Milan Kundera, Author of ‘The Unbearable Lightness of Being’, Dies Aged 94 

A visitor to the Milan Kundera library in Brno, Czech Republic reads a book by the Czech novelist on April 6, 2023. (AFP)
A visitor to the Milan Kundera library in Brno, Czech Republic reads a book by the Czech novelist on April 6, 2023. (AFP)
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Milan Kundera, Author of ‘The Unbearable Lightness of Being’, Dies Aged 94 

A visitor to the Milan Kundera library in Brno, Czech Republic reads a book by the Czech novelist on April 6, 2023. (AFP)
A visitor to the Milan Kundera library in Brno, Czech Republic reads a book by the Czech novelist on April 6, 2023. (AFP)

Milan Kundera, whose dissident writings in communist Czechoslovakia transformed him into an exiled satirist of totalitarianism, has died in Paris at the age of 94, Czech media said Wednesday. 

Kundera’s renowned novel, “The Unbearable Lightness of Being,” opens wrenchingly with Soviet tanks rolling through Prague, the Czech capital that was the author’s home until he moved to France in 1975. Weaving together themes of love and exile, politics and the deeply personal, Kundera’s novel won critical acclaim, earning him a wide readership among Westerners who embraced both his anti-Soviet subversion and the eroticism threaded through many of his works. 

“If someone had told me as a boy: One day you will see your nation vanish from the world, I would have considered it nonsense, something I couldn’t possibly imagine. A man knows he is mortal, but he takes it for granted that his nation possesses a kind of eternal life,” he told the author Philip Roth in a New York Times interview in 1980, the year before he became a naturalized French citizen. 

In 1989, the Velvet Revolution pushed Communists from power and Kundera’s nation was reborn as the Czech Republic, but by then he had made a new life — and a complete identity — in his attic apartment on Paris’ Left Bank. 

To say his relationship with the land of his birth was complex would be an understatement. He returned to the Czech Republic rarely and incognito, even after the fall of the Iron Curtain. His final works, written in French, were never translated into Czech. “The Unbearable Lightness of Being,” which won him such acclaim and was made into a film in 1988, was not published in the Czech Republic until 2006, 17 years after the Velvet Revolution, although it was available in Czech since 1985 from a compatriot who founded a publishing house in exile in Canada. It topped the best-seller list for weeks and, the following year, Kundera won the State Award for Literature for it. 

Kundera’s wife, Vera, was an essential companion to a reclusive man who eschewed technology — his translator, his social secretary, and ultimately his buffer against the outside world. It was she who fostered his friendship with Roth by serving as their linguistic go-between, and — according to a 1985 profile of the couple — it was she who took his calls and handled the inevitable demands on a world-famous author. 

The writings of Kundera, whose first novel “The Joke” opens with a young man who is dispatched to the mines after making light of communist slogans, was banned in Czechoslovakia after the Soviet invasion of Prague in 1968, when he also lost his job as a professor of cinema. He had been writing novels and plays since 1953. 

“The Unbearable Lightness of Being” follows a dissident surgeon from Prague to exile in Geneva and back home again. For his refusal to bend to the Communist regime the surgeon, Tomas, is forced to become a window washer. Tomas ultimately lives out his final days in the countryside with his wife, Tereza, their lives becoming both more dreamlike and more tangible as the days pass. 

Jiri Srstka, Kundera’s Czech literary agent at the time the book was finally published in the Czech Republic, said the author himself delayed its release there for fears it would be badly edited. 

“Kundera had to read the entire book again, rewrite sections, make additions and edit the entire text. So given his perfectionism, this was a long-term job, but now readers will get the book that Milan Kundera thinks should exist,” Ststka told Radio Praha at the time. 



Archaeologists Find Huge Viking Textile Production Site in Denmark

 Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
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Archaeologists Find Huge Viking Textile Production Site in Denmark

 Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)

Archaeologists have discovered a huge Viking Age textile production site in Denmark that dates back more than 1,000 years and underlines the sophistication of Viking society.

Experts from the Moesgaard Museum said this week that the sprawling 100,000-square-meter (more than 1 million-square-foot) site features an area for processing flax as well as more than 80 pit houses — semi-submerged huts that were used as workshops and dwellings in Viking times.

It's located in Søften, 10 kilometers (6 miles) north of Denmark’s second-largest city, Aarhus, on the Jutland peninsula. The site dates back to the late Iron Age and early Viking Age, sometime between A.D. 600 and 950.

Archaeologist Liv Stidsing Reher-Langberg, who led the 10-month dig, said that “we have a clear focus on textile production, which makes this settlement different from other kinds of settlements of this period.”

“We have spindle whorls, we have weight looms; that tells us about what has been going on in the pit houses,” said Reher-Langberg, adding that archaeologists had also discovered silver coins, glass beads and pottery.

Experts found separate areas for production and crafts, plus a single residential home, which suggests work was overseen by a powerful individual with control over resources and production.

Reher-Langberg said that, over the last three decades, people with metal detectors had unearthed several silver coins in the area. A trial excavation 1½ years ago, before the start of construction work on a new road and industrial area, then piqued archaeologists’ interest.

“We could see in the trenches that it just keeps on going, with these houses and pit houses and textile production features,” Reher-Langberg said.

Moesgaard Museum historian Kasper Andersen said that the discovery at Søften is “another piece in the puzzle” to understanding the local economic, cultural and political structure at the time.

During the Viking era, Aarhus — then known as Aros — functioned as a center for royalty and international trade. And last year, archaeologists discovered another Viking site in Lisbjerg, just 4 kilometers (2½ miles) away, that was likely home to members of the nobility.

Goods and resources were likely brought from the countryside and settlements like Søften, before entering an extensive international trade network, Andersen said.

“When you have a production site of this scale, it cannot be only because of the local area. It needs to be understood as part of a greater network, a much bigger international perspective,” Andersen said.

Reher-Langberg hopes future carbon dating and pollen analysis might answer some lingering questions, for instance about what kind of textile production went on at the site.

During the Viking Age, considered to run from A.D. 793 to 1066, Norsemen known as Vikings undertook large-scale raids, colonization, conquest and trade throughout Europe, even reaching North America.

Andersen said that the discovery at Søften shows that Vikings were “not just simple, uncivilized, barbaric hordes, rambling about Europe.”

“To have a place like Søften, you need a very well-organized society with a production line, and you also need a market to have the production,” he said. “The textiles from Søften go into a market that’s much bigger than just the local area.”


Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
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Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)

Saudi Ambassador to Lebanon Fahd Al-Dosari visited on Monday the Ameen Rihani Museum in the town of Freike in Matn District, reported the Saudi Press Agency.

The ambassador was received by members of the Rihani family, led by the museum's curator, Ameen Albert Rihani, who welcomed him and praised the historic relations between Saudi Arabia and Lebanon.

They recalled the historic meeting between King Abdulaziz bin Abdulrahman Al Saud and Lebanese writer and historian Ameen Rihani in 1922.

During the visit, Al-Dosari toured the museum's historical and literary sections and viewed the exhibition marking the centenary of the book “Rihaniyyat”.


On World Camel Day, Saudi Arabia’s AlUla Celebrates Camel Heritage and Reinforces Its Cultural Identity

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
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On World Camel Day, Saudi Arabia’s AlUla Celebrates Camel Heritage and Reinforces Its Cultural Identity

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)

World Camel Day, observed annually on June 22, serves as a global occasion to reflect on the enduring relationship between humans and camels throughout history.

The day highlights camels' economic contributions, their role in supporting food security and sustainable development, and their cultural significance, which extends beyond geographical boundaries and has made them a deeply rooted symbol in the collective memory of peoples worldwide, reported the Saudi Press Agency on Monday.

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. This is reflected in the significant attention devoted to the sector through specialized initiatives and events, support for camel owners, and efforts to preserve and sustain this heritage as one of the Kingdom's most prominent cultural assets.

Across AlUla, rock art and inscriptions dating back thousands of years tell the story of the close relationship between humans and camels. (SPA)

Across AlUla, rock art and inscriptions dating back thousands of years tell the story of the close relationship between humans and camels. These animals contributed to the prosperity of trade routes, facilitated mobility, and supported the stability of successive communities.

Camels remain an essential part of AlUla's heritage and a testament to the deep connection between people and their environment since ancient times.

Today, camels in AlUla are more than witnesses to history. They are an integral part of the region's cultural and sporting landscape and a key element of the tourism experience offered by the land of civilizations.

Through a contemporary vision that combines the authenticity of history with the aspirations of the future, AlUla continues to showcase this rich heritage, ensuring that camels remain among the most enduring symbols in the story of people and place across generations.