New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
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New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)

Saudi Arabia’s AlUla is preparing to open new chapters in the history of the ancient city of Dadan, the former capital of the Kingdoms of Dadan and Lihyan, through a new permanent exhibition titled “Illuminating Discoveries – Uncovering the Layers of Dadan’s History”, reported the Saudi Press Agency on Wednesday.

The exhibition offers an in-depth experience of the city’s archaeological heritage and its flourishing civilization across centuries. It guides visitors through the features of the past and demonstrates the importance of this historical site on regional and global heritage maps.

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. It highlights the historical role of Dadan as a political and commercial center on the Incense Road during the first millennium BCE and earlier.

The exhibition introduces a significant new chapter in the study of the Arabian Peninsula’s ancient history. It features more than one hundred artifacts carefully uncovered by international teams working at the Dadan site in AlUla and at the nearby mountain sanctuary of Umm Daraj over the past five years. These findings reveal the scale of ancient trade routes and confirm that AlUla once stood at the heart of a connected and sophisticated network.

Among the objects on display are small figurines linked to the Greek world, a bone hairpin from the Roman or Byzantine era, and rock inscriptions written in an ancient South Arabian script.

Dadan belongs to a line of advanced civilizations whose roots reach deep into the ancient world. Farming in the city is believed to date back to around the third millennium BCE, and archaeologists have found evidence of handcrafts from the second millennium BCE, long before the rise of the Roman Empire.

Material remains show that craftsmanship formed a central part of daily life and reflect the skill and ingenuity of the population. New discoveries include examples of complex metalwork and early evidence of textile production using weaving and spinning techniques. These traditional crafts, once essential to life in the city, are being revived today under the Royal Commission for AlUla’s cultural regeneration programs.

The exhibition also includes rare artifacts never before shown to the public. The material is organized into five main sections: Crafts and Daily Life in Ancient Dadan; Exchange and Trade; Ancient Beliefs and Rituals; Scripts in Stone; and Umm Daraj.

Among the findings is a copper-alloy spearhead dating to between 400 and 50 BCE. Field surveys along Dadan’s cliffs uncovered hundreds of inscriptions and striking rock art, including a battle scene showing four mounted warriors carrying long spears. Rock art in the nearby desert valley of Wadi Al-Naam depicts a rider using a spear to hunt an ostrich.

Another notable object is a terracotta head found in an urban neighborhood of Dadan and dating to the late fourth to first century BCE. Imported from the ancient Greek world, it is believed to have belonged to a Tanagra figurine, a type of small, finely crafted statue produced in central Greece and traded widely across the Mediterranean and as far as Babylon. The head reflects how Mediterranean artistic styles entered the region and circulated across northwest Arabia during the Lihyanite period.

Archaeologists also uncovered a striking statue from an ancient shrine at the foot of Dadan’s cliffs, dating to between 400 and 50 BCE, with one of its eye inlays still preserved. The statue reflects the high craftsmanship of symbolic objects produced during the Lihyanite period. Another figurine, marked by long hair and a belted garment, was found at the same site, with only one arm surviving. Its eyes were once inlaid with bone.

A unique part of the collection is a fragment of carved sandstone dating to the first millennium BCE. It preserves part of an inscription in the ancient South Arabian Minaic script. The relief carving likely came from a temple or public building. The preserved symbols probably refer to Wadd, the chief deity worshipped by the Minaean community at Dadan. Merchants from the Kingdom of Ma‘in established a trading presence in Dadan and left inscriptions documenting their cultural practices.

This inscription has a connection to the nearby “open-air library” at Jabal Ikmah. Inscribed on UNESCO’s Memory of the World Register, Jabal Ikmah contains nearly three hundred inscriptions, most dating to the Dadanite and Lihyanite periods.

The exhibition was organized through cooperation between the Royal Commission for AlUla, the French National Center for Scientific Research, and the French Agency for AlUla Development, which have jointly led recent Saudi-French archaeological missions in Dadan.

The launch of the 2025-2026 archaeological season in AlUla marks one of the region’s broadest heritage research efforts to date. More than one hundred archaeologists and specialists from leading Saudi and international institutions are participating across six major projects, ranging from new excavations at Hegra and Dadan to large-scale inscription surveys and environmental studies.

This program is the most ambitious undertaken in AlUla and contributes to advancing knowledge, developing national expertise, and strengthening the Kingdom’s position as a leader in cultural heritage research.



Hadrami Dan Added to UNESCO’s Intangible Cultural Heritage of Humanity List

The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
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Hadrami Dan Added to UNESCO’s Intangible Cultural Heritage of Humanity List

The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X

The Intangible Cultural Heritage Committee of UNESCO, during its ongoing 20th session in New Delhi, included the Hadrami Dan on the Representative List of the Intangible Cultural Heritage of Humanity.

Hadrami Dan is a traditional performance and community gathering that combines spontaneous poetry, music and dance, widespread practiced across Hadhramaut Governorate. A typical Hadrami Dan gathering includes at least one singer and poet, with the audience seated in rows or circles.

Yemen’s Ambassador to UNESCO Mohammed Jumaih said the Hadrami Dan deserves this recognition, following a long and diligent process to reach this goal.

Jumaih thanked the Ministry of Culture and its staff, and the National Commission for Education, Culture, and Science.

He offered special gratitude to the Hadhramaut Foundation for Culture, which undertook the preparation and financing of the nomination file.

He also expressed his appreciation to the Intangible Cultural Heritage Committee, its Chairperson (India’s Ambassador to UNESCO, Vishal Sharma), the committee members, its secretariat, and the Evaluation Body experts for their efforts.

Minister of Information, Culture, and Tourism Muammar Al-Eryani in the Yemeni government said this achievement represents “a well-deserved international recognition of one of the most important creative expressions in Hadhramaut and Yemen in general.”

The Hadrami Dan embodies the depth of Yemeni cultural identity, which successive generations have preserved despite the harsh transformations the country has undergone, he said.

Al-Eryani added that it is the result of a joint national effort involving the Ministry of Culture and the Hadhramaut Foundation for Culture, alongside the prominent role played by Jumaih in following up on the issue within UNESCO.


Saudi Arabia: Najran Cultural Tent Contributes to Passing Cultural Heritage Across Generations

As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA
As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA
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Saudi Arabia: Najran Cultural Tent Contributes to Passing Cultural Heritage Across Generations

As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA
As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage. SPA

The cultural tent at Najran Al-Ruqsh Festival has emerged as one of the event’s most prominent attractions, drawing visitors of all ages, particularly those interested in the region’s rich cultural heritage and historical legacy, the Saudi Press Agency reported.

The tent featured a dedicated corner for activities, stories, and traditional narratives, where elderly community members shared their experiences and memories with younger generations, SPA said on Saturday.

Through these interactions, they highlighted aspects of local heritage and recounted stories from the past that reflected daily life, social values, and inherited customs that have shaped Najran’s identity over generations.

As part of the festival’s broader activities, the cultural tent aims to preserve folk heritage, strengthen its presence in the community’s collective memory, and present it to current and future generations in a manner that balances authenticity with modernity, thereby promoting the region’s cultural identity.


Jeddah Book Fair Highlights Saudi Manga and Comics’ Rise from Hobby to Professionalism

Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)
Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)
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Jeddah Book Fair Highlights Saudi Manga and Comics’ Rise from Hobby to Professionalism

Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)
Manga zone at Jeddah Book Fair captivates visitors with creative content, comics. (SPA)

A dialogue session held on the main stage of the Jeddah Book Fair 2025, organized by the Literature, Publishing and Translation Commission, discussed the rapid transformations taking place in the manga and comics sector in the Kingdom of Saudi Arabia, under the title "The Saudi Manga and Comics Wave: From Hobby to Professionalism."

The session began by outlining the features of the creative renaissance in these art forms, explaining how they evolved in just a few years from individual initiatives and youthful hobbies to a mature artistic movement and a cultural vision embraced by institutions, the Saudi Press Agency reported.

The session highlighted the development of manga and comics in Saudi Arabia and the challenges and opportunities artists face as they transition from hobby to professional practice. It reviewed the local scene, which has seen a broad presence, bolstered by media platforms that support Saudi productions and help spread this art form among the public.

The session explained that manga and comics in Saudi Arabia have developed a clear artistic identity that reflects Saudi cultural values such as generosity, courage, and humanity. It emphasized that professionalism depends on an integrated system encompassing concept, story writing, illustration, and design.

The session concluded by highlighting the most prominent professional challenges in this field, while stressing that human creativity remains the key factor of manga and comics production and the true engine of this art form's development.