Iran: The Challenges of History with an Attitude

A general view of Tehran in this February 22, 2010 Reuters file photo
A general view of Tehran in this February 22, 2010 Reuters file photo
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Iran: The Challenges of History with an Attitude

A general view of Tehran in this February 22, 2010 Reuters file photo
A general view of Tehran in this February 22, 2010 Reuters file photo

IRAN A MODERN HISTORY
By Abbas Amanat

Throughout the history of writing history, that is to say since Herodotus put pen to paper, Iran has always attracted and at the same time repelled those who for a variety of reasons took an interest in its complex character as a major actor in world events over millennia. Often, the interaction of that fascination and rejection made it difficult if not impossible to construct an objective narrative of the Iranian story. As a result, Iran was, and, as the author of this hefty oeuvre professor Abbas Amanat admits remains subject to a method of scrutiny that he labels “history with an attitude.” In practice, this means that those who write about Iran also write about themselves at least in the sense of how their generation or contemporary scholarship views historic events.

Let’s say it at the outset that thanks to the easy flow of its prose, Amanat’s book, focusing on Iran’s history from the establishment of the Safavid Dynasty in 1501 to the present day, is a delight to read especially for the general reader. The use of the term “modern”, however, injects some ambiguity as Amanat himself admits. Did Iran enter the modern world with the Safavids? More importantly, perhaps, are we sure Iran has entered the modern world which means different things to different people. A fruit of the Enlightenment, the concept of modernity is based on the linear vision of human history as a progressive continuum from a low point to higher and higher ones.

Amanat does not involve himself in the complexities of the question of modernity.

However, he implies that the modern world started with the emergence of the so-called “Gunpowder Empires”, new actors in history using the WMD of the day to expand through warfare. Since Iran under the Safavids became an early victim of “Gunpowder Empire” in the shape of the Ottomans under Sultan Salim, one could argue that it entered the modern times, especially since the Safavids ended up acquiring and deploying modern artillery.

Later, under the Qajars, who succeeded the Safavids after the long and bloody parenthesis of two more dynasties, continued Iran’s incursion into modernity with a number of physical and institutional reforms. Under the Pahlavis, who succeeded the Qajars, the pace of modernization accelerated with emphasis on turning Iran into a Western-style nation-state and, perhaps, a model for the entire Persianate cultural sphere.

Amanat’s narrative follows the predominant view of Western, and to some extent even Soviet, scholars of Iranian history in the past five centuries. Thus his book has the added interest of telling the reader how modern scholarship, dominated by Western academics and researchers, sees Iran. The advantage of that method is its genius for rationalization and simplification.

For example, we are told that the Safavid Dynasty, founded the young warrior Ismail, introduced Shiism to Iran and imposed it as a religion of the state by the sword. This means ignoring the fact that Shiism, in its many different versions, had always had a presence in Iran half a millennium before the Safavids.

One might also wonder how Shiite the Safavids actually were?

They produced no theological text on the subject and were obliged to import their clerics from the Shiite parts of Lebanon. The native Iranian Shiite clergy, especially in cities such as Shiraz and Isfahan, did not share Shah Ismail’s peculiar vision.

In any case, one might ask whether or not Shiism was nothing but an ideological prop for Ismail? Shah Ismail liked to call himself Kay-Khosrow, after the Iranian pre-Islamic mythological king who remains the perfect model of kingship in the Persianate sphere even today. The founder of the Safavids did not name his sons after any of the Shiite “saints” Ali, Hassan and Hussein. His son and successor was named Tahmasp, after another pre-Islamic mythological prince and warrior. Ismail’s favorite son’s name was Alqas which means “revenge.” Three of the 12 Safavid kings were named Abbas, after the Prophet’s uncle and the ancestor of Abbasid who became mortal enemies of Ali and his descendants. Only the very last of the Safavids on the throne in Isfahan was called Sultan Hussein.

Shah Ismail was proud of his Christian mother Martha, a Byzantine beauty, who refused to convert to Islam let alone Shiism.

Amanat repeats some of the old chestnuts in circulation about the Safavids, notably the claim that the Qizilbash (Red Cap), Ismail’s elite troops, boiled the corpses of Ottoman soldiers and devoured them while getting drunk.

The standard Western scholars’ view of the Safavids, masterfully expressed by Amanat, ignores Iran’s schizophrenia, a nation that does not feel comfortable with Islam but is, at the same time, reluctant, to abandon it. The fact that Islam, in its different versions, has been used in dynastic wars, and is today used by the Khomeinist movement, in the political arena, cannot hide the fact that religion has and still is used as an instrument of political power rather than the other way round.

The Safavids’ praetorian guards, the Qizil Bash, spoke Turkish while the king’s mullahs, imported from Lebanon, spoke Arabic. Thus the two pillars of the new state couldn’t directly communicate with the kings subjects.

The Western academia’s shortcut of “Iran became Shiite under Safavids” does not tell the whole story.

Amanat’s account of the Iranian story under the Qajars also suffers from received ideas that are hard to dispel.

The image of Qajars as a corrupt, retrograde and ultimately incompetent dynasty makes it difficult to study the impact of historic events, notably the rise of European imperialist powers, beyond their control. However, Amanat’s account has at least one welcome feature as it depicts the ups and downs of religious and political dissent in the Qajar era. Of special interest is Amanat’s account of the rise of the Babi movement and the formation of the Bahai faith and the repression meted out by the Qajars, an issue traditionally avoided by Western historians of Iran.

When we come to the Pahlavi era, Amanat tries, at times heroically, to veer away from the received ideas that have become shibboleths for many Western scholars writing about Iran. Conscious of the danger that he might be ostracized by the academic establishment that regards the Pahlavis with disdain, he raises his head from the parapet occasionally to assert that the two Pahlavis shahs did some good for Iran.

He writes: “In the Pahlavi era the Iranian population had improved in every generation [physically, hygienically, and medically, from the frail, malnourished and diseased population at the turn of the century- visible in many photographs of the period- to a relatively healthy, sanitary, and better nourished people.” Wow!

Amanat also debunks, albeit gingerly, the claim by anti-Shah Marxist and Islamist guerrillas that his regime killed “tens of thousands” of their followers. He states that the total number of Fedayeen of People executed or killed in armed action against security forces was 198 while the People’s Combatants lost 15. The killing of “tens of thousands” was to come much later, under Ayatollah Ruhollah Khomeini.

Equally gingerly, Amanat sets aside the standard claim in Western academia that whatever the Shah did was in accordance with the wishes of the Western powers. He writes: “By mid-1960s neither the United States nor Britain could hold sway over his conduct.”

In his guerrilla style attempt at escaping from received ideas concerning Iran’s recent history, Amanat hits a big hurdle in the shape of the August 1953 events that led to the end of Muhammad Mussadeq’s two-year tenure as Prime Minister. The standard narrative in Western academia is that Mussadeq’s dismissal by the Shah was a coup d’etat plotted by the CIA and carried out by the Shah and his supporters in the military. Anyone who deviates from that narrative is branded a revisionist, almost as bad as Holocaust deniers, and ostracized in scholarly circles.

So, what should Amanat do?

Well, he describes the whole thing as “the working draft of a Grahame Greene novel”, a tongue-in-cheek way of questioning the received idea without incurring the wrath of tis peddlers in the academic spheres.
Amanat then has recourse to numerous qualifiers to indicate that he doesn’t quite share the standard narrative of the Mussadeq saga.

For example he writes: That the Shah, having dismissed Mussadeq “was, perhaps, preparing for abdication and permanent exile, perhaps in the United States where he might have bought a ranch.”

Amanat also dares to criticize Mussadeq. He writes: “His disturbing autocratic conduct may be seen as a conundrum between conservativism, liberalism and radial populism.” Perhaps! In any case, Mussadeq, seen by Amanat, wasn’t the liberal democrat overthrown by earth-devouring American Imperialism.

Yet, to ensure himself against attacks by the received-ideas wolf-pack, Amanat repeats the standard narrative at top speed, a regrettable diversion in an otherwise fair account of the events. During his 37 years as sovereign, the Shah appointed and dismissed 23 prime ministers, including Mussadeq twice.

Should we regard every one of those dismissals as a coup d’état? And why didn’t Mussadeq himself ever claim that he had been victim of a coup d’état? The reason was that Mussadeq, French-educated as he was, knew that the French term meant the violent change of a nation’s regime, head of state and constitution, none of which had happened in Iran.

Mussadeq’s dismissal may have been politically bad and morally wrong. But whatever it was, it wasn’t a coup d’état. Nor did the CIA would have been able to exert such a major influence on Iranian politics.

Amanat is refreshingly balanced in his account of the Khomeinist revolution and the record of the Islamic Republic in the past three decades. In a cool tone he relates the mass executions, the seizure of hostages and the fomenting of terror and oppression that have become key features of the Khomeinist system. At the same time, however, he notes that the Khomeinist regime has provided Iran with a measure of stability rare in today’s turbulent Middle East. To be sure, critics might claim that the stability which Amanat talks about may be stagnation or the calm of a graveyard.

One big mistake Amanat makes is his assertion that the Khomeinist revolution has brought the “Shiite clerical establishment to power.” This is certainly not the case. Khomeini was never one of the “top four ayatollahs of the time”, as Amanat asserts. Until he seized power, Khomeini was in the third-tier of the top Shiite hierarchy. To distinguish himself from the traditional hierarchy, he invented the title of Imam for himself to. In 1978, the Shiite clergy numbered around 250,000 of whom a small number took part in the revolution. Even today, none of the mullahs in senior positions in the regime can be counted among the top echelon of the clerical hierarchy.

Amanat's history with an attitude is a welcome contribution, although in some cases, attitude adjustment might improve things.



Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."


Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
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Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)

More than 200 years after being sunk by Adm. Horatio Nelson and the British fleet, a Danish warship has been discovered on the seabed of Copenhagen Harbor by marine archaeologists.

Working in thick sediment and almost zero visibility 15 meters (49 feet) beneath the waves, divers are in a race against time to unearth the 19th-century wreck of the "Dannebroge" before it becomes a construction site in a new housing district being built off the Danish coast.

Denmark’s Viking Ship Museum, which is leading the monthslong underwater excavations, announced its findings on Thursday, 225 years to the day since the Battle of Copenhagen in 1801.

“It’s a big part of the Danish national feeling,” said Morten Johansen, the museum’s head of maritime archaeology.

A great deal has been written about the battle “by very enthusiastic spectators, but we actually don’t know how it was to be onboard a ship being shot to pieces by English warships and some of that story we can probably learn from seeing the wreck,” Johansen said. The Associated Press was the only international outlet given access to the site.

In the Battle of Copenhagen, Nelson and the British fleet attacked and defeated Denmark’s navy as it formed a protective blockade outside the harbor.

Thousands were killed and wounded during the brutal hourslong naval clash, considered one of Nelson’s “great battles.” The intention was to force Denmark out of an alliance of Northern European powers, including Russia, Prussia and Sweden.

At the center of the fighting was the Danish flagship, the Dannebroge, commanded by Commodore Olfert Fischer.

The 48-meter (157-foot) Dannebroge was Nelson’s main target. Cannon fire tore through its upper deck before incendiary shells sparked a fire aboard.

“(It was) a nightmare to be on board one of these ships,” Johansen said. “When a cannonball hits a ship, it’s not the cannonball that does the most damage to the crew, it’s wooden splinters flying everywhere, very much like grenade debris.”

The battle also is believed to have inspired the phrase “to turn a blind eye.” After deciding to ignore a superior’s signal, Nelson, who had lost sight in his right eye, reportedly remarked: “I have only one eye, I have a right to be blind sometimes.”

Nelson eventually offered a truce and a ceasefire was later agreed with Denmark’s Crown Prince Frederik.

The stricken Dannebroge slowly drifted northward and exploded. Records say the sound created a deafening roar across Copenhagen.

Marine archaeologists have discovered two cannons, uniforms, insignia, shoes, bottles and even part of a sailor’s lower jaw, perhaps one of the 19 unaccounted-for crew members who likely lost their lives that day.

The dig site will soon be enveloped by construction work for Lynetteholm, a megaproject to build a new housing district in the middle of Copenhagen Harbor that is expected to be completed by 2070.

Marine archaeologists began surveying the area late last year, targeting a spot thought to match the flagship’s final position.

Experts say the sizes of the wooden parts found match old drawings. Dendrochronological dating, the method of using tree rings to establish the age of wood, match the year the ship was built. They also say the darkened dig site is full of cannonballs, a hazard for divers navigating waters darkened by clouds of silt stirred up from the seabed.

“Sometimes you can’t see anything, and then you really have to just feel your way, look with your fingers instead of with your eyes,” diver and maritime archaeologist Marie Jonsson said.

Chronicled in books and painted on canvases, the 1801 battle is deeply embedded in Denmark’s national story.

Archaeologists hope their discoveries may help reexamine the event that shaped the Scandinavian country and perhaps uncover personal stories of those who went into battle on that day 225 years ago.

“There are bottles, there are ceramics, and even pieces of basketry,” Jonsson said. “You get closer to the people onboard.”