Modern Dishes Challenge Traditional Eid al-Adha Breakfasts in Saudi Arabia

 Many Saudis say traditional dishes remain an essential part of Eid celebrations. (Ministry of Tourism)
Many Saudis say traditional dishes remain an essential part of Eid celebrations. (Ministry of Tourism)
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Modern Dishes Challenge Traditional Eid al-Adha Breakfasts in Saudi Arabia

 Many Saudis say traditional dishes remain an essential part of Eid celebrations. (Ministry of Tourism)
Many Saudis say traditional dishes remain an essential part of Eid celebrations. (Ministry of Tourism)

In Saudi Arabia, the smell of liver and muqalqal drifting from family kitchens on the morning of Eid al-Adha has long been part of the holiday ritual, closely tied to the sacrificial feast that follows Eid prayers. For many Saudis, the celebration does not truly begin without these traditional dishes.

“The real taste of Eid starts right after the prayer,” said 25-year-old Nasser Al Ibrahim, who insists the customary breakfast remains an essential part of the holiday. “Today we ate liver and muqalqal prepared from the sacrifice slaughtered this morning. The whole family makes sure we do that because these foods are tied to Eid memories and traditions.”

But across the Kingdom, Eid breakfast tables are beginning to change.

Instead of preparing the familiar dishes, 27-year-old Abir Ahmed chose a more contemporary approach this year, ordering a ready-made cheese platter for her small family. Her choice reflects broader social and culinary shifts quietly reshaping holiday traditions in Saudi Arabia.

In recent years, Eid breakfasts have expanded beyond staples such as liver and muqalqal — a dish of seasoned diced lamb cooked with tomatoes — to include modern options presented in increasingly elaborate and visually appealing ways.

An increasing number of Saudis have started preferring to spend Eid morning outside the home. (Riyadh Season)

From the first hours of dawn, worshippers across Saudi Arabia gathered at mosques and prayer grounds for Eid al-Adha prayers amid festive scenes filled with families and children. The holiday remains one of the Kingdom’s most important religious and social occasions, marked by rituals that stretch from communal prayers to the first family breakfast.

Yet even those rituals are evolving. Many Saudis say traditional breakfasts are gradually giving way to contemporary dishes shaped by changing lifestyles and the growing influence of social media, where stylish food presentations have become part of the celebration itself.

Others, however, criticize the trend, arguing that many of the new breakfast displays are more about appearance than preserving the spirit of Eid. For them, traditional dishes remain deeply connected to the holiday’s cultural identity and collective memory.

Ahmed said growing competition among families over how Eid breakfasts are presented has encouraged many to turn to modern ready-made platters.

“There are many elegantly arranged breakfast platters served on Eid morning, especially cheese platters, and people have become used to them recently,” she said.

Over the past few years, the cheese platter has become one of the season’s most popular Eid breakfast items. Typically arranged with assorted cheeses, toasted bread, roasted olives, cherry tomatoes and grapes, the platters are often decorated with honey, biscuits, walnuts, rusks and mortadella to create a more festive appearance.

Prices vary depending on the ingredients and presentation, generally starting at around 80 Saudi riyals ($21) and reaching as high as 500 riyals for a single platter in what has become a thriving seasonal market during holidays and family occasions.

The shift extends beyond food. While Saudis traditionally gathered for Eid breakfast at home in large family settings, a growing number now prefer spending the morning at restaurants, cafés and resorts in search of a more celebratory atmosphere for children and relatives.

Despite these changes, the ritual sacrifice remains deeply rooted in Saudi society. Many families continue to perform the rite on behalf of themselves or deceased relatives, honoring family traditions and reinforcing values of charity, kinship and social solidarity that remain central to Eid al-Adha.



Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
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Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA

The Riyadh Art Program, one of the programs of the Royal Commission for Riyadh City, signed a memorandum of understanding (MoU) with the Royal Institute of Traditional Arts "Wrth" to strengthen cooperation in cultural and creative fields.

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact, SPA reported.

The MoU covers the development of joint creative initiatives that bring together contemporary and traditional arts through the exchange of expertise, art residency programs, and seasonal events.

It also includes cooperation to enhance the presence of both parties' projects and programs at relevant international events and forums.


Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
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Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou

Hundreds of people queued on Tuesday outside a Hong Kong gallery to see a Vincent van Gogh painting on public display for the first time in six decades.

The Dutch artist's "Chataigniers en fleurs" ("Chestnut Trees in Blossom") was on show in Hong Kong ahead of its November 18 auction in New York, where it is expected to smash records and fetch around $180 million, according to Sotheby's.

It was one of 12 works owned by late Argentine collectors Nelly Arrieta de Blaquier and Carlos Pedro Blaquier. Others by Claude Monet, Camille Pissarro and Paul Cezanne will also go under the hammer.

The van Gogh, which according to Sotheby's was unseen by the public for over 60 years, portrays a blossoming chestnut tree with a solitary man walking past three women in Japanese attire.

Completed in 1890, it is from the last two months of van Gogh's life.

"It's one of the last, most expressive and hopeful works by van Gogh in this final phase of his career," Scott Niichel, a vice chairman at Sotheby's, told AFP.

It is one of approximately 70 works van Gogh created after leaving the psychiatric asylum of Saint-Remy, where he had created his famous "The Starry Night.”

During these final days of his life, van Gogh was producing at a frantic rate -- averaging around one work a day.

He died shortly after at the age of 37, two days after shooting himself in the chest following well-documented mental health struggles.

"This manic frenzy of paint application suggests he has so much more to give, and he's just racing to put it to canvas," Niichel said, noting the thickness of the paint layers.

"Orchard with Cypresses" set the current record for a van Gogh price point, selling for $117.2 million in a 2022 auction.

Niichel said that "anything is possible" for who might claim the painting in November.

"Our revealing in Hong Kong suggests that Asia is certainly a possibility."


Egypt’s Fayoum Mummy Portraits to Travel Abroad for 1st Time after Restoration

Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)
Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)
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Egypt’s Fayoum Mummy Portraits to Travel Abroad for 1st Time after Restoration

Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)
Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)

Egypt unveiled Sunday a restored version of the “Tondo of the Two Brothers,” a prized 2nd-century painting from the famed Fayoum portraits.

Specialists from Rome worked alongside conservators from the Egyptian Museum in Tahrir — where the collection is usually kept — for three weeks to restore the artwork, officials said at a press conference.

A visitor films one of Fayoum portraits, "Demos", from the Greco-Roman period the 1st century BC, at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)

Fayoum mummy portraits were painted primarily on thin wooden panels and placed over the faces of the deceased within mummy wrappings, combining Egyptian funerary traditions with artistic influences from the wider Greco-Roman world.

Egypt will lend a major part of the collection to a temporary exhibition in Rome, marking the first time it will travel abroad.

“The restoration of the Tondo of the Two Brothers is an important example of what can be achieved through international cooperation in the preservation and study of cultural heritage,” said Sherif Fathy, Egypt’s minister of tourism and antiquities. “Egypt and Italy share deep historical and cultural ties, and this project brings together Egyptian and Italian expertise to preserve an exceptional work of art for future generations.”

Experts describe the painting as unusual because of its circular shape and its depiction of two people instead of one, and rank it among the most vivid surviving portraits from Roman-era Egypt. It was painted using a technique in which pigments are mixed with molten wax, and restorers were able to recover the features of the brother on the right.

Aly Abdel Halim, director general of the Egyptian Museum in Tahrir, said the conservation required careful intervention because both the wooden support, damaged by termites, and the painted surface were fragile.

Fayoum portraits, "Tondo of the Two Brothers", Egyptian icons from the Greco-Roman period the 1st century BC, are displayed at the Egyptian Museum in Cairo, Egypt, Sunday, Oct. 11, 2026, after being restored. (AP Photo/Amr Nabil)

The portraits will be featured in an exhibition in Rome from November to May 2027, The Associated Press reported.

Tomaso Radaelli, chairman of MondoMostre, the exhibition’s organizer, said it will bring together more than 110 objects, including painted panels, funerary shrouds, masks, marble portraits, plaster casts and ancient jewelry.