What to Know About the Louvre Heist Investigation

 French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
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What to Know About the Louvre Heist Investigation

 French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)

More than 100 investigators are racing to piece together how thieves pulled off the brazen heist at the Louvre Museum in Paris, working to recover the stolen gems and bring those responsible to justice.

The daytime theft of centuries-old jewels from the world’s most-visited museum, thought to be of significant cultural and monetary value, has captured the world’s attention for its audacity and movie plot-like details.

Two suspects are in custody, but thus far little has been revealed about how the investigation is unfolding, a source of frustration for those accustomed to the 24-hour flow of information in American true crime or British tabloids.

Suspects, like the jewels themselves, have remained out of sight, the case file cloaked in mystery and French authorities characteristically discreet.

Paris prosecutor Laure Beccuau said that more details would come once the suspects’ custody period ends, expected midweek.

But here's what we know so far about the case:

What investigators want to know Authorities said it took mere minutes for thieves to ride a lift up the side of the museum, smash display cases and steal eight objects worth an estimated 88 million euros ($102 million) on Oct. 19. The haul included a sapphire diadem, necklace and single earring from a set linked to 19th-century queens Marie-Amélie and Hortense.

Beccuau said an investigation was opened into potential charges of criminal conspiracy and organized theft, which can carry hefty fines and yearslong prison sentences.

How France handles arrests Beccuau said investigators made arrests Saturday evening but didn’t name them or say how many. One suspect, she added, was stopped at a Paris airport while trying to leave the country.

In France, where privacy laws are strict, images of criminal suspects are not made public as they often are elsewhere. Suspects aren’t paraded before cameras upon arrest or shown in mugshots.

The presumption of innocence is inscribed in France's constitution and deeply valued throughout society.

Information about investigations is meant to be secret under French law, to avoid compromising police work and to ensure victims' right to privacy, a policy known as ″secret d’instruction.” Only the prosecutor can speak publicly about developments, and violators can be prosecuted.

Police and investigators are not supposed to divulge information about arrests or suspects without the prosecutor's approval, though in high-profile cases, police union officials have leaked partial details. Beccuau on Saturday rued the leak of information about the ongoing investigation.

A police official, who was not authorized to speak publicly about the ongoing case, told The Associated Press that two men in their 30s, both known to police, were taken into custody. He said one suspect was arrested as he attempted to board a plane bound for Algeria.

Additional arrests may follow as the investigation continues.

Inside the investigation The more than 100 investigators that Beccuau said are assigned to the case are combing through 150 DNA samples, surveillance footage and evidence left behind in the thieves’ wake.

Those assigned include the Brigade for the Repression of Banditry, the special police unit in charge of armed robberies, serious burglaries and art thefts.

Recovering the jewels could be among the most difficult parts of investigators' work. French authorities have added the jewels to Interpol’s Stolen Works of Art Database, a global repository of about 57,000 missing cultural items.

Interpol, the world’s largest international police network, does not issue arrest warrants. But if authorities worry a suspect may flee, Interpol can circulate the information using a color-coded notice system.

The French investigators can also work with European authorities if required. They can turn to the European Union’s judicial cooperation agency, Eurojust, or its law enforcement agency, Europol. Eurojust works through judicial cooperation between prosecutors and magistrates, while Europol works with police agencies.

Both can help facilitate investigations and arrests throughout the 27-member bloc. Requests for help must come from the national authorities, and neither organization can initiate an investigation.

What happens next? Beccuau said more details would be released once the suspects' time in custody expires. Suspects investigated for criminal conspiracy can be held for up to 96 hours before charges are filed.

But don’t expect a flood of updates. Indictments and verdicts are not routinely made public in France. French trials are not televised, and journalists are not allowed to film or photograph anything inside the courtroom during a trial.



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.