct. 19. The haul included a sapphire diadem, necklace and single earring from a set linked to 19th-century queens Marie-Amélie and Hortense.

Beccuau said an investigation was opened into potential charges of criminal conspiracy and organized theft, which can carry hefty fines and yearslong prison sentences.

How France handles arrests Beccuau said investigators made arrests Saturday evening but didn’t name them or say how many. One suspect, she added, was stopped at a Paris airport while trying to leave the country.

In France, where privacy laws are strict, images of criminal suspects are not made public as they often are elsewhere. Suspects aren’t paraded before cameras upon arrest or shown in mugshots.

The presumption of innocence is inscribed in France's constitution and deeply valued throughout society.

Information about investigations is meant to be secret under French law, to avoid compromising police work and to ensure victims' right to privacy, a policy known as ″secret d’instruction.” Only the prosecutor can speak publicly about developments, and violators can be prosecuted.

Police and investigators are not supposed to divulge information about arrests or suspects without the prosecutor's approval, though in high-profile cases, police union officials have leaked partial details. Beccuau on Saturday rued the leak of information about the ongoing investigation.

A police official, who was not authorized to speak publicly about the ongoing case, told The Associated Press that two men in their 30s, both known to police, were taken into custody. He said one suspect was arrested as he attempted to board a plane bound for Algeria.

Additional arrests may follow as the investigation continues.

Inside the investigation The more than 100 investigators that Beccuau said are assigned to the case are combing through 150 DNA samples, surveillance footage and evidence left behind in the thieves’ wake.

Those assigned include the Brigade for the Repression of Banditry, the special police unit in charge of armed robberies, serious burglaries and art thefts.

Recovering the jewels could be among the most difficult parts of investigators' work. French authorities have added the jewels to Interpol’s Stolen Works of Art Database, a global repository of about 57,000 missing cultural items.

Interpol, the world’s largest international police network, does not issue arrest warrants. But if authorities worry a suspect may flee, Interpol can circulate the information using a color-coded notice system.

The French investigators can also work with European authorities if required. They can turn to the European Union’s judicial cooperation agency, Eurojust, or its law enforcement agency, Europol. Eurojust works through judicial cooperation between prosecutors and magistrates, while Europol works with police agencies.

Both can help facilitate investigations and arrests throughout the 27-member bloc. Requests for help must come from the national authorities, and neither organization can initiate an investigation.

What happens next? Beccuau said more details would be released once the suspects' time in custody expires. Suspects investigated for criminal conspiracy can be held for up to 96 hours before charges are filed.

But don’t expect a flood of updates. Indictments and verdicts are not routinely made public in France. French trials are not televised, and journalists are not allowed to film or photograph anything inside the courtroom during a trial.



Prince Mohammed bin Salman Project Revitalizes 19th-Century Al-Habish Mosque in Al-Hofuf

This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA
This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA
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Prince Mohammed bin Salman Project Revitalizes 19th-Century Al-Habish Mosque in Al-Hofuf

This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA
This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques restored Al-Habish Mosque in Al-Hofuf, Al-Ahsa Governorate, preserving its authentic architectural character and enhancing its religious and cultural significance, as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030, reflecting the governorate's rich religious and intellectual legacy.

Situated in the heart of Al-Hofuf, it is considered one of the oldest historical mosques in Al-Ahsa. Its name is deeply intertwined with the history of the neighborhood and the lives of its inhabitants across generations, SPA reported.

Dating back to the 13th century AH (19th century CE), the mosque served not only as a place of worship but also as a beacon of knowledge, hosting classes in Islamic sciences. Among its most prominent teachers was Sheikh Abdulaziz bin Saleh Al-Alaji, a leading scholar of Al-Ahsa, reflecting the mosque's esteemed scholarly standing in the region's history.

Covering approximately 318 square meters, the mosque can accommodate around 90 worshippers. It comprises a prayer hall measuring 13.56 by 3.18 meters, a private retreat room measuring 13.73 by 2.68 meters, an 84-square-meter courtyard, an imam's room with an attached restroom, and a distinctive square minaret standing approximately 5.48 meters high.

The mosque underwent extensive development and rehabilitation in 2020 through the project, expanding its facilities to include the main prayer hall, the retreat room, the courtyard, and the minaret. The project also added a storage room, a dedicated women's prayer room, and modern restroom facilities, all while meticulously preserving the mosque’s original architectural features.


Ukraine Urges Venice Biennale to Exclude Russia

A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)
A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)
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Ukraine Urges Venice Biennale to Exclude Russia

A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)
A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)

Ukraine on Sunday called on the Venice Biennale to keep Russia out of the prestigious art event after organizers said it could participate for the first time since launching its all-out invasion in 2022.

"We call on the organizers of the Venice Biennale to reconsider their decision to allow the Russian Federation to return and to maintain the principled position demonstrated in 2022-2024," Ukraine's foreign minister, Andriy Sybiga, and culture minister, Tetyana Berezhna, said in a statement.

The organizers of the event said on Wednesday that they would allow Russia to take part in the exhibition this year, which runs from May 9 to November 22.

"La Biennale di Venezia is an open institution" and "rejects any form of exclusion or censorship of culture and art", they said in a statement.

Their decision was met with criticism, including from Italian Prime Minister Giorgia Meloni's government.

Lithuania's foreign minister called the move "abhorrent".

According to AFP, Italy's culture ministry said the move was made "entirely independently by the Biennale Foundation, despite the Italian government's opposition".

The Venice Biennale is an international cultural organization started in 1895 that presents major cultural festivals and runs its flagship art exhibition and architecture exhibition on alternating years.

Participating countries set up pavilions in Venice, and the art biennial typically attracts more than 600,000 visitors over its seven-month run.


Grabbing the Bull by the Tail: Venezuela’s Cowboy Sport

A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)
A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)
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Grabbing the Bull by the Tail: Venezuela’s Cowboy Sport

A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)
A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)

Four mounted cowboys jostle for position near the bull pen gate.

When the bull bolts out into the ring, a mad scramble begins as the riders vie to grab its tail and knock it to the ground.

Bull tailing, or "coleo" is to Venezuela's "llanos" (tropical grasslands) what rodeo is to Texas -- an integral part of popular culture that has survived opposition from animal welfare groups.

Unlike their Texan counterparts, "coleadores" don't try to ride the bull or grab it by the horns but rather chase its tail.

The coleo is one of the high points of the annual "llanera" fair in the central city of San Fernando de Apure, a three-day extravaganza of cowboy culture, including fast-paced, swirling "joropo" partner dancing listed on the UN's Intangible Cultural Heritage list.

Experts trace coleo to Spanish colonial times and link it to cattle herding work.

It is also practiced across the border in Colombia's "llanos," as well as in Brazil and Mexico, countries with strong cattle breeding traditions.

Most of the "coleadores" or bull tumblers learn the sport from their fathers or grandfathers. Women and children have also been known to compete.

For Neomar Sanoja, one of the judges, it's Venezuela's "national sport" -- a bold claim in a baseball mad nation.

- 'Feel the adrenaline' -

Rafael Delgado, 35, started competing at around 10, encouraged by his father, a ranch hand.

"It's part of our 'llanero' culture, part of being Venezuelan," he told AFP before entering the ring.

To reach the bull's tail, riders spur on their horses and when they draw alongside the animal's flanks, perform acrobatic maneuvers to try flip the beast.

The bull writhes, struggles back on its feet and tries to escape along the "manga de coleo," a 200-meter-long sand corridor, with the riders in hot pursuit.

Points vary depending on how the bull tumbles, with extra marks for those who manage to get all four legs in the air.

About 200 competitors took part in the four-minute bouts in San Fernando de Apure, wearing hockey helmets and padding on their arms and legs as armor.

Llanera music blared while a judge narrated the action with rapid-fire delivery.

Florelbis Linares told AFP she wanted to take up coleo despite the misgivings of her coleatero boyfriend, who she watched perform from the stands.

"You really feel the adrenaline watching from here," the 23-year-old said, her legs hanging over the guardrail around the ring.

- 'Defenseless animals' -

The bull's suffering is little cause for concern among aficionados of coleo.

Most of the animals who enter the ring are headed for the slaughterhouse.

Luis Garcia, a 32-year-old rider, accused critics of the sport of hypocrisy, noting that most show no outrage in the face of intensive cattle rearing and meat consumption.

The AnimaNaturalis animal rights NGO, which is active in Spain and Latin America, has called for the practice to be abolished.

"It is cruelty and an abuse of power by llaneros against defenseless animals," it argued on its website.

"Is this what you call culture?" the Napda Foundation, a Venezuelan animal rights foundation, asked, posting a video of coleo spectators kicking and throwing objects at a bull to force it to get back on its feet.

"The alleged 'humans' behave like beasts. This must stop now."