New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
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New Exhibition in Saudi Arabia's AlUla Highlights Ancient City of Dadan

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)
The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. (SPA)

Saudi Arabia’s AlUla is preparing to open new chapters in the history of the ancient city of Dadan, the former capital of the Kingdoms of Dadan and Lihyan, through a new permanent exhibition titled “Illuminating Discoveries – Uncovering the Layers of Dadan’s History”, reported the Saudi Press Agency on Wednesday.

The exhibition offers an in-depth experience of the city’s archaeological heritage and its flourishing civilization across centuries. It guides visitors through the features of the past and demonstrates the importance of this historical site on regional and global heritage maps.

The new permanent exhibition, held at the Dadan archaeological site in AlUla, presents a wide collection of traditional crafts and customs, along with material evidence of cultural exchange between ancient civilizations. It highlights the historical role of Dadan as a political and commercial center on the Incense Road during the first millennium BCE and earlier.

The exhibition introduces a significant new chapter in the study of the Arabian Peninsula’s ancient history. It features more than one hundred artifacts carefully uncovered by international teams working at the Dadan site in AlUla and at the nearby mountain sanctuary of Umm Daraj over the past five years. These findings reveal the scale of ancient trade routes and confirm that AlUla once stood at the heart of a connected and sophisticated network.

Among the objects on display are small figurines linked to the Greek world, a bone hairpin from the Roman or Byzantine era, and rock inscriptions written in an ancient South Arabian script.

Dadan belongs to a line of advanced civilizations whose roots reach deep into the ancient world. Farming in the city is believed to date back to around the third millennium BCE, and archaeologists have found evidence of handcrafts from the second millennium BCE, long before the rise of the Roman Empire.

Material remains show that craftsmanship formed a central part of daily life and reflect the skill and ingenuity of the population. New discoveries include examples of complex metalwork and early evidence of textile production using weaving and spinning techniques. These traditional crafts, once essential to life in the city, are being revived today under the Royal Commission for AlUla’s cultural regeneration programs.

The exhibition also includes rare artifacts never before shown to the public. The material is organized into five main sections: Crafts and Daily Life in Ancient Dadan; Exchange and Trade; Ancient Beliefs and Rituals; Scripts in Stone; and Umm Daraj.

Among the findings is a copper-alloy spearhead dating to between 400 and 50 BCE. Field surveys along Dadan’s cliffs uncovered hundreds of inscriptions and striking rock art, including a battle scene showing four mounted warriors carrying long spears. Rock art in the nearby desert valley of Wadi Al-Naam depicts a rider using a spear to hunt an ostrich.

Another notable object is a terracotta head found in an urban neighborhood of Dadan and dating to the late fourth to first century BCE. Imported from the ancient Greek world, it is believed to have belonged to a Tanagra figurine, a type of small, finely crafted statue produced in central Greece and traded widely across the Mediterranean and as far as Babylon. The head reflects how Mediterranean artistic styles entered the region and circulated across northwest Arabia during the Lihyanite period.

Archaeologists also uncovered a striking statue from an ancient shrine at the foot of Dadan’s cliffs, dating to between 400 and 50 BCE, with one of its eye inlays still preserved. The statue reflects the high craftsmanship of symbolic objects produced during the Lihyanite period. Another figurine, marked by long hair and a belted garment, was found at the same site, with only one arm surviving. Its eyes were once inlaid with bone.

A unique part of the collection is a fragment of carved sandstone dating to the first millennium BCE. It preserves part of an inscription in the ancient South Arabian Minaic script. The relief carving likely came from a temple or public building. The preserved symbols probably refer to Wadd, the chief deity worshipped by the Minaean community at Dadan. Merchants from the Kingdom of Ma‘in established a trading presence in Dadan and left inscriptions documenting their cultural practices.

This inscription has a connection to the nearby “open-air library” at Jabal Ikmah. Inscribed on UNESCO’s Memory of the World Register, Jabal Ikmah contains nearly three hundred inscriptions, most dating to the Dadanite and Lihyanite periods.

The exhibition was organized through cooperation between the Royal Commission for AlUla, the French National Center for Scientific Research, and the French Agency for AlUla Development, which have jointly led recent Saudi-French archaeological missions in Dadan.

The launch of the 2025-2026 archaeological season in AlUla marks one of the region’s broadest heritage research efforts to date. More than one hundred archaeologists and specialists from leading Saudi and international institutions are participating across six major projects, ranging from new excavations at Hegra and Dadan to large-scale inscription surveys and environmental studies.

This program is the most ambitious undertaken in AlUla and contributes to advancing knowledge, developing national expertise, and strengthening the Kingdom’s position as a leader in cultural heritage research.



New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.


Saudi Culture Ministry Launches Nonprofit Cultural Sector Forum with Wide Participation from Experts, Entities

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
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Saudi Culture Ministry Launches Nonprofit Cultural Sector Forum with Wide Participation from Experts, Entities

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities

Under the patronage of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan, the sessions of the Nonprofit Cultural Sector Forum, organized by the Ministry of Culture in Riyadh, kicked off on Wednesday, SPA reported.

The first day featured eight panel sessions with a group of local and international experts and specialists, discussing several strategic themes related to the nonprofit cultural sector.

 

The sessions addressed the sector’s role in shaping the future in light of modern trends, the importance of empowering nonprofit cultural organizations to build sustainable cultural and economic impact, and the role of social responsibility in developing the nonprofit sector.

The forum is also witnessing the signing of a number of agreements and memoranda of understanding, as part of enhancing partnerships and enabling nonprofit cultural organizations to expand their scope of work and achieve sustainable cultural and societal impact.


AlUla’s Maraya Hall Highlights Creative Fusion of Art and Landscape

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
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AlUla’s Maraya Hall Highlights Creative Fusion of Art and Landscape

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA

In AlUla Governorate, features of human creativity are manifested in their finest form, as Maraya Hall hosts an exceptional artistic and architectural experience that blends art and nature, in a scene that embodies the presence of arts as a universal language that transcends borders and cultures.

Maraya Hall is considered the largest mirrored building in the world by Guinness World Records, with its structure covered by around 9,740 reflective panels designed to mirror the beauty of the surrounding sandstone cliffs, giving visitors a unique visual experience that appears as a natural extension of the desert landscape, SPA reported.

The hall includes multiple spaces and halls equipped with the latest technologies, accommodating around 500 seats, making it an integrated platform for hosting concerts, artistic performances, conferences, and various cultural events.

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla, within an integrated cultural and artistic ecosystem that enhances the governorate’s presence on the global arts map, coinciding with the celebration of World Art Day, which falls on April 15 each year, highlighting the importance of arts in building cultural bridges and promoting human dialogue.