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Jeddah’s Red Sea Museum Announces January Cultural Program

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
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Jeddah’s Red Sea Museum Announces January Cultural Program

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)

Jeddah's Red Sea Museum announced the launch of its public program for January 2026, featuring a series of artistic workshops, cultural talks, live performances, and family activities. The program aims to connect the Red Sea's cultural heritage with contemporary creative practices, catering to various segments of society.

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. These activities are presented through a cultural and educational agenda held across the museum's facilities and venues in Historic Jeddah.

The program begins on Tuesday, with a workshop titled "Junior Cartographers" in the Discovery Room, where children aged 6 to 12 will explore the art of mapmaking and the fundamentals of navigation through an engaging, interactive approach. On January 15, the "Alchemy of Light: Albumen Prints" workshop will be held at the auditorium, highlighting the historical albumen printing technique using egg whites and silver salts, and exploring 19th-century photography aesthetics through a contemporary perspective.

On January 17, a talk about Historic Jeddah will discuss traditional architecture and its relationship to heritage and modernity. This will be followed on January 18, by the "Navigation from Past to Present" workshop at the auditorium, offering an interactive experience that explores the evolution of navigation methods through hands-on artistic and practical activities.

On January 22, the program includes the screening of the animated film "The Menace from Above" at the auditorium. Later that evening, Bab Al-Bunt Courtyard will host the Al Nour Wal Amal Orchestra, the world's only musical ensemble composed entirely of blind female musicians who perform using Braille musical notation, in a performance celebrating art, resilience, and diversity.

On January 23, an artist talk titled "The Gate of Gates" will be held in Historic Jeddah, documenting the transformations of the Bab Al-Bunt building and the human stories connected to this historic space. On January 28, the auditorium will host a talk titled "Encounters: Travel Literature," exploring journeys to Andalusia and Sicily and how Islamic heritage continues to live on through people and places.

The program concludes on January 31, with a lecture examining the development of quarantine systems and public health monitoring in the Red Sea, highlighting the historical role of Bab Al-Bunt as a quarantine center for pilgrims.

The Red Sea Museum's activities serve as a cultural and knowledge platform dedicated to documenting the Red Sea's tangible, intangible, and natural heritage, and presenting it through educational and interactive programs that foster dialogue between the past and the present, linking heritage with contemporary creative contexts from its headquarters in Historic Jeddah.

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Culture

Michelangelo’s Works Hidden in ‘Secret Room’, Researcher Says

Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)
Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)
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Michelangelo’s Works Hidden in ‘Secret Room’, Researcher Says

Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)
Pedestrians walk past the Basilica of Santa Agnese Outside the Walls as a marble bust is displayed inside after being identified as a work by Michelangelo Buonarroti after centuries without attribution, following a decade of archival research by Italian researcher Valentina Salerno in Rome on March 4, 2026. (AFP)

Renaissance artist Michelangelo ordered many of his artworks to be hidden by his pupils in a secret room to protect them for posterity, an Italian researcher claimed Wednesday.

According to renowned art historian Giorgio Vasari, the Italian genius burned a large number of his own drawings and sketches before his death in Rome in 1564.

But researcher Valentina Salerno says she has unearthed unpublished archival documents that reveal a plot to squirrel away his works.

"One of these three unpublished documents I found in the archives speaks of a room" kept by students of the Michelangelo school, the origins of which "can be traced back" to the artist, Salerno told AFP on the sidelines of a press conference in Rome.

"Assets are hidden inside this room. These assets are locked away so tightly that they require a system of multiple keys, so that no one can access them without the permission of others," she said.

Salerno was researching a book on Michelangelo when she came across a document that showed the artist had in 1550 joined the Brotherhood of the Most Holy Crucifix. Those close to him in his final years were members too.

Over a decade of research, she followed the document trail between a series of archives in the Vatican, Italy and European cities including Paris.

As part of what she called a "maniacal plan" cooked up by Michelangelo, his works were to be hidden "because otherwise it would all end up with a nephew he detested".

"The goal was to pass on to his poor, vulnerable, non-noble descendants the material to be able to continue studying, to transmit his art to future generations," she said.

Those involved in the plan went on to form the famous art Academy of San Luca in the 16th century, she added. It still exists today.

Salerno believes the secret room designed to safeguard the artist's creations was likely somewhere inside the Saint Peter in Chains church in central Rome.

- Michelangelo bust -

During her research, she also stumbled across a reference to a bust at the Basilica of Sant'Agnese, also in Rome, currently attributed to an anonymous artist.

She found documents attributing the white bust to Michelangelo down the centuries.

In the 1930s it appears to disappear from documentation, only to reappear in the 1980s, attributed to a minor artist.

Italy's cultural authorities later declared it to be a work by an unknown sculptor instead.

But Salerno insists the bust is a genuine Michelangelo, not just due to the paper trail, but also because it shares a striking resemblance to Tommaso dei Cavalieri, a young nobleman.

Salerno's work has not yet been peer reviewed, but she is a member of the Vatican committee for the celebrations marking the 500th anniversary of Michelangelo's birth.

Culture

Prince Mohammed bin Salman Project Restores Al-Hawza Mosque in Aseer

Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA
Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA
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Prince Mohammed bin Salman Project Restores Al-Hawza Mosque in Aseer

Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA
Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques is rehabilitating Al-Hawza Mosque in Dhahran Al-Janoub, Aseer, as part of its mission to preserve Islamic heritage under Vision 2030.

Built in 8 AH by Ali ibn Abi Talib during his trip to Yemen to spread Islam, the mosque is one of the oldest in the region and has undergone expansions in 1213 AH and 1353 AH. Its unique architectural identity reflects the Sarawat region's style, utilizing layered mud bricks and local wood to harmonize with the mountainous environment, SPA reported.

Following its inclusion in the project in 2022, the mosque's area was expanded to 293 square meters, increasing its capacity to 148 worshippers while maintaining authentic features like its historic internal well.

By utilizing specialized Saudi companies and engineers, the project achieves a balance between traditional sustainability and modern standards, fulfilling strategic goals to restore architectural authenticity and highlight the Kingdom’s civilizational depth.

Culture

'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
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'Moon Spotter': AlUla's Enduring Tradition of Crescent Sighting

The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)
The people of AlUla in Saudi Arabia have long maintained a close relationship with nature, reflected in their careful observation of crescent moons. (SPA)

The people of Saudi Arabia’s AlUla have long maintained a close relationship with nature, reflected in their careful observation of crescent moons and the determination of lunar months, particularly Ramadan and Shawwal (Eid). This tradition was carried out through a role locally known as the “Moon Spotter,” reflecting inherited astronomical knowledge passed down through generations.

Known for sharp eyesight and precise knowledge of celestial timings, the Moon Spotter relied on traditional methods, including placing a copper vessel filled with water at an elevated position to observe the reflections of the sun and moon, which helped determine the crescent's position with accuracy.

Upon sighting the crescent, he would mark the reflected point with a palm frond before notifying the relevant court to contribute to the official announcement, the Saudi Press Agency said.

This heritage is closely tied to AlUla's historically clear skies, which enabled residents to observe celestial bodies with clarity and fostered a lasting connection to astronomy as part of their cultural legacy.