Sudan Preservationists Struggle to Restore Country’s Shattered Cultural Treasures 

A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
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Sudan Preservationists Struggle to Restore Country’s Shattered Cultural Treasures 

A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)
A view shows damaged ancient pottery scattered across the grounds of the Sudan National Museum, which suffered extensive destruction and looting amid the ongoing conflict between the paramilitary Rapid Support Forces (RSF) and the Sudanese army, in Khartoum, Sudan, September 25, 2025. (Reuters)

The shattered remains of antique pottery and shards of ancient statues lie among broken glass and bullet casings at Sudan’s National Museum, not far from where the Blue and White Nile meet in the capital Khartoum.

After over two years of a civil war that has killed tens of thousands and displaced millions, Sudan’s army expelled the paramilitary Rapid Support Forces from Khartoum and its environs this spring. But much of the city still lies in ruins, including many of its heritage sites.

Antiquities were damaged in the fighting, and still more were carted off by looters and smuggled into neighboring countries.

Preservationists who returned to the city after the army’s advance are now sifting through the wreckage and trying to recover and restore what they can.

"The museum was extremely damaged. A lot of artifacts were stolen that are very, very important for us. Any piece in the museum here ... has a story," said Rehab Kheder Al-Rasheed, head of a committee set up to evaluate damage and secure museums and archaeological sites in Khartoum state, as she stood in a hallway strewn with debris.

So far, about 4,000 antiquities have been counted missing in Sudan, according to Ikhlas Abdullatif, director of the museums sector at Sudan's National Corporation of Antiquities and Museums.

These include pieces in Khartoum, as well as other parts of the country such as the western Darfur region, where about 700 pieces disappeared from museums in the cities of Nyala and El Geneina, Abdullatif said.

In El Geneina, the museum’s curator was killed when the building was shelled.

Many of these pieces appear to have been smuggled to neighboring countries. Sudan is among a long list of countries including Iraq, Syria, Libya and Egypt where antiquities smuggling became rife in the wake of political upheaval.

The National Museum's open-air courtyard includes multiple temples and other artifacts moved to Khartoum from the country's north in the 1960s to preserve them from flooding caused by the construction of Egypt’s Aswan High Dam.

One of the most spectacular is the Buhen Temple, built by the Egyptian Queen Hatshepsut, who reigned around 1,500 B.C. The temple sustained damage during the fighting which authorities are working to repair – albeit with "very, very limited resources," Rasheed said.

The National Museum was not the only site to suffer damage.

The interior of Khartoum’s Republican Palace Museum is now filled with charred wreckage. Antique cars parked outside sit amid debris, their windows and headlamps smashed.

Abdullatif estimated that the cost of restoring and maintaining Sudan’s museums and securing the remaining antiquities could be as high as $100 million. It is a sum preservationists are unlikely to obtain any time soon given the country’s devastated economy.

There is also the question of when foreign specialists might feel it is safe enough to return. Sudan had around 45 archaeological missions in the country before the war, Rasheed said.

Today, all of them have stopped. "We hope, God willing, the missions come back and continue their work," Rasheed said.



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.