Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
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Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)

Iraq is home to ruins from some of the world's earliest civilizations, but teams led by international archaeologists have been forced by drone and rocket attacks in the Middle East war to cut short their expeditions.

Archaeologists told AFP that some of the projects interrupted by the war had been planned for years, but their teams have had to evacuate ancient sites since the United States and Israel attacked Iraq's neighbor, Iran.

Like other countries around the region, Iraq has become engulfed in the war, bringing to an abrupt end a period of nascent stability.

Iraq's precious archaeological sites, some dating back thousands of years, had for years faced threats ranging from climate change to successive conflicts.

Under normal circumstances, around 60 international teams would have been working on digs, a government official told AFP, but "all of these missions have left Iraq".

- 'Like a musician' -

Adelheid Otto of Germany's Ludwig-Maximilians-University started a long-planned dig at ancient Shuruppak, modern-day Tell Fara, on February 28.

That same day, Israel and the US launched strikes against Iran, sparking a war that has dragged Iraqi armed groups into the fray -- and cutting short Otto's work.

"We are Near Eastern archaeologists. So that is our work. That is like a musician who can no longer play an instrument," she told AFP.

Her team -- 18 German archaeologists, geologists, geophysical experts and students and seven Iraqi archaeologists -- initially stayed, reasoning travelling the 750 kilometers (460 miles) overland to Türkiye was more dangerous.

"After some days we got kind of used to the rockets and drones above our heads," she said.

But Iraqi officials repeatedly urged them to depart, despite their discovery of ancient cuneiform tablets.

"It is impossible" to leave, she told authorities, insisting on staying extra days. "We have to document it. We have to take photos of everything."

"I told the students you have to work on all the small finds that we have," said Otto, 59, who boasts four decades of experience.

"You never know in any of these countries if you will ever return," she said.

- 'Guarantors' -

Many German institutions had just started relaxing travel restrictions to Iraq after a succession of conflicts, including the 2003 US-led invasion and the extremist ISIS group.

Now, said Otto, archaeologists once again face being shut out.

Iraq's State Board of Antiquities and Heritage head Ali Obeid Shalgham told AFP Iraqi security forces were the sites' "true guarantors", especially as many are in remote rural areas.

He said the country is installing so-called protective "blue shields" -- nicknamed "the Red Cross of heritage" -- at archaeological sites.

The presence of foreign teams is "crucial", said Aqeel al-Mansrawi, an Iraqi landscape archaeologist.

"They work to protect heritage through conservation," he said.

He also emphasized the training Iraqi experts receive from foreigners, vital after years of isolation and war.

"We are always training a lot of Iraqi archaeologists and colleagues," said Otto, of the German institute.

"If it would be cut again, it would be terrible," she said.

Foreign digs must work with Iraqi archaeologists, bringing their international expertise.

Shalgham said the arrangement allows Iraqis "to keep up with global advancements in new technologies and state-of-the-art equipment".

- 'Can't catch a break' -

Chicago University professor Augusta McMahon was in southern Iraq, working at the 6,000-year-old Nippur site, when the war began.

Having worked in the Middle East for almost four decades, this was her third evacuation.

In 2024, she had to leave Iraq, while in 2011, she left Syria.

"We had pressure from a lot of different directions in terms of having to leave," she said, with her eight-person team departing under an Iraqi escort on March 10.

"It is quite frustrating, along with everything else, I feel terribly bad for [my] Iraqi colleagues," she said.

The war has also rippled beyond the immediate: an initiative to finally return the preeminent Rencontre Assyriologique Internationale (RAI) conference to Iraq was cancelled by the University of Baghdad.

The city last attempted to host the event in 1990, according to the university, but it was scrapped with the Gulf War.

"Now 36 years later, they finally pulled themselves together... and it's cancelled again," said McMahon, who was due to be presenting.

"It's like they can't catch a break."



Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
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Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA

Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan on Tuesday met with Indonesia’s Minister of Creative Economy Teuku Riefky Harsya in Jakarta.

The ministers discussed cooperation in the creative economy between the two countries through the exchange of artistic and technical expertise in film, fashion, and handicrafts.

They also explored opportunities for collaboration to promote innovation and sustainability.


‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
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‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)

A photography exhibition showcasing more than 100 photographs taken of and by the British Royal Family is on tour following its launch at Kensington Palace.

The “Life Through a Royal Lens” exhibition explores the enduring relationship between the Crown and the camera over 200 years.

It was first launched at Kensington Palace and is now on tour, starting at The Amelia Scott in Tunbridge Wells, according to the BBC.

Jeremy Kimmel, arts, heritage and engagement director at The Amelia Scott, said: “Royal Tunbridge Wells has been shaped by centuries of royal connections, from the first royal visit in the early 1600s to what was then just woodland, to becoming the favorite summer retreat of Princess Victoria.”

He said “Life Through a Royal Lens” was not just about royalty.

“The images reflect moments of national identity, cultural change, and shared experience,” said Kimmel.

The royal family are one of the most photographed families in the world and the exhibition captures state ceremonies and royal tours as well as personal images which share a glimpse of life behind the scenes.

It also features the last public photograph taken of Elizabeth II taken on 6 September 2022, just two days before she died at the age of 96.

Kimmel said: “It was taken at Balmoral Castle before the historic 'kissing of hands' ceremony in which she publicly appointed her 15th British Prime Minister, Liz Truss.”

The public can also view portraits and press photographs from the first three years of King Charles III and Queen Camilla's reign.

The exhibition was created by Historic Royal Palaces, the independent charity that cares for Kensington Palace.

Eleri Lynn, chief curator at Historic Royal Palaces, said the display of images spanning 300 years of family photoshoots, commissioned portraiture and official engagements would embark on a tour planned to span the UK.

“We are thrilled that visitors to ‘Life Through a Royal Lens’ at The Amelia Scott will be able to explore the history behind the iconic image of modern monarchy we know today,” she added.

“Life Through a Royal Lens” runs until June 7.


French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
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French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)

French lawmakers on Monday passed a bill to simplify the return of artworks looted during the colonial era to their countries of origin, AFP reported.

France still has in its possession tens of thousands of artworks and other prized artefacts that it looted from its colonial empire.

The draft legislation to return them was unanimously approved by the lower house National Assembly late on Monday.

The upper house had unanimously passed the measure in January.

President Emmanuel Macron has made it a political promise to return the cultural items, and has gone further than his predecessors in admitting past French abuses in Africa.

Speaking on a visit to the Burkina Faso capital Ouagadougou shortly after taking office in 2017, Macron vowed that France would never again interfere in its former colonies and promised to facilitate the return of African cultural heritage within five years.

Designed to streamline the process, Monday's bill specifically targets property acquired between 1815 and 1972.

Former colonial powers in Europe have slowly been moving to send back some artworks obtained during their imperial conquests -- but France is hindered by its current legislation, which requires every item in the national collection to be voted on individually.

France has been flooded with restitution demands, including from Algeria, Mali and Benin.