Koshary, Egypt's Spicy Staple, Wins UNESCO Recognition 

Koshary, an Egyptian vegan dish recognized by UNESCO as part of its Intangible Cultural Heritage, is plated in Cairo, Egypt, on December 9, 2025. (Reuters)
Koshary, an Egyptian vegan dish recognized by UNESCO as part of its Intangible Cultural Heritage, is plated in Cairo, Egypt, on December 9, 2025. (Reuters)
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Koshary, Egypt's Spicy Staple, Wins UNESCO Recognition 

Koshary, an Egyptian vegan dish recognized by UNESCO as part of its Intangible Cultural Heritage, is plated in Cairo, Egypt, on December 9, 2025. (Reuters)
Koshary, an Egyptian vegan dish recognized by UNESCO as part of its Intangible Cultural Heritage, is plated in Cairo, Egypt, on December 9, 2025. (Reuters)

Koshary – a spicy dish of lentils, rice and pasta available at countless Egyptian food stalls – won recognition as a cultural treasure from the UN's cultural agency on Wednesday, as Cairo makes a broad push to promote its cultural and historical identity abroad.

Egypt's nomination of koshary for UNESCO's "Intangible Cultural Heritage" list comes a little over a month after its opening of a sprawling new antiquities museum – another move officials hope will highlight the country's rich history and lure more tourists.

One popular legend claims koshary originated in northern India and was brought to Egypt by soldiers during the British occupation. But the dish's origins can in fact be traced through a farther-flung, millennia-old lineage of migration, trade and conquest, food researcher and archaeobotanist Hala Barakat said.

EGYPTIAN DISH, WITH GLOBAL INFLUENCES

Lentils arrived from the Fertile Crescent more than 5,800 years ago, and rice was introduced from East Asia. Tomatoes and chili peppers were brought from the Americas centuries later, while pasta noodles were a more modern addition.

"These components came together over thousands of years," Barakat said. "Its name may be Indian, but the Egyptian dish has its own form – and even that varies from Alexandria to Aswan."

"Koshary in its current form is the koshary Egyptians made their own," she added.

Egypt's nomination makes note of this diversity, highlighting the fact that yellow lentils are used on the coast, compared with black lentils in Cairo and Upper Egypt. Some households add boiled eggs, while in Sinai a similar dish called ma'dous is common.

Each of these variations is united by "the special flavor provided by condiments such as vinegar, garlic, and hot sauce, which are added according to preference," the nomination says.

COUSCOUS, CEVICHE ALSO ON LIST

Making the intangible heritage list is mostly symbolic, and does not bring any direct financial benefit. Other dishes such as couscous – common across the Maghreb region – and the South American dish ceviche are on the list. Italian cuisine was also set to be inscribed this year.

Koshary's popularity surged in the 20th century as restaurants and brightly decorated street carts proliferated near schools and stations. The absence of animal products has also made it a staple among fasting Coptic Christians and younger Egyptians who are going vegetarian.

Today, the dish is one of Egypt's most recognizable features, according to Ahmed Shaker, the public relations officer at Abou Tarek Koshary, a popular Cairo restaurant that dates back to 1963.

"Any foreigner or visitor who comes to Egypt visits the Pyramids, visits the museum, and comes to Abou Tarek to eat koshary," Shaker said.

The dish joins Egypt's 10 previous "inscriptions", which include tahteeb, an ancient martial art using sticks, and the Sirat Bani Hilal, an epic oral poem.

UNESCO’s new director-general, Khaled El-Enany, previously served as Egypt's minister of tourism and antiquities, and has vowed to use his tenure to safeguard cultural traditions.



Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
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Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA

The Red Sea Museum in Historic Jeddah is hosting a contemporary artistic exhibition that explores the Red Sea’s marine richness by connecting its geological origins, dating back to the Eocene epoch, with natural history and artistic expression.

Through a series of sculptures and installations, the exhibition showcases the region's vast biodiversity, from microorganisms to large mammals, SPA reported.

The works emphasize the Red Sea’s resilient coral reefs, thriving in warm, high-salinity waters, while delivering powerful environmental messages on the urgency of reef protection and ecological sustainability.

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures.

These pieces complement the museum’s permanent collection of over 1,000 artifacts, reinforcing the Kingdom’s commitment to preserving its cultural and environmental heritage through modern, immersive displays.


Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
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Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA

The Ministry of Islamic Affairs, Dawah and Guidance, represented by the King Fahd Cultural Center in Bosnia and Herzegovina, is participating in Saudi Arabia’s pavilion at the 37th Sarajevo International Book Fair held from April 22 to 27 at the Skenderija Center.

The fair is held under the theme "Book Path" and features 200 exhibitors from Bosnia and Herzegovina and around the world presenting their publications across an exhibition area of more than 10,000 square meters.

The pavilion, inaugurated in the presence of Saudi Ambassador to Bosnia and Herzegovina Anas Al-Wusaidi, showcases the center’s cultural programs, publications, and activities.

It includes a documentary highlighting the Kingdom’s civilizational progress and the achievements of Saudi Vision 2030, as well as films introducing Saudi cities and tourist landmarks.

The pavilion also features educational and training programs, a Saudi culture corner, a workshop on Saudi coffee preparation, an Arabic calligraphy corner, and a children’s area.

The ministry’s participation in the fair reflects Saudi Arabia’s leading role in serving Islam and Muslims inside and outside the Kingdom, its message of moderation and tolerance, and its commitment to strengthening cultural exchange.


Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026
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Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026

The King Abdulaziz Center for World Culture (Ithra), an initiative of Aramco, is participating in Milan Design Week, one of the world’s most prominent annual design events, taking place during April 20-26, 2026. This participation reflects the center’s aspirations to strengthen the role of design within the cultural landscape. As part of its presence, Ithra is presenting key features of Ithra Design Week (IDW)—announced last year as a dedicated platform supporting the design sector and designers, aimed at fostering collaboration, nurturing creativity, and advancing design content from the Arab world on the global stage.

As part of its participation, Ithra is presenting the exhibition “Default is Not Universal” at the Isola Design Festival, within the framework of Milan Design Week 2026. The exhibition represents the first tangible realization of Ithra Design Week as a regional platform for designers, showcasing their creativity and cultural narratives to international audiences while opening channels for global dialogue on the future of design, SPA reported.

Manager of Programs at Ithra Nourh Al-Zamil said: “Ithra’s participation in Milan Design Week; one of the most important global events in the field of design, reflects the Center’s mission to empower creative talent, strengthen cultural exchange, and support the growth of the creative economy at both regional and international levels. It also highlights Ithra Design Week 2026, that announced last year as a platform dedicated to supporting and advancing the future of Arab design.”

Al-Zamil added that Ithra’s international participation in leading design and creativity forums serves as an important platform for attracting designers from across the Middle East. She noted that the “Default is Not Universal” exhibition, presented in collaboration with Isola Design; a partnership spanning four years; aims to empower creativity and connect designers from around the world. She emphasized that the exhibition reflects Ithra’s continued efforts to build a year-round integrated ecosystem enabling designers to collaborate, grow, and thrive.

The “Default is Not Universal” exhibition features works by eight designers from across the Middle East and North Africa (MENA) region and includes seven interactive stations. Through the use of artificial intelligence, the exhibition collects visitor interaction data and transforms it into a dynamic map illustrating how cognitive patterns are shaped by diverse cultural influences. In an innovative step, this data will later be used to commission a designer to produce an entirely new piece reflecting the exhibition’s insights and outcomes.

The exhibition represents a collaborative experience between Ithra and Isola Design and is the outcome of a four-year partnership. Following its debut, the exhibition will be expanded and travel to Saudi Arabia, where it will serve as the anchor international exhibition of the main Ithra Design Week event scheduled to take place later this year.

The exhibition’s seven interactive stations include “The Collective Sofa,” a white seating installation by Studio Oblique (UAE) that transforms through visitor interaction into a shared archive reflecting their contributions; “Moments of Absence,” a sculptural installation featuring miniature ceramic chairs by Fajr Al-Basri (Bahrain) that invites visitors to select and sketch the chair they most identify with; and “Body Blocks,” an interactive game by Davina Atteya (Lebanon) inspired by Mesopotamian figurative forms, enabling users to assemble hybrid characters through modular components.

Additional stations include “Attar Al-Balad,” a sensory installation composed of sculptural blocks formed from traditional Saudi herbs and spices that re-evokes memory through scent; “Reflections,” a collection of mirrors by designers from Egypt, the UAE, and Morocco exploring visitors’ perceptions of color, form, and identity; “Majma,” an interactive musical instrument by digital artist Samit Rohila enabling visitors to collaboratively compose spontaneous collective soundscapes; and finally “Daughters of Berythus,” an installation embedding traces of craft traditions and everyday life that invites visitors to explore material memory through touch.