A Look at UNESCO and Its Work as the US Decides Again to Leave the Cultural Agency

This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
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A Look at UNESCO and Its Work as the US Decides Again to Leave the Cultural Agency

This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)

With the support of international partners and $115 million in funding, the UN cultural agency UNESCO recently helped rebuild the Iraqi city of Mosul after it was devastated by the ISIS group.

The restoration of the historic city's iconic Al-Nouri Mosque and Al-Hadba Minaret was just one of many programs run by the UN Educational, Scientific and Cultural Organization, which is in the spotlight because the United States is leaving it once again, reported the Associated Press.

The decision to pull US funding and participation from UNESCO will deal a blow to its work preserving cultural heritage around the world. US President Donald Trump exited the agency during his first term, accusing it of promoting anti-Israel speech. The administration of US President Joe Biden had rejoined UNESCO in 2023 after citing concerns that China was filling the gap left by the US in UNESCO policymaking.

Here’s a look at the work UNESCO does:

World Heritage Sites UNESCO names World Heritage sites, including landmarks like the Great Wall of China, the Egyptian pyramids, the Taj Mahal and the Statue of Liberty, and gives them special protection under its World Heritage Sites program.

Its World Heritage Committee each year designates sites considered “of outstanding value to humanity” and intervenes when sites are in danger of destruction or damage. The program provides countries with technical assistance and professional training to preserve the sites.

A World Heritage site designation is coveted and seen as a boost to tourism.

Another UNESCO convention created in 2003 protects “intangible” heritage such as folk songs and traditional dances, crafts and cooking in its lists.

Holocaust Education: Like the rest of the UN, UNESCO was created in response to the horrors of World War II, and particularly Nazi crimes. Amid concerns that the agency’s Arab members have used UNESCO to pass anti-Israel resolutions, UNESCO has worked in recent years on Holocaust awareness projects. That includes educational materials and organizing visits to former Nazi concentration camps.

Empowering Girls: UNESCO works to improve literacy, with a special focus on girls in countries hit by war or disasters who get little or no schooling though programs such as the Malala Fund for Girls’ Right to Education. In Tanzania, for instance, over 2,500 girls benefited from the creation of safe spaces in 40 secondary schools. The agency provides teacher training and materials and encourages programs for girls to pursue careers in science.

Climate Change: One of the agency's goals is coordinating climate knowledge and improving international education about how global warming occurs and affects people around the world. Over 30 UNESCO programs are designed to help its members adapt to climate change and favor sustainable development.

Ethics of Artificial Intelligence: UNESCO adopted in 2021 what it calls “the first and only global standard-setting instrument on the ethics of artificial intelligence.” Applying to all 194 member states, the recommendation emphasizes the protection of human rights and dignity, grounded in principles like transparency, fairness, and human oversight of AI systems.

Operating without the US: UNESCO director general Audrey Azoulay said the US decision to leave was expected and that the agency has prepared for it. While the US had previously provided a notable share of the agency’s budget, UNESCO has diversified its funding sources.

“Thanks to the efforts made by the organization since 2018, the decreasing trend in the financial contribution of the US has been offset, so that it now represents 8% of the organization’s total budget compared with 40% for some United Nations entities,” Azoulay said.

She added that the agency's overall budget has increased and that it has the steady support of "a large number of member states and private contributors.”



Saudi Arabia’s King Abdulaziz Public Library Showcases Rare Andalusian Heritage Collection

The King Abdulaziz Public Library has worked to preserve Arab and Islamic heritage, including books, manuscripts, rare items, documents, photographs, and coins. (SPA)
The King Abdulaziz Public Library has worked to preserve Arab and Islamic heritage, including books, manuscripts, rare items, documents, photographs, and coins. (SPA)
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Saudi Arabia’s King Abdulaziz Public Library Showcases Rare Andalusian Heritage Collection

The King Abdulaziz Public Library has worked to preserve Arab and Islamic heritage, including books, manuscripts, rare items, documents, photographs, and coins. (SPA)
The King Abdulaziz Public Library has worked to preserve Arab and Islamic heritage, including books, manuscripts, rare items, documents, photographs, and coins. (SPA)

Saudi Arabia’s King Abdulaziz Public Library has unveiled a rare collection of books and manuscripts on the history of Andalusia, highlighting the Arab-Islamic civilization Andalusia represented in Europe for more than eight centuries, from the conquest in 711 AD to the fall of Granada in 1492.

The library's Andalusian holdings span numerous subjects, including history, literature, poetry, agriculture, arts, culture, and biographies, and are written in Arabic, English, Spanish, French, German, and Latin, totaling 84 titles.

Rare Arabic books on Andalusia reached 13 titles, while rare foreign-language books totaled 71 titles.

Since its establishment in 1985, King Abdulaziz Public Library has worked to preserve Arab and Islamic heritage, including books, manuscripts, rare items, documents, photographs, and coins, providing a rich knowledge base for researchers worldwide.


Renoir Paintings Are Worth a Fortune, but Not When They’re Stolen

Painting of "Coco Reading" by French painter Pierre-Auguste Renoir, which was stolen from Renoir Museum in Cagnes-sur-Mer, France, but was later retrieved, September 8, 2026, in this screen grab obtained from a page on the Renoir Museum's website. (Musée Renoir/Handout via Reuters)
Painting of "Coco Reading" by French painter Pierre-Auguste Renoir, which was stolen from Renoir Museum in Cagnes-sur-Mer, France, but was later retrieved, September 8, 2026, in this screen grab obtained from a page on the Renoir Museum's website. (Musée Renoir/Handout via Reuters)
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Renoir Paintings Are Worth a Fortune, but Not When They’re Stolen

Painting of "Coco Reading" by French painter Pierre-Auguste Renoir, which was stolen from Renoir Museum in Cagnes-sur-Mer, France, but was later retrieved, September 8, 2026, in this screen grab obtained from a page on the Renoir Museum's website. (Musée Renoir/Handout via Reuters)
Painting of "Coco Reading" by French painter Pierre-Auguste Renoir, which was stolen from Renoir Museum in Cagnes-sur-Mer, France, but was later retrieved, September 8, 2026, in this screen grab obtained from a page on the Renoir Museum's website. (Musée Renoir/Handout via Reuters)

Two Renoir paintings stolen from a small French museum have yet to be recovered but if the thieves are hoping to cash in on the artwork, they would be hard-pressed to find a buyer.

Selling well-known, stolen art is impossible to do at an auction house or through other public channels without raising eyebrows. Even under the table, the value plummets. And unlike other eye-catching artifacts such as jewels, paintings can't be chopped up and sold for parts without losing their entire worth.

Art crime experts stress that most buyers simply don't want the liability. In short, the reality looks nothing like the movies.

“People always think that there is this kind of ‘Dr. No’ type from the James Bond movie," said Arthur Brand, a private art detective based in the Netherlands. "But that’s Hollywood. In the real world, there are no collectors like that.”

Brand, who has investigated art crime for about 20 years, explains that often “nobody will touch” stolen art, particularly high-profile work. Sometimes that means paintings valued at millions of dollars are effectively “worth zero” once they're outside of the museum, he added, if not a small fraction of the price.

Tuesday's theft at the Renoir Museum — the last home of painter Pierre-Auguste Renoir in the French Riviera — marks the latest high-profile art crime targeting collections around the world, and experts warn there could be more.

Here's what we know.

Where the Renoirs could wind up

Cagnes-sur-Mer's mayor, Bryan Masson, said a group of “well-equipped” burglars stole a total of four Renoir paintings from the museum in his town on Tuesday. But they dropped two of them — Renoir’s “Portrait of Madame Pichon″ and “Coco Reading" — in the museum garden before they fled, the prosecutor’s office said in a statement.

Police are still searching for the perpetrators. In the meantime, Renoir's “Portrait of Madame Colonna Romano” and “Young Woman at the Well" remain missing.

Masson estimated the value of the combined Renoir works stolen Tuesday at 9 million euros ($10.5 million).

But the probability of profiting off such a heist is “extremely low,” said Erin Thompson, an art crime professor at the John Jay College of Criminal Justice in New York. In cases that end in arrests, the common takeaway is that “thieves are people who are good at stealing things and bad at thinking through the consequences,” she added.

Some may try to make money from heists in other ways, such as through demanding a ransom or looking for an insurance payout. But Thompson explains many museums don't have insurance because it's too costly. That's why the practice is so rare in the US, for example, and it would be difficult to negotiate with insurance companies elsewhere without the thieves incriminating themselves.

Painting of "Madame Colonna Romano" by French painter Pierre-Auguste Renoir, which was stolen from Renoir Museum in Cagnes-sur-Mer, France, September 8, 2026, in this screen grab obtained from a page on the Renoir Museum's website. (Musée Renoir/Handout via Reuters)

As a result, if not surrendered or otherwise recovered, stolen paintings may remain hidden or in some cases eventually destroyed to get rid of evidence, Thompson says.

Brand, who collaborates regularly with law enforcement in his art crime investigations, says that he's still seen limited cases of stolen paintings “floating around in the underworld” — perhaps as partial payments for products like drugs. And depending on country-by-country laws, he noted that the promise of returning the art has led to reduced sentences of other charges.

“Some more savvy criminal will acquire it as a get out of jail free card, sort of a bargaining chip,” added Christopher Marinello, a lawyer and founder of Art Recovery International. “So, if some drug dealer ever is arrested, he can bargain with the prosecutor and say, ‘Listen, give me a lesser sentence and I’ll show you where these Renoirs are.’ And that has always worked and it will work again.”

Paintings are harder to hide and sell than jewels

Stolen paintings are much more difficult to profit from than museums' other crown jewels — literally.

Jeweled and metal goods have increasingly become a target of theft because they can be melted down or broken down into parts. Last year, a handful of experts warned that could be the fate of the stunning heist of crown jewels at the Louvre Museum in Paris, for example, noting that, if done successfully, smaller pieces could later go up for sale as part of a new necklace, earrings or other jewelry without turning too many heads.

But of course, such pieces would lose their historical worth and, if actually sold, likely only go for a fraction of their original value. Experts also warn that it's far from a simple process overall and gems may still be identifiable by characteristics like clarity, for example.

Apart from an emerald-set imperial crown found outside the museum the day of the October 2025 heist, the stolen jewels remain unrecovered.

Paintings, in contrast, don't have the same commodity value that can potentially be parceled off. “It’s a canvas with some old oil paint on it,” said art theft expert James Ratcliffe, of the Art Loss Register. “You can’t touch it up. You can’t resell it other than for what it is.”

Uptick in art crime overall

Ratcliffe and others note that hasn't stopped thefts of famous paintings and other artwork from museums. Just earlier this year, three pieces by Renoir, Cézanne and Matisse worth millions of euros were stolen in Italy, for example, before being recovered last month.

Ratcliffe notes that smaller museums, in particular, are harder to secure because they might not have the funding necessary to invest in the latest technology or are located in historic buildings that may take more time and effort to install new guardrails.

Still, pressures are piling up, with some warning that future cases of art theft could be likely as vulnerabilities persist.

“We need to change the way we treat small and country house museums before we lose to our cultural heritage permanently,” said Marinello, who stresses that stronger security and enforcement is overdue. “We’re supposed to be preserving our cultural heritage, not allowing criminals to take what they want and using them as shopping malls.”


Massive Ancient Roman Bath Complex Opens to Visitors

A visitor views the restored south-western exedra of the Baths of Trajan, a monumental second-century AD hall believed to have served as a library or space for public readings, with the Colosseum seen in the background, in Rome on September 8, 2026. (AFP)
A visitor views the restored south-western exedra of the Baths of Trajan, a monumental second-century AD hall believed to have served as a library or space for public readings, with the Colosseum seen in the background, in Rome on September 8, 2026. (AFP)
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Massive Ancient Roman Bath Complex Opens to Visitors

A visitor views the restored south-western exedra of the Baths of Trajan, a monumental second-century AD hall believed to have served as a library or space for public readings, with the Colosseum seen in the background, in Rome on September 8, 2026. (AFP)
A visitor views the restored south-western exedra of the Baths of Trajan, a monumental second-century AD hall believed to have served as a library or space for public readings, with the Colosseum seen in the background, in Rome on September 8, 2026. (AFP)

Rome's Baths of Trajan, an ancient bathing and leisure complex featuring giant frescoes and mosaics, is opening to visitors for the first time, the city's mayor said on Tuesday.

Inaugurated in 109 AD, the baths were built by the most famous architect of the time -- Apollodorus of Damascus -- and covered an area of 60,000 square meters (646,000 square feet).

The remains are located on top of the Colle Oppio near the Colosseum and the Roman Forum.

Visitors will be able to see a fresco entitled "The Painted City", depicting an unidentified city of the Roman Empire, as well as a large mosaic dubbed "The Muse and the Philosopher", whose colors are still vivid and whose figures are rendered with striking realism.

"These are the largest fresco and the largest mosaic of the Roman era ever discovered," mayor Roberto Gualtieri told reporters as he announced the site would open this weekend.

He called them "marvelous works that are truly unique in the world for their artistic beauty and their historical... significance".

The site also includes an exedra, a semicircular building whose precise purpose is unknown, which will in future host artistic and cultural events.

The area, which is still undergoing restoration, will initially open only at weekends for groups of no more than 15 people during September.