Ukrainians Seeking Cultural Escape from War’s Brutality Find Comfort and Resilience at Kyiv Art Fair

 Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)
Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)
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Ukrainians Seeking Cultural Escape from War’s Brutality Find Comfort and Resilience at Kyiv Art Fair

 Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)
Visitors look at paintings by Ukrainian artists at the Art Kyiv 2026 Festival at the Art Ukraine Gallery in Kyiv, Ukraine, Friday, May 8, 2026. (AP)

A contemporary art fair has been held in the Ukrainian capital with an unusual premise: that art can help a society come to terms with what war has made normal.

“Holding the event during wartime means not waiting for a better moment, but working with reality as it is,” said Anna Avetova, director of the Art Kyiv fair. “In this context, art does not stand apart from life — it helps make sense of the present, preserve cultural continuity, and lay the groundwork for the future.”

Titled “This is Normal”, the fair has become a space where Ukrainians try to make sense through painting, sculpture and conversation of a reality in which missile strikes, death and loss have quietly become a part of ordinary life.

Hundreds of works filled the space at the Lavra Gallery, from oddly shaped sculptures to paintings spanning from expressive abstraction to surreal portraiture and atmospheric landscapes. Notably, not a single booth is dedicated specifically to the war. That was a deliberate choice.

“The war is always in the air, we just really didn’t want to make a point of mentioning it,” Avetova said. “Art is one of the things that keeps us human. It sustains us and warms our soul when things are very hard.”

The organizers said the event was also intended to provide a boost to the domestic art market, which had already stagnated under COVID-19 before the Russian war made things worse. The market is gradually beginning to recover, and the fair is one example of how Ukrainian artists are ready not only to speak about the war, but to sell paintings.

Art Kyiv describes itself as a cultural platform where artistic experience, public discourse and contemporary Ukrainian reality meet. In a hall occasionally pierced by air-raid sirens warning of Russian strikes, the event has united Ukraine’s most prominent galleries, artists, collectors, and cultural institutions.

It is being held for only the second time since the war began after launching in October.

Ceramic artist Tala Vovk is showing her work for the first time. She tries to attend art events in Kyiv frequently, as it helps her take her mind off the war and “detach from the tragedy.”

“Art is a place where the everyday doesn’t exist,” she said. In her view, even during wartime such events matter, because it is important to nourish the cultural foundation and give it strength so that it can take root and grow stronger. “And that would give strength in any situation,” she said.

That was the case for artist Yuriy Vatkin, who in the first weeks of Russia’s invasion found himself trapped under occupation between Ukraine’s northern city Kharkiv and the Russian border. Painting helped him to survive and maintain his mental health, even after his studio was damaged in an attack, according to his representative at the fair, Denys Dmytriev.

None of the art works, which are primarily for sale, show anything focused on the war. The artists have opted instead for something more neutral. Vatkin is represented by works in his signature style, where thick, layered brushstrokes, fragmented forms and a vivid use of color create a sense of motion and instability.

Anna Domashchenko, a visitor to the event, said she was drawn to the rich, saturated hues because they evoke intense emotions.

She attends art events frequently and says it matters deeply to her that they continue despite the war.

“Sometimes you wonder whether it’s appropriate... but these are exactly the things that inspire you and remind you that life is full of color, and all of those colors should be present at any time,” she said. “Even in times as hard as these.”



In East Libya, Archaeologists Fight to Save 'Breathtaking' Ancient Greek Ruins

(FILES) A man holds a preserved artifact from the Cyrene archaeological site near the ancient historical town of Shahat in the northeastern Mediterranean coast of Libya on May 17, 2026. (Photo by Abdullah DOMA / AFP)
(FILES) A man holds a preserved artifact from the Cyrene archaeological site near the ancient historical town of Shahat in the northeastern Mediterranean coast of Libya on May 17, 2026. (Photo by Abdullah DOMA / AFP)
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In East Libya, Archaeologists Fight to Save 'Breathtaking' Ancient Greek Ruins

(FILES) A man holds a preserved artifact from the Cyrene archaeological site near the ancient historical town of Shahat in the northeastern Mediterranean coast of Libya on May 17, 2026. (Photo by Abdullah DOMA / AFP)
(FILES) A man holds a preserved artifact from the Cyrene archaeological site near the ancient historical town of Shahat in the northeastern Mediterranean coast of Libya on May 17, 2026. (Photo by Abdullah DOMA / AFP)

In eastern Libya, a small group of passionate archaeologists are striving to safeguard the ancient ruins of Cyrene and Apollonia -- sites first targeted by militant groups, then ravaged by Storm Daniel.

The UNESCO-listed ruins were once at the heart of a unique network of Greek colonies in North Africa, according to AFP.

"Breathtaking," tour guide Hamdi Al-Kailani said, surveying the imposing Temple of Zeus at Cyrene. The monument, he added, is slightly bigger than the Parthenon in Athens.

While calm reigns there today, Cyrene -- much like other sites across eastern Libya -- was the target of looting by terrorists, including the ISIS group, when the country descended into chaos following the fall of longtime ruler Muammar Gaddafi in 2011.

With state institutions largely absent, local experts and aficionados had to improvize.

"We were so afraid," recalled Smail Dakhil, who oversees the dilapidated Museum of Cyrene, which houses statues of Apollo and Zeus, and a storage of more than 40,000 rare artifacts salvaged from the ancient city.

"We came up with a plan among colleagues to hide the small statues, gold coins and archives in our homes," he told AFP.

Larger sculptures that could not be moved, including a rare female sphinx, were protected by volunteer archaeologists and residents who "stood watch over the sites around the clock so no thefts were recorded in Cyrene", Dakhil added.

In 631 BC, settlers from the Greek island of Thera, now Santorini, founded Cyrene and four other colonies -- Apollonia, Ptolemais, Arsinoe and Berenice -- along the coast of today's eastern Libya.

At its height, Cyrene had as many as 100,000 inhabitants and developed a rich intellectual life centred on the arts, music and science, with theatres and a renowned school of philosophy.

Earthquakes and wars eventually reduced the cities to ruins, and they were only rediscovered in the 18th century.

Then came Storm Daniel in 2023, with major floods sweeping through Derna, about 100 kilometres (60 miles) east of Cyrene, and killing thousands of people.

"The day after, everyone who loves this site came by," said Anis Hamid Younes, who oversees renovation works along a sacred pathway linking upper Cyrene to the Temple of Apollo.

"We were in shock," he added.

Younes leads a team that has spent months clearing fallen blocks and rubble, salvaging valuable objects and rebuilding a sanctuary and nearly 60 metres (200 feet) of an antique wall.

Despite what he described as "outdated equipment" and "a lack of resources", Younes said he hoped the area would reopen to visitors in September.

Storm Daniel brought destruction and death -- but also new discoveries.

Archaeologists have since unearthed engravings and funerary offerings hidden among thousands of Green and Roman tombs.

- 'Change of attitude' -

Some 20 kilometres away, experts are increasingly concerned about Apollonia, Cyrene's former port, a third of which has already been submerged by the sea over the centuries.

"Before Daniel, we estimated the risk of losing the site at 50 percent," said Talal Al-Hasey, a local official at the Department of Antiquities. "Now it's 80 percent."

"Urgent intervention is needed... Some structures are completely exposed to marine erosion," he added.

Sitting on one of the rock-cut seats of a Greek theatre, Ahmad Essa Abdulkariem, a senior Department of Antiquities official, lamented "the absence of assistance from UNESCO and other international organizations".

He said the department had made "repeated requests" for help with sites listed as endangered since 2016, but in vain.

Charaf Ahmimed, UNESCO's new director for the Maghreb, told AFP he was "not aware" of the requests, noting "UNESCO's desire to return in force" to Libya. He said he planned to visit Cyrene and Apollonia this summer.

Fresh from a trip to Paris, Essa said he dreamt of having a museum of comparable stature to the Louvre in Libya's eastern region of Cyrenaica.

Such space could also help Libya recover hundreds of ancient items now held abroad, including around 250 in Paris and another 200 at the British Museum in London.


Culinary Arts Commission Documents Saudi Food Heritage Through Global Ark of Taste Initiative

Culinary Arts Commission Documents Saudi Food Heritage Through Global Ark of Taste Initiative
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Culinary Arts Commission Documents Saudi Food Heritage Through Global Ark of Taste Initiative

Culinary Arts Commission Documents Saudi Food Heritage Through Global Ark of Taste Initiative

The Culinary Arts Commission has registered 180 Saudi products representing the Kingdom's 13 administrative regions within the global Ark of Taste initiative, as part of its efforts to document national food heritage, SPA reported.

The Ark of Taste is a global initiative dedicated to documenting food products threatened with disappearing, aiming to highlight local food diversity, support traditional producers, and promote sustainable production methods.

The Kingdom registered approximately 120 products between 2022 and 2024, before adding 60 new items this year, bringing the total to 180, spanning 16 categories including animal breeds, baked goods, dairy products, local coffee, honey, spices, and traditional vinegar.

The commission continues to support the documentation and registration of the Kingdom's food and cultural elements, preserving Saudi culinary heritage for future generations.


Historic Jeddah Marks 12 Years on UNESCO World Heritage List

Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA
Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA
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Historic Jeddah Marks 12 Years on UNESCO World Heritage List

Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA
Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA

This June marks the 12th anniversary of Historic Jeddah's inscription on the UNESCO World Heritage List, reflecting the Ministry of Culture's continued efforts to revitalize the area as part of Saudi Arabia's ongoing commitment to protecting and preserving cultural heritage and national identity.

Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value.

The site reflects the exchange of human values, building materials, and architectural styles across the Red Sea region. It also highlights its historic role as a center for trade and pilgrimage, enhancing its historical connection to Hajj from both architectural and urban perspectives, SPA reported.

The 12th anniversary of Historic Jeddah's presence on the UNESCO World Heritage List further reinforces its global status as a living heritage site, a distinctive cultural and tourism destination, and a vibrant center for culture, arts, and creativity.