Sudan Preservationists Struggle to Restore Country’s Shattered Cultural Treasures 

A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
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Sudan Preservationists Struggle to Restore Country’s Shattered Cultural Treasures 

A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)

The shattered remains of antique pottery and shards of ancient statues lie among broken glass and bullet casings at Sudan’s National Museum, not far from where the Blue and White Nile meet in the capital Khartoum.

After over two years of a civil war that has killed tens of thousands and displaced millions, Sudan’s army expelled the paramilitary Rapid Support Forces from Khartoum and its environs this spring. But much of the city still lies in ruins, including many of its heritage sites.

Antiquities were damaged in the fighting, and still more were carted off by looters and smuggled into neighboring countries.

Preservationists who returned to the city after the army’s advance are now sifting through the wreckage and trying to recover and restore what they can.

"The museum was extremely damaged. A lot of artifacts were stolen that are very, very important for us. Any piece in the museum here ... has a story," said Rehab Kheder Al-Rasheed, head of a committee set up to evaluate damage and secure museums and archaeological sites in Khartoum state, as she stood in a hallway strewn with debris.

So far, about 4,000 antiquities have been counted missing in Sudan, according to Ikhlas Abdullatif, director of the museums sector at Sudan's National Corporation of Antiquities and Museums.

These include pieces in Khartoum, as well as other parts of the country such as the western Darfur region, where about 700 pieces disappeared from museums in the cities of Nyala and El Geneina, Abdullatif said.

In El Geneina, the museum’s curator was killed when the building was shelled.

Many of these pieces appear to have been smuggled to neighboring countries. Sudan is among a long list of countries including Iraq, Syria, Libya and Egypt where antiquities smuggling became rife in the wake of political upheaval.

The National Museum's open-air courtyard includes multiple temples and other artifacts moved to Khartoum from the country's north in the 1960s to preserve them from flooding caused by the construction of Egypt’s Aswan High Dam.

One of the most spectacular is the Buhen Temple, built by the Egyptian Queen Hatshepsut, who reigned around 1,500 B.C. The temple sustained damage during the fighting which authorities are working to repair – albeit with "very, very limited resources," Rasheed said.

The National Museum was not the only site to suffer damage.

The interior of Khartoum’s Republican Palace Museum is now filled with charred wreckage. Antique cars parked outside sit amid debris, their windows and headlamps smashed.

Abdullatif estimated that the cost of restoring and maintaining Sudan’s museums and securing the remaining antiquities could be as high as $100 million. It is a sum preservationists are unlikely to obtain any time soon given the country’s devastated economy.

There is also the question of when foreign specialists might feel it is safe enough to return. Sudan had around 45 archaeological missions in the country before the war, Rasheed said.

Today, all of them have stopped. "We hope, God willing, the missions come back and continue their work," Rasheed said.



Monumental Cave Art on Paris’ Oldest Bridge Finally Opens, as the Public Steps and Sniffs Inside

 Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)
Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)
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Monumental Cave Art on Paris’ Oldest Bridge Finally Opens, as the Public Steps and Sniffs Inside

 Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)
Visitors walk into the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Tuesday, June 16, 2026, in Paris, open to the public from June 15 to 28. (AP)

For weeks, a black mountain loomed over the Seine where Paris’ oldest bridge should have been. On Monday evening, its doors finally opened.

Inside, Paris smells different. The air carries the scent of earth after rain — damp ancient stone, cellar walls, perhaps a trace of smoke.

Visitors step from the bright riverfront into a dark passage lined with glowing photographs of caves, as a low electronic pulse seems to breathe through the walls.

Beneath it all, the old cobblestones of the Pont Neuf rise and fall underfoot.

The Pont Neuf Cavern, a monumental installation by French street artist JR — also known as the French Banksy — is free to enter around the clock through June 28.

Made largely from printed fabric and air, it transforms the 17th-century bridge into an artificial cavern rising 18 meters (59 feet) above the Seine.

“It feels like the city has disappeared,” said Léa Martin, a 22-year-old art student from Lyon on Tuesday. “You know the river is right outside, but for a moment you’re somewhere ancient.”

Paris steps in and sniffs history

The smell is central to the illusion.

Olfactory expert Sarah Bouasse created two shifting scents: drawing on geosmin and isoborneol, compounds associated with the aroma released when rain strikes dry earth.

It changes along the crossing: first wet earth and mineral dampness, then something warmer, smokier and faintly animal.

“Usually I cross here without looking up once,” said Michel Dupré, a 67-year-old retiree, blinking as he emerged into daylight. “Today I felt the stones under my feet. And smelled them too. It makes you walk like a child again.”

A sound installation by Thomas Bangalter, formerly of the French electronic duo Daft Punk, accompanies the work, filling the cavern with low rumbles, echoes and pulses.

Completed in 1607, the Pont Neuf — despite its name, “New Bridge” — is the oldest bridge still standing in Paris.

JR’s installation asks people to experience the familiar crossing through their noses, ears and feet.

It also pays tribute to Christo and Jeanne-Claude, whose 1985 wrapping of the bridge in pale golden fabric drew an estimated 3 million visitors.

Their work covered the Pont Neuf in light.

The dark side JR sends visitors into darkness.

“You enter into the darkness,” he has said, “and emerge into the light on the other side.”

Visitors can also raise their phones to activate an augmented-reality experience developed with tech company Snap.

Digital bats trail light through the cave, passing bodies leave ghostly traces and a dancer materializes in space.

JR has linked the work to Plato’s allegory of the cave, in which prisoners mistake shadows for reality. Today’s cave walls, he argues, are screens and the algorithms that shape what people see. Yet the installation’s strongest effects require no phone.

“It’s completely strange,” said Nadia Benali, 34, smiling beside the artificial cliffs. “Paris needs things that make people stop.”

When the cave closes, its fabric will be reused or recycled.

The mountain will vanish, traffic will return and the Pont Neuf — older than the French Revolution — will emerge into the light once more.


A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
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A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)

A rare first-edition copy of “Wuthering Heights,” complete with spelling mistakes, is up for auction for the first time in more than a century, as Emily Brontë’s tragic, tempestuous romance gains new fans through a big-screen adaptation.

Christie’s auction house said Monday that it's the first copy of the novel in the publisher’s original cloth binding to be auctioned since 1908. Only about 250 copies of the first edition were printed, and this one has been in a private library since shortly after its publication in 1847.

“The vast majority of surviving copies were rebound for collectors or libraries, meaning original cloth examples are now extremely scarce,” said Christie’s books and manuscripts specialist Mark Wiltshire.

Being sold along with a copy of sister Anne Brontë’s “Agnes Grey,” it’s expected to sell for between 400,000 pounds and 600,000 pounds ($540,000 and $800,000) at a June 30 auction in London. Both books carry the male pen names the sisters adopted to get published: Ellis Bell for Emily and Acton Bell for Anne.

“Wuthering Heights” was rushed to publication after the success of Charlotte Brontë’s “Jane Eyre,” and the first edition is notorious for its typographical errors including, Wiltshire noted, the occasional misspelling of the word “heights.”

Emerald Fennell ’s recent movie with Margot Robbie and Jacob Elordi as mismatched pair Cathy and Heathcliff is the latest work to be inspired by — and take liberties with — Brontë’s brooding, Gothic tale.

The novel shocked some critics when it was published, with one in 1848 decrying its “vulgar depravity and unnatural horrors.”

Since then, Wiltshire said, it has “moved beyond literature to become a cultural touchstone,” inspiring art, music — notably Kate Bush’s pop-operatic 1978 song — and multiple film adaptations.

“It remains a work that artists return to again and again because of its emotional force, its atmosphere, and its psychological intensity, ensuring its place not only in literary history but in wider cultural imagination,” Wiltshire said.


Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4
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Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

The Red Sea Film Foundation has extended the application deadline for the sixth edition of the 48-Hour Film Challenge to July 4, 2026, allowing more young Saudi citizens and residents the opportunity to take part in the initiative aimed at discovering and supporting emerging filmmakers, SPA reported.

Organized in partnership with the Red Sea International Film Festival, the French Consulate General in Jeddah, and Alliance Française, the challenge is open to aspiring filmmakers aged 18 to 25, SPA reported.

Participants will form creative teams and compete to produce a short film within 48 hours after completing specialized mentorship workshops.

The two winning teams will receive awards, while their team leaders will earn an artistic residency in France in 2027. The winning films will also be screened at the next edition of the Red Sea International Film Festival.