New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
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New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)

Saudi Arabia’s AlUla is preparing to open new chapters in the history of the ancient city of Dadan, the former capital of the Kingdoms of Dadan and Lihyan, through a new permanent exhibition titled “Illuminating Discoveries – Uncovering the Layers of Dadan’s History”, reported the Saudi Press Agency on Wednesday.

The exhibition offers an in-depth experience of the city’s archaeological heritage and its flourishing civilization across centuries. It guides visitors through the features of the past and demonstrates the importance of this historical site on regional and global heritage maps.

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. It highlights the historical role of Dadan as a political and commercial center on the Incense Road during the first millennium BCE and earlier.

The exhibition introduces a significant new chapter in the study of the Arabian Peninsula’s ancient history. It features more than one hundred artifacts carefully uncovered by international teams working at the Dadan site in AlUla and at the nearby mountain sanctuary of Umm Daraj over the past five years. These findings reveal the scale of ancient trade routes and confirm that AlUla once stood at the heart of a connected and sophisticated network.

Among the objects on display are small figurines linked to the Greek world, a bone hairpin from the Roman or Byzantine era, and rock inscriptions written in an ancient South Arabian script.

Dadan belongs to a line of advanced civilizations whose roots reach deep into the ancient world. Farming in the city is believed to date back to around the third millennium BCE, and archaeologists have found evidence of handcrafts from the second millennium BCE, long before the rise of the Roman Empire.

Material remains show that craftsmanship formed a central part of daily life and reflect the skill and ingenuity of the population. New discoveries include examples of complex metalwork and early evidence of textile production using weaving and spinning techniques. These traditional crafts, once essential to life in the city, are being revived today under the Royal Commission for AlUla’s cultural regeneration programs.

The exhibition also includes rare artifacts never before shown to the public. The material is organized into five main sections: Crafts and Daily Life in Ancient Dadan; Exchange and Trade; Ancient Beliefs and Rituals; Scripts in Stone; and Umm Daraj.

Among the findings is a copper-alloy spearhead dating to between 400 and 50 BCE. Field surveys along Dadan’s cliffs uncovered hundreds of inscriptions and striking rock art, including a battle scene showing four mounted warriors carrying long spears. Rock art in the nearby desert valley of Wadi Al-Naam depicts a rider using a spear to hunt an ostrich.

Another notable object is a terracotta head found in an urban neighborhood of Dadan and dating to the late fourth to first century BCE. Imported from the ancient Greek world, it is believed to have belonged to a Tanagra figurine, a type of small, finely crafted statue produced in central Greece and traded widely across the Mediterranean and as far as Babylon. The head reflects how Mediterranean artistic styles entered the region and circulated across northwest Arabia during the Lihyanite period.

Archaeologists also uncovered a striking statue from an ancient shrine at the foot of Dadan’s cliffs, dating to between 400 and 50 BCE, with one of its eye inlays still preserved. The statue reflects the high craftsmanship of symbolic objects produced during the Lihyanite period. Another figurine, marked by long hair and a belted garment, was found at the same site, with only one arm surviving. Its eyes were once inlaid with bone.

A unique part of the collection is a fragment of carved sandstone dating to the first millennium BCE. It preserves part of an inscription in the ancient South Arabian Minaic script. The relief carving likely came from a temple or public building. The preserved symbols probably refer to Wadd, the chief deity worshipped by the Minaean community at Dadan. Merchants from the Kingdom of Ma‘in established a trading presence in Dadan and left inscriptions documenting their cultural practices.

This inscription has a connection to the nearby “open-air library” at Jabal Ikmah. Inscribed on UNESCO’s Memory of the World Register, Jabal Ikmah contains nearly three hundred inscriptions, most dating to the Dadanite and Lihyanite periods.

The exhibition was organized through cooperation between the Royal Commission for AlUla, the French National Center for Scientific Research, and the French Agency for AlUla Development, which have jointly led recent Saudi-French archaeological missions in Dadan.

The launch of the 2025-2026 archaeological season in AlUla marks one of the region’s broadest heritage research efforts to date. More than one hundred archaeologists and specialists from leading Saudi and international institutions are participating across six major projects, ranging from new excavations at Hegra and Dadan to large-scale inscription surveys and environmental studies.

This program is the most ambitious undertaken in AlUla and contributes to advancing knowledge, developing national expertise, and strengthening the Kingdom’s position as a leader in cultural heritage research.



Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques continues its mission to preserve the Kingdom’s architectural heritage by restoring Al-Qalaah Mosque in Hawtat Bani Tamim, Riyadh Region. Built in 1250 AH (1834 CE), this historic landmark is situated within the fortress of Second Saudi State founder Imam Turki bin Abdullah.

The mosque is a prime example of traditional Najdi architecture, featuring stone foundations, mud walls constructed using molded brick techniques, and a roof of tamarisk trunks and palm fronds supported by stone-bead cylindrical columns, SPA reported.

Through the current renovation, the mosque’s area has expanded from 608.68 to 625.78 square meters while maintaining a capacity for 180 worshippers. Executed by specialized Saudi firms under expert engineering supervision, the project balances traditional standards with modern sustainability to ensure the mosque remains a living testament to Islamic and national history.

This initiative aligns with Vision 2030 objectives to rehabilitate historical sites for worship, highlight cultural heritage, and preserve the Kingdom’s authentic architectural identity for future generations.


UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
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UNESCO Fears for Fate of Historical Sites during Iran War

Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo
Debris at the historical monument Golestan Palace after it was damaged in an Israeli and US strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 3, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS/File Photo

UNESCO said it is deeply concerned about the fate of world heritage sites in Iran and across the region, after Tehran's Golestan palace, often compared to Versailles, and a historic mosque and palace in Isfahan were damaged in the war.

The United Nations' cultural agency on Wednesday urged all parties to protect the region's outstanding cultural sites, saying four of Iran's 29 world heritage sites had been damaged since the start of the US and Israeli war with Iran.

"UNESCO is deeply concerned by the first impact that the hostilities are already having on many world heritage sites," Lazare Eloundou Assomo, director of the World Heritage Centre, told Reuters, adding he was also concerned for sites in Israel, Lebanon and across the Middle East.

Tehran's Golestan palace, damaged in US–Israeli strikes, is testimony to the grandeur of Iran's civilization in the 19th century, he said.

The palace was chosen as the Persian royal residence and seat of power by the Qajar family and shows the introduction of European styles in Persian arts, according to the UNESCO website. The last Shah of Iran, Mohammad Reza Pahlavi, held a coronation ceremony there in 1969.

"We sometimes even compare it with the Versailles Palace in France, for instance, and it has suffered, unfortunately, some damage. We don't know the extent for the moment. But clearly, with the images that we have been able to receive, we can confirm ... it has been affected," Eloundou Assomo said.

Photos of the interior of the palace have shown piles of smashed glass and shards of wood on the floor, and shattered woodwork.

Isfahan was one of Central Asia's most important cities and a key point on the Silk Road trading route. Its Masjed-e Jame (Jameh Mosque) is more than 1,000 years old and shows the development of Islamic art through 12 centuries.

Buildings close to the buffer zone of the prehistoric sites of the Khorramabad Valley have also been damaged, UNESCO said.

UNESCO has shared coordinates of key cultural sites to all parties, Eloundou Assomo said, and was monitoring damage.

"We are calling for the protection of all sites of cultural significance ... everything that tells the history of all the civilisations of the 18 countries in the region," he said.


Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
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Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)

An odd-looking coin used to pay for a bus fare in Leeds in the 1950s has been found to belong to an ancient civilization from more than 2,000 years ago, reported The Independent.

The coin, handed to a local bus driver decades ago, came into the hands of James Edwards, former chief cashier with Leeds City Transport, who gathered fares and counted them at the end of each day.

Since it couldn’t be spent, Edwards took it home and gifted the ancient coin to his young grandson, Peter, who kept it in a small wooden chest for more than 70 years.

Archaeologists from the University of Leeds have now found that it came from the Carthaginians, part of the Phoenician culture, in the Spanish city of Cadiz during the 1st century BC.

“My grandfather would come across coins which were not British and put them to one side, and when I went to his house, he would hand me a few,” the now 77-year-old grandson said.

“It was not long after the war, so I imagine soldiers returned with coins from countries they had been sent to. Neither of us were coin collectors, but we were fascinated by their origin and imagery – to me, they were treasure,” he said.

Peter attempted to uncover the coin’s origin, focusing on a particular inscription.

It bears the face of the god Melqart on one side, resembling the Greek hero Herakles and wearing his famed lionskin headdress.

Experts said it came from what was once a Carthaginian settlement on the Spanish coast.

“The coin always fascinated me because it was hard to decipher where it came from,” Peter said.

“My first thought when I found out its origin was that I would like to return it to an institute where it could be studied by all, and Leeds Museums and Galleries kindly offered to give it a good home,” he said.

The coin has been donated to Leeds Museums and Galleries and is now part of the Leeds Discovery Centre, which includes coins and currency from cultures around the world, spanning thousands of years of history.

“It’s incredible to imagine how this tiny piece of history created by an ancient civilization thousands of years ago has somehow made its way to Leeds and into our collection,” said Salma Arif, Leeds City Council’s executive member for adult social care, active lifestyles and culture.

“Museums like ours are not just about preserving objects, they’re also about telling stories like this one and inspiring visitors to think about the history that’s all around us, sometimes in the most unlikely of places,” Arif said.