Anti-fur Activists Target Max Mara, Fendi at Milan Fashion Week

Activists say fur farming is cruel and better alternatives are available. Marco BERTORELLO / AFP
Activists say fur farming is cruel and better alternatives are available. Marco BERTORELLO / AFP
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Anti-fur Activists Target Max Mara, Fendi at Milan Fashion Week

Activists say fur farming is cruel and better alternatives are available. Marco BERTORELLO / AFP
Activists say fur farming is cruel and better alternatives are available. Marco BERTORELLO / AFP

Animal activists have fashion brands squarely in their sights this Milan Fashion Week, hoping to pressure Italian brands Max Mara and Fendi to give up fur in future collections.
An activist from PETA (People for the Ethical Treatment of Animals) stormed the Fendi runway on Wednesday brandishing a sign saying "Animals are NOT clothing".
And a coalition of pro-animal groups stepped up their campaign on Thursday against Max Mara.
Over 1,500 international fashion brands, including some of the most prestigious, have renounced fur in recent years, due to concerns about animal cruelty, changing trends and new synthetic alternatives.
On Thursday, a hot-air balloon with the message "Max Mara Go Fur-Free" floated above the company's headquarters in Emilia Romagna for the second day running.
The stunt was backed by the Fur Free Alliance -- a coalition of over 50 global animal protection associations, including the Humane Society International and Italy's LAV (Anti-Vivisection League) -- which has been targeting Max Mara since earlier this month.
The campaign, involving protests, social media posts, telephone calls and emails, corresponds to the season of fashion weeks in New York, London, Milan and Paris running until March 5.
Max Mara -- whose runway show on Thursday did not feature fur -- did not respond to requests for comment from AFP.
Unlike Fendi, which began as a fur line, Max Mara is best known for its luxurious wool and camel hair coats, using fur occasionally as trim on hoods and cuffs.
That means the company could easily stop using fur without affecting its core business, said LAV's Simone Pavesi.
"It's really a question of total indifference. They could resolve it from one season to another," he told AFP.
He added that the fashion house had refused to sit down with animal welfare groups, as many other brands have done.
'Smell of death'
Outside the Max Mara show, Anna Kirichenko, 32, sported a black ski hat prominently decorated with the company's logo, combined with an oversized black faux fur jacket.
"There are so many alternatives, so many young designers who can give us cheaper and better alternatives (to real fur)," Kirichenko said.
"I want to be an example... I don't like the smell of death."
At Fendi, fashion student Elke Orth, 21, said top brands still using fur have oversized influence, even though attitudes among young people have changed.
"They have all the power because everyone wants to be inside that world," she said.
"But if a famous actor or singer says 'I won't go to that show', that would make a big change," she said.
Armani, Dolce and Gabbana, Gucci, Prada, Valentino and Versace, are among several prestigious fashion houses who have renounced fur.
"All these companies have seen how unethical and unsustainable fur is," Pavesi said.

Major recalcitrants include France's Louis Vuitton and Hermes.
Activists cite the cruelty inherent in fur farming, in which foxes, minks, chinchillas, rabbits and raccoon dogs are crammed into tiny wire battery cages before being gassed or electrocuted.
Undercover operations have brought to light deplorable conditions in fur farms, sick and stressed animals, and episodes of self-mutilation and infections.
An outbreak of the Covid-19 virus in Dutch mink fur farms in 2020 hastened the scheduled closure of the farms by three years to 2021.
Ethics and 'sustainability'
The fur industry markets its products as environmentally friendly renewable resources -- claims that anti-fur activists refute, citing higher carbon footprints.
Within the European Union, there is no ban on sales of fur, nor any specific animal welfare legislation covering these animals.
California, Israel and certain US cities have banned fur sales.
As of December, 17 of the EU's 27 member countries had adopted full or partial bans on fur farming, with others in the works.
There are currently more than 1,000 fur farms in the EU -- most of them in Finland, Greece and Poland -- which amounts to about 7.7 million animals.
Fur Free Europe collected 1.7 million signatures last year to petition the European Commission to ban fur farming.
In response, the EU's executive asked its food safety agency to conduct an independent review on the protection of fur production animals by March 2025.
By March 2026, the Commission will rule on a potential ban on fur farming and the sale of farmed animal fur products within the EU.
Alternatively, it could adopt "appropriate standards" for better animal welfare practices.
LAV's Pavesi said that as of Wednesday, Max Mara had begun to block critical comments about its use of fur from its Instagram page.
"We have no interest in a pressure campaign," he said.
"We'd prefer to talk with the company, explain our reasons... and convince them to stop using fur."



LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
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LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo

LVMH, the world's leading luxury group, said Monday its sales edged higher in the third quarter despite a slowdown in China hitting its fashion and leather goods segment.

The group, whose brands include Louis Vuitton, Dior, Celine and drinks maker Hennessy, took in 18.5 billion euros ($20.6 billion) in the three months to the end of September, beating the consensus of analysts polled by Factset financial data firm.

The 1.2 percent sales gain beat the marginal 0.1 percent increase registered in the second quarter. The group's sales slumped six percent in the first three months of the year.

"Backed by its diverse range of businesses, LVMH remained very solid in an uncertain geopolitical and economic environment," AFP quoted the company as saying in a statement.

But the fashion and leather goods segment saw sales drop five percent excluding currency effects and changes to the business as it was "affected in the third quarter by the slowdown in demand in China."

Louis Vuitton saw its public image take a hit in China after pursuing a local tea company for copying its logo. While it won the case, it provoked a wave of indignation on social media and a call to boycott the brand.

The drop for fashion and leather goods follows the segment posting its first sales gain in two years in the second quarter.

But LVMH's selective retailing division, which includes the Sephora perfume and cosmetics retail chain, posted an eight percent sales increase, while the watches and jewelry and wines and spirits segments both managed six percent gains.

LVMH's share price has dropped 40 percent since the start of the year, with the group losing its place as the leading company on the Paris CAC 40 index in terms of capitalization to L'Oreal.


Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
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Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)

Belgian fashion designer Anthony Vaccarello will leave his post as chief designer at Saint Laurent after a decade in charge, the French house's parent company Kering announced Friday.

"Anthony Vaccarello has played a key role in Saint Laurent's development, helping to strengthen its identity and influence across the worlds of fashion and culture," Kering said in a statement, without giving any reason for Vaccarello's departure.

The designer had hinted at his potential exit at his final show for Saint Laurent on September 29.

Saint Laurent is the last major Kering brand to switch creative director as a ⁠luxury ⁠industry slowdown prompted designer changes last year at Gucci, Balenciaga and Bottega Veneta.

"The focus of the new designer will be in currently under-represented product categories, such as women's daywear and menswear, in high-end leather goods, and less penetrated regions such as China/Asia," Barclays analysts said in a note.

Industry speculation points to Chemena Kamali, currently creative director at Chloe and previously womenswear design director at Saint Laurent, as Vaccarello's likely successor.
Saint Laurent's gross revenues fell by 9% and 6% in 2024 and 2025, before largely stabilizing this year, according to Kering.


Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
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Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)

Chanel’s artistic director Matthieu Blazy sent the fashion house's suits stretching towards sportswear and evening dresses drifting through clouds, with Nicole Kidman, Dua Lipa and Pedro Pascal in the audience as he unveiled his spring-summer 2027 collection.

The Monday night show underscored that a year into his creative revival, Blazy has made the house feel newly unpredictable.

The former Bottega Veneta designer succeeded Virginie Viard, who took over after Karl Lagerfeld ’s death in 2019. Viard’s tenure brought record sales but Blazy’s contribution has been to restore a sense that Chanel’s familiar ingredients can produce something unexpected.

That renewal is visible in his treatment of the house’s symbols: tweed can stretch; formal jackets sit against bare skin; quilted bags turn slouchy.

The appeal lies in giving established clients something recognizable, and newer ones something to reinterpret.

Beneath illuminated birds at the Grand Palais, Blazy's collection traced Gabrielle “Coco” Chanel’s passage from Edwardian constraint towards the freedom she sought in dress.

“It’s about the women within a woman,” Blazy wrote in his notes.

Across 83 looks, that meant expanding the possibilities of a Chanel wardrobe: knits that skimmed the body, masculine tailoring, airy eveningwear and sharply abbreviated skirts.

Raw-edged waistcoats and narrow skirt suits reworked men’s formal clothes. A pearl-embroidered corset top paired with black trousers brought the tension between restriction and ease into focus.

Older fashions lingered in ruffled collars, peplums and traces of corset boning.

The strongest development was Chanel’s new “smocked tweed,” designed to stretch and move with something of athleticwear’s ease. It was a useful proposition for an expensive, familiar garment: preserve its character while improving its possibilities.

Competing patterns and frothy tutus sometimes tipped towards costume. Dres

ses made from layered, printed silk were more persuasive, turning cloud formations and changing light into shifting color, The Associated Press reported.

Model Dyanira Hurbuscher opened and closed the collection — carrying Gabrielle Chanel’s own 2.55 handbag, borrowed from the famed archives.

That element neatly framed the collection’s ambition: continuity with room for change — a balance Blazy’s revitalization of Chanel rests on.

He has made Chanel's heritage feel available for play, backed by serious work in the ateliers.

Lipa wore a sleeveless skirt suit with pink heels. Kidman attended with her daughter Faith Margaret.