Sudan Preservationists Struggle to Restore Country’s Shattered Cultural Treasures 

A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
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Sudan Preservationists Struggle to Restore Country’s Shattered Cultural Treasures 

A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)

The shattered remains of antique pottery and shards of ancient statues lie among broken glass and bullet casings at Sudan’s National Museum, not far from where the Blue and White Nile meet in the capital Khartoum.

After over two years of a civil war that has killed tens of thousands and displaced millions, Sudan’s army expelled the paramilitary Rapid Support Forces from Khartoum and its environs this spring. But much of the city still lies in ruins, including many of its heritage sites.

Antiquities were damaged in the fighting, and still more were carted off by looters and smuggled into neighboring countries.

Preservationists who returned to the city after the army’s advance are now sifting through the wreckage and trying to recover and restore what they can.

"The museum was extremely damaged. A lot of artifacts were stolen that are very, very important for us. Any piece in the museum here ... has a story," said Rehab Kheder Al-Rasheed, head of a committee set up to evaluate damage and secure museums and archaeological sites in Khartoum state, as she stood in a hallway strewn with debris.

So far, about 4,000 antiquities have been counted missing in Sudan, according to Ikhlas Abdullatif, director of the museums sector at Sudan's National Corporation of Antiquities and Museums.

These include pieces in Khartoum, as well as other parts of the country such as the western Darfur region, where about 700 pieces disappeared from museums in the cities of Nyala and El Geneina, Abdullatif said.

In El Geneina, the museum’s curator was killed when the building was shelled.

Many of these pieces appear to have been smuggled to neighboring countries. Sudan is among a long list of countries including Iraq, Syria, Libya and Egypt where antiquities smuggling became rife in the wake of political upheaval.

The National Museum's open-air courtyard includes multiple temples and other artifacts moved to Khartoum from the country's north in the 1960s to preserve them from flooding caused by the construction of Egypt’s Aswan High Dam.

One of the most spectacular is the Buhen Temple, built by the Egyptian Queen Hatshepsut, who reigned around 1,500 B.C. The temple sustained damage during the fighting which authorities are working to repair – albeit with "very, very limited resources," Rasheed said.

The National Museum was not the only site to suffer damage.

The interior of Khartoum’s Republican Palace Museum is now filled with charred wreckage. Antique cars parked outside sit amid debris, their windows and headlamps smashed.

Abdullatif estimated that the cost of restoring and maintaining Sudan’s museums and securing the remaining antiquities could be as high as $100 million. It is a sum preservationists are unlikely to obtain any time soon given the country’s devastated economy.

There is also the question of when foreign specialists might feel it is safe enough to return. Sudan had around 45 archaeological missions in the country before the war, Rasheed said.

Today, all of them have stopped. "We hope, God willing, the missions come back and continue their work," Rasheed said.



Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
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Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)

French investigators remain determined to find the imperial jewels stolen from the Louvre in October, a prosecutor has told AFP.

Police believe they have arrested all four thieves who carried out the brazen October 19 robbery, making off with jewelry worth an estimated $102 million from the world-famous museum.

"The interrogations have not produced any new investigative elements," top Paris prosecutor Laure Beccuau said this week, three months after the broad-daylight heist.

But the case remains a top priority, she underlined.

"Our main objective is still to recover the jewelry," she said.

That Sunday morning in October, thieves parked a mover's truck with an extendable ladder below the Louvre's Apollo Gallery housing the French crown jewels.

Two of the thieves climbed up the ladder, broke a window and used angle grinders to cut glass display booths containing the treasures, while the other two waited below, investigators say.

The four then fled on high-powered motor scooters, dropping a diamond-and-emerald crown in their hurry.

But eight other items of jewelry -- including an emerald-and-diamond necklace that Napoleon I gave his second wife, Empress Marie-Louise -- remain at large.

Beccuau said investigators were keeping an open mind as to where the loot might be.

"We don't have any signals indicating that the jewelry is likely to have crossed the border," she said, though she added: "Anything is possible."

Detectives benefitted from contacts with "intermediaries in the art world, including internationally" as they pursued their probe.

"They have ways of receiving warning signals about networks of receivers of stolen goods, including abroad," Beccuau said.

As for anyone coming forward to hand over the jewels, that would be considered to be "active repentance, which could be taken into consideration" later during a trial, she said.

A fifth suspect, a 38-year-old woman who is the partner of one of the men, has been charged with being an accomplice but was released under judicial supervision pending a trial.

Investigators still had no idea if someone had ordered the theft.

"We refuse to have any preconceived notions about what might have led the individuals concerned to commit this theft," the prosecutor said.

But she said detectives and investigating magistrates were resolute.

"We haven't said our last word. It will take as long as it takes," she said.


Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.


Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.