Gabon Forest Cave Reveals Clues About Prehistoric Central Africa

Archaeology students actively participate in archaeological excavations within a marked square inside Youmbidi Cave in Lastourville, on June 27, 2025. (Photo by Nao Mukadi / AFP)
Archaeology students actively participate in archaeological excavations within a marked square inside Youmbidi Cave in Lastourville, on June 27, 2025. (Photo by Nao Mukadi / AFP)
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Gabon Forest Cave Reveals Clues About Prehistoric Central Africa

Archaeology students actively participate in archaeological excavations within a marked square inside Youmbidi Cave in Lastourville, on June 27, 2025. (Photo by Nao Mukadi / AFP)
Archaeology students actively participate in archaeological excavations within a marked square inside Youmbidi Cave in Lastourville, on June 27, 2025. (Photo by Nao Mukadi / AFP)

In Gabon's sprawling forest, archaeologists dig for ancient clues that could unlock the secrets of how prehistoric humans lived and interacted in the changing landscape of central Africa.

Two billion years ago, the eastern Gabonese region of Lastourville was covered by a vast ocean.

But that has long given way to dense forest and dolomite cliffs dotted with caves, within which scientists have unearthed traces of human life dating back to 25,000 years BC.

Off the beaten track even for archaeologists, the Youmbidi rock shelter, a cavern typical of those chosen by prehistoric humans to set up their homes, is the focus for French geoarchaeologist Richard Oslisly's team, AFP reported.

Among their finds: a stone tool which could have been used for cutting or making fibers dating to before 10,000 BC.

An arrowhead has also been unearthed, as has a collection of dolomite, quartz and jasper shards, cut up to 10,000 years ago by the cave's inhabitants.

"The vast majority of research in Africa has taken place in open landscapes such as the Sahara, Sahel or Egypt," said Oslisly, who has spent 45 years working in central Africa.

"They said to me 'there's nothing in the forest' (but) I took up the challenge of finding out what was happening there," he added.

"We realize there is a very close relationship between man and nature in these forests, where people have lived for a very long time," Oslisly said.

The Youmbidi cave -- where scientists have recorded 12,000 years of continuous human habitation -- is an enticing spot for the archeologists.

"We don't know at all how these people lived, what their way of life was, what their names were, what their languages were," said Geoffroy de Saulieu from France's IRD Research Institute for Development.

"Our research will help us to know a little more," he added.

After a month of digging and careful sorting of every stone, charcoal remnant, bone and other treasure buried below the cave, the team has elements to help decipher the past.
De Saulieu said it was like a jigsaw puzzle.

"You have to... gather the smallest clues, place them end to end to gradually reconstruct a whole universe that has disappeared and which is, nevertheless, at the origin of the way of life in central Africa today," said the expert, currently attached to the National Agency of National Parks of Gabon.

One of the oldest bits of pottery found in central Africa, which dated to more than 6,500 years ago, is among this year's finds.

Human-looking teeth that could allow DNA to be extracted in what would prove a significant leap in research have also excited archaeologists.

And, like all the artifacts, a bead likely made between 3,300 and 4,900 years ago from a snail shell also offers precious insight as a "very humble but beautiful witness" of the epoch in question.

Dispelling stereotypical images of prehistoric Man, it suggests people had "real customs, a real civilization and art of living," de Saulieu said.

The pottery "shows that these societies weren't immobile, they had launched themselves into technical innovations", he added.

The discoveries fan his fascination for the richness of "the social life which existed in the region's forests".

Glimpses into an ancient lost world can also be useful for tackling present-day challenges, the experts said.

During the Holocene period which dates back the past 12,000 years, "central Africa has experienced very significant changes in climate, hydrology and vegetation," said paleoclimatologist Yannick Garcin, also from the IRD and involved in the Youmbidi dig.

The hope is that the cave will unlock an understanding of "the resilience of human populations in the past and how they were able to adapt to climate changes that could have been drastic", he said.

Central Africa for that reason "deserves major development in terms of research", Oslisly argued.

Understanding what happened in prehistoric times can help scientists today react to modern-day issues, he added.

"Good studies on the relationship between Man and the environment in the past will allow us to react better to the environmental changes that are ahead of us," he said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”